Showing posts with label sarasate. Show all posts
Showing posts with label sarasate. Show all posts

Virtuoso Violin Review

Virtuoso Violin
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Virtuoso Violin ReviewThis CD features Itzhak Perlman at his best! I have bought several of these bargain discs on the EMI label, and I am yet to be disappointed. They feature great artists and great music - every one! Perlman is magnificent on this disc. His unique style and fiery temperament are perfectly represented. I only wish that EMI had advertised that the disc featured Spanish selections exclusively. I was particularly attracted by Sarasate's Bizet Carmen Fantasy, but all of the cuts were very satisfactory. If I had been in charge of producing the disc, I might have selected a few other pieces, but otherwise I cannot quarrel with what is an outstanding CD at any price, much less the ridiculously low price at which EMI offers these bargains. A must add to any collection of violin music, classical music in general, or Itzhak Perlman in particular!Virtuoso Violin Overview

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Joshua Bell. Kreisler, Brahms, Paganini, Sarasate, Wieniawski. Review

Joshua Bell. Kreisler, Brahms, Paganini, Sarasate, Wieniawski.
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Joshua Bell. Kreisler, Brahms, Paganini, Sarasate, Wieniawski. ReviewJoshua Bell showed up on my TV screen, for the New Year's concert in which he was the soloist to perform popular pieces, such as those of Fritz Kreisler. I was watching him with weary, suspicious eyes. What can this young man (notice the reverse age discrimination on my part) teach me about these old popular virtuoso pieces? How can this "kid" from Indiana soothe my nostalgia for these pieces that I associate with "the good, old Europe"?
By the time the concert was over, I have found out that Joshua Bell, now Maestro Bell rather than "the kid from Indiana", not only captured, but improved these old violin favorites! I rushed immediately to order his records.
On the double CD "Violin Favourites & Virtuoso Showpieces", Maestro Bell plays Kreisler, Brahms, Paganini, Sarasate, Wieniawski and other composers.
This phenomenal violinist plays these pieces with an unprecedented elegance and sophistication. Most importantly, he does not suffocate his listeners with his emotions, but instead he offers a refined performance with lots of musical space for the listeners to put their five cents worth of musical emotions. He has completely rejected the idea of any schmaltz, which has unfortunately become a signature for many of these pieces. Instead, he concentrates upon and captures the intrinsic beauty of this music.
I must address his virtuosity. He is so phenomenal, that I think that Paganini could not do it any better. Maestro Bell, I feel, is not really interested in dazzling his audience (although it happens automatically), but is simply exploring the limits of what violin as an instrument and he as a performer can offer. His left- and right-hand pizzicatos, double stops, harmonics, and staccatos at a very fast pace, make violin sounds so much more exciting. His virtuosity is in service of the interpretation of the pieces he plays.
Listen carefully to Maestro Bell! You can hear every note separately, no matter how fast he plays. You may wonder how fast Maestro Bell can play. In my opinion, if he played any faster, my ears could not detect the separate notes! His playing deserves an Olympic Gold Medal!
He plays popular pieces, such as those of Kreisler, which some listeners, who consider themselves sophisticated, look down upon. And yet, these may be the pieces that they often enjoy the most, out of the entire concert, when they are played as an encore. They would never admit it! Maestro Bell's sophisticated performance of these pieces has given such listeners an opportunity to come out of their closets and enjoy Kreisler openly. They can then join the rest of us who think that there is nothing wrong with the pretty music that many generations of listeners love.
This recording is an absolute must for anybody who ever played the violin. It will make you recapture your youthful love for this beautiful instrument, which Maestro Bell shows at its best! Thank you, Maestro Bell!
Needless to say, I give Maestro Bell five stars!Joshua Bell. Kreisler, Brahms, Paganini, Sarasate, Wieniawski. Overview

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Music for Violin, Guitar and Piano - Leonid Kogan Review

Music for Violin, Guitar and Piano - Leonid Kogan
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Music for Violin, Guitar and Piano - Leonid Kogan ReviewThe correct title of this 1998 album is MUSIC FOR VIOLIN, GUITAR AND PIANO (UPC:5032636100200). Leonid Kogan is joined on various tracks by his wife violinist Elizaveta Gilels, guitarist Alexander Ivanov-Kramskoy, and pianist Andrei Mytnik. We have asked Amazon to update the title.
We obtained our copy in an effort to increase our Kogan library, and it is part of a large series released in 1998 on the Russian Revelation label. What we do NOT know is the source of the recordings because - in 2001 - it was broadly announced that Pipeline Music had acquired exclusive rights to more than 400,000 original audio and video recordings from the archives of the Russian State Television and Radio Company. The recordings dated back to the 1930s. Pipeline turned over the remastering job to Neural Audio (the XM Radio people) and it was released in 2002 on the Yedang Classics label. Would you believe, it was manufactured in Korea. So it seems that the 1998 RR disc must have been recreated from some other secondary source, but that information is not given in the album credits.
We bought the newer Yedang release in 2002 from a music club catalog based on the news that Neural Audio was remastering the RSTRC archive originals. Since the soundtrack is identical to the 1998 issue, the foremost consideration in acquiring these recordings is SOUND QUALITY. The 2002 Yedang release is far superior, with broader range and clarity. If you've ever heard XM radio on a good sound system, then you have some idea of how fresh and fine the Neural Audio remastering sounds. There is just no comparison.
We wouldn't discourage anyone from collecting this 1998 release to round out a collection of that series, because we ourselves were happy with it for several years and do not intend to part with it. If you don't have the 1998 disc, think about getting the better-sounding Yedang release. Either way, NOW IS THE TIME TO GET EITHER OF THESE DISCS BECAUSE THE RIGHTS HAVE CHANGED HANDS ONCE AGAIN:
In January 2006 The Orchard (huge distributor and marketer of independent music) announced that they secured exclusive digital rights to market this music in a deal made with Pipeline Music (the Yedang label licensee). So, that's how it goes - this fabulous music will now be relegated to the digital airwaves for download to computers, iPods, cell phones, and so on. Keep the music you love on CDs - they don't have subscriptions that run out, batteries that fail, and don't get stolen so someone can make calls on your cell phone...
About the pieces included on both releases: they were recorded in the 1950's during the swift rise of Kogan's astounding international career. The album is mostly about him, although on some tracks he is joined by other Russian greats. Our favorite on this album is the charming Gragnani (Graniani)"DUET FOR GUITAR AND VIOLIN" with guitarist Alexander Mikhailovich Ivanov-Kramskoy (1912-1973), a great artist, composer and teacher. He is a must-have for a well-rounded classical guitar collection.
If you are interested in hearing more of Kramskoy's guitar and Kogan's violin together in a really fine release, may we recommend:
"F. GRAGNANI, N. PAGANINI, M. GIULIANI" (Melodiya, 2000) with Leonid Kogan and Alexander Ivanov-Kramskoy, and cellist Feodor Luzanov, recorded from 1950-1951. We hunted it down after a single public radio hearing of Giuliani's "Trio in A for Violin, Cello & Guitar". We listen to it almost every day, and probably will for years to come. It can be found on Amazon (ASIN: B000UB422Q / UPC: 4600317106554).
Music for Violin, Guitar and Piano - Leonid Kogan Overview

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