Haunted Heart Review

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Haunted Heart ReviewNo one really would have suspected it, but Fleming truly does have a strong pop/jazz style voice. At times there are elements or hints of Carly Simon, Phoebe Snow, Nancy Wilson and, oddly, Cher, yet it is a unique sound all hers and and not at all derivative.
Many of the cuts reveal a juicy low voice that purrs and then opens up strongly recalling Nancy Wilson in similar material.
Fleming's cover of Joni Mitchell's "River" is about as classic and stunning a performance of this song as one is likely to hear. Ever. Even from Mitchell.
Fleming tackles one of my favorite songs "The Moon is a Harsh Mistress" and goes one better than my previous favorite recording, Linda Ronstadt's. Not an easy thing to do.
So far I am thrilled with just about every note and phrase I've heard. This is not "crossover" style music, it's "real music" and, if Fleming really sounds like this - or can sound like this - she could pick up another career quite easily. This is gorgeous, late night, candles, glass of port, sink into the sofa music.
Some of Fleming's previous excursions into the realm of pop have met with disaster (notably her over-the-top "Over The Rainbow" at last year's Kennedy Center Honors). This album has none of that affected, show offiness that made even die-hard fans of hers question her taste and musicality.
Many opera fans are going to hate her in this material, many probably won't, on principle, even give it a listen, but those who don't know Fleming as an opera singer, will easily buy that this is a real deal, a golden throated chanteuse singing this material as if to the manner born.Haunted Heart Overview

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