Nothing's Shocking Review

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Nothing's Shocking ReviewOne of the most original and unique records of its era, "Nothing's Shocking" is the album that turned into the bar for alternative music. In many ways the LA variant of grunge, Jane's Addiction successfully combines the sounds of '70s arena rock with a punk sensibility and a post-punk feel, adding Perry Farrell's esoteric and often dense lyrics on top of this. While commercial success would follow with "Ritual de lo Habitual", its controversial artwork and its hit single, this is in my assessment the superior album, and the benchmark for alternative music since. Its a testament to Jane's Addiction that few records have been able to match this.
Admittedly, Jane's is probably not for everyone-- its hard to deny the instrumental prowess of this band: guitarist Dave Navarro can wail away with the best of them, and its through him that the influence of '70s and '80s arena sounds come through. Bassist Eric Avery has a very different sensibility, if there's one thing about Avery, its that he's really a master of sitting in a pocket, whether featured in a melodic context or even just marching to the guitar line-- he phrases slightly off to provide that sort of groove feeling. And drummer Stephen Perkins is probably the best of his generation, with a fine technique and an expressiveness that is really quite rare to find in modern drummers. But the band's calling card is really Perry Farrell, and he's the kind of thing you sort of like or dislike straight off-- his kind of punk-meets-Queen vocal approach, very much over the top the way Freddie Mercury was, but filtering out much of the technique in place of passion and a raw wail. It's not for everyone.
Getting past the band, the music on this album is intense-- their proclivity for rambling, musically, further accentuates the tighter material, and they manage to strike a fine balance between the two that they'd miss on future releases. Avery and Perkins lock together and provide propulsive foundations, laid back grooves, and ambiance to the pieces-- Navarro either explodes or focuses on color, and Farrell maintains a surrealist presence, drifting, seemingly randomly at times, in and out of the pieces, content to babble abstractly rather than provide coherent lyrics at times. It sounds like a mess, but it works well, from the explosive "Ocean Size"-- a driven modern rock anthem to the funky, laid back, atmospheric and deeply disturbing "Ted, Just Admit It" (about serial killer Ted Bundy) to the delicate, lilting ballad "Summertime Rolls". The band could rock ("Mountain Song"), swing ("Thank You Boys") and get plain funky ("Idiots Rule"), or move into a delicate mode with acoustic guitars and steel drums (single "Jane Says"). And for the album closer, they give in to Farrell's most self indulgent tendency with the totally bizarre "Pigs in Zen", an alternative masterpiece that needs to be heard to be explained.
The members of the band would manage one more album before literally getting into fist fights on-stage at Farrell brainchild Lollapalooza, and while they've all gone on to produce some great music outside of the band, none of them would quite reach this level. Essential listening.Nothing's Shocking OverviewNo Description Available.Genre: Popular MusicMedia Format: Compact DiskRating: Release Date: 11-JAN-1989

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