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Blow By Blow ReviewI've been a professional guitarist and music teacher for over two and a half decades. I listen to guitar music day in and day out, ranging in style from Luis de Milan (1536) to Leo Brouwer and Alan Holdsworth. It isn't difficult to observe that almost all music that has survived the test of time has had something valid to say: some of it expresses well the particular fashion/taste of the period; some successfully pushes the existing musical boundaries; and some is just uniquely personal to its creator.As a musician Jeff Beck belongs mostly within the last of the preceding three groups. Examination of his output suggests it would be hard to argue that he created any new genre, but whenever he experimented in a new field he always sounded unmistakably true to his own unique musical identity. I also believe that a creative performing musician can receive no greater compliment.
The hallmark of Beck's style is melodic fearlessness. This boldness sets him apart musically from perhaps 'superior' technical and 'harmonically informed' peers, especially those of the so-called 'improvisational' based jazz scene. Beck's playing is instantly recognisable and is almost devoid of cliche. Jeff Beck only ever sounds like Jeff Beck. On the occassion that he ever employs a tired phrase of (say) Chuck Berry's, it is in such a manner or in such a place as to turn it on its head or throw new light upon it.
To those wondering whether to add this CD to their collection I recommend that you bear in mind Duke Ellington's words - "There are only two kinds of music: good music and bad music", because this CD belongs unquestionably to the first category. All instrumental, it contains a variety of styles - including ballad, reggae, funk, and rock - read the other reviews for the details. And finally, please don't ever pretend to have any inkling of what Jeff Beck is about, or what he is capable of, without being familiar with this particular album.Blow By Blow OverviewBlow by Blow served as a new creative peak for Beck and is, to date, his most commercially successful release. Offering a one-two punch of ingenious production and imaginative soloing, the wonderfully unpredictable guitar genius meshes stinging jazz-rock with string arrangements and energetic rhythm for You Know What I Mean; Constipated Duck; Air Blower; Scatterbrain ; Stevie Wonder's Cause We've Ended as Lovers; Thelonius; Freeway Jam; Diamond Dust , and a clever arrangement of Lennon and McCartney's She's a Woman .
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