Twilight Saga: Eclipse the Score Review

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Twilight Saga: Eclipse the Score ReviewThe Twilight movies have each been unique films, each one having a different director. The scores for the movie are similar, each having a different composer. But while the directors of the franchise have at least paid some respect to the others' work, the three composers have each given their own take on the music of Twilight and haven't done much to create stylistic consistency.
Carter Burwell's score incorporated pop music elements and was effective in that it catered to Twilight's core audience even if the music was sometimes structurally weak. Alexandre Desplat created a more traditional, classical score that was influenced by the recurring "Romeo and Juliet" motif in the film. He just about completely ignored Burwell's music, and while his own material was thematically strong, it was often borderline nebulous and it didn't do much for me in the actual film, particularly in scenes that were supposed to be emotionally dramatic.
Now, Shore has ignored both of these composers' thematic material but has effectively combined their approaches, making a score that can be pop-ish and rock-ish at times (like the piano theme in "Compromise/Bella's Theme" and the electric guitar in "Victoria") but also provides some much-needed straight orchestra writing (the romantic music in "First Kiss" or the action cue "Riley").
Noteworthy is that Shore manages to do two things that Burwell and Desplat never managed: 1) make music that actually effectively conveys vampires and werewolves and 2) create themes for some of the side characters. Those two elements were lacking in the first two Twilight scores.
Shore goes from dark, pounding action music to carefree character writing without missing a beat. In the film, the score is able to subtly enhance the moods on screen (although there are no standout musical sequences), and it makes for a decent listening experience on album, although it probably won't reach the heights of your "25 most played" list.
Overall, Burwell's score might satisfy some Twilight fans the most and Desplat probably has the most refined score but Shore's balanced approach is effective and his mastery of his craft is evident. One could only wonder what would have happened if any one of these competent composers had been able to handle the franchise at large, rather than just single entries.Twilight Saga: Eclipse the Score Overview

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