Nocturnal Review

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Nocturnal ReviewThis recording should be in the collection of every serious classical guitarist in the world. It is the most breath-taking, intense, dramatic and colourful and superlative-inspiring recording of a guitarist extant. The recording marks a return for Julian to Britten's Nocturnal After John Dowland - certainly the most important modern work for guitar and a peak moment in its repertoire. This second recording is every bit as intense, colourful, dramatic, so on, as Bream's first and, I think, has the bonus of Bream's added maturity without ever losing the freshness and excitement with which he approached it in his Landmark record '20th century guitar' back in the 60's (also a must-have, but more rare). Bream's conception is notably different in the second recording - slower, more intense tempos, particularly in uneasy; he plays the ossia (2 instead of 4 notes in the tremelo) for gently rocking (very haunting) and reaches (I believe) a more dramatic and exciting climax in the passacaglia (!). Added to this are Frank Martin's chilling Quatre Pieces Breves, Brouwer's Sonata for Guitar, a group of Lutoslawski Folk songs, and Toru Takemitsu's All in Twilight (this esspecially is played so as to provoke such a perfect atmosphere of transience and twilight).
Buy this disc immediatly or I will visit you in the small hours and so on.Nocturnal Overview

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