Showing posts with label sharon isbin. Show all posts
Showing posts with label sharon isbin. Show all posts

Journey to the New World Review

Journey to the New World
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Journey to the New World ReviewThis is a review by John Hodges from the Juilliard Journal Online.
Joan Baez was one of guitarist Sharon Isbin's childhood heroes, so perhaps it was inevitable that they would eventually collaborate, and the joyous results are at the heart of a new Sony CD, Journey to the New World. Baez adds haunting vocals on "Wayfaring Stranger," which, thanks to arranger Carlos Barbosa-Lima, deftly steers away from treacle. She returns later in breathy, beautiful form for Isbin's transcription of John Jacob Niles's "Go 'Way From My Window." Both make fine bookends to the Joan Baez Suite (2002) by John Duarte, who died in 2004. It's a shame he didn't live to hear this recording. Using roughly 12 of Baez's songs, Duarte crafted a moody yet mellow tribute that shows off Isbin's expertise. A high point comes in the bittersweet "Where Have All the Flowers Gone": some arresting chord changes herald the traditional "Taps."
Isbin, who founded and chairs Juilliard's guitar department, begins the CD with four Renaissance duets, originally for lute and arranged for her playing both parts. Most impressive is the melodic invention of John Johnson's "Greensleeves," and I was struck by the haunting, anonymously attributed begins the CD with four Renaissance duets, originally for lute and arranged for her playing both parts. Most impressive is the melodic invention of John Johnson's "Greensleeves," and I was struck by the haunting, anonymously attributed "Le Rossignol." The generous disc also includes Andrew York's brief Andecy, a popular valentine to folk music of the British Isles.
The program ends with Mark O'Connor's Strings & Threads Suite, originally for violin solo, but here arranged for guitar and violin (the latter raptly played by O'Connor). Sections such as "Road to Appalachia" and "Texas Dance Hall Blues" are typical of its homey, exuberant channeling of folk tunes from Ireland and the United States. Throughout the program, Isbin's warmth, vitality, and casual virtuosity infuse each track. Those who know Isbin only from her Bach, Rodrigo, or Villa-Lobos may be surprised by her naturalness in this repertoire. The recording engineers, Tim Martyn and Dann Michael Thompson, capture every pluck in vivid detail.Journey to the New World Overview

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Spanish Guitar Virtuoso, Vol. 2 Review

Spanish Guitar Virtuoso, Vol. 2
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Spanish Guitar Virtuoso, Vol. 2 Reviewi like this record mostly. my absolute favorite on here is the giuliani grand overture op.61...romero's playing here is absolutely goregous...breathtaking. also exceptional are the mudarra and the rodrigo and scarlatti. its only like 7 bucks so just buy it. some people complained of weird phrasing on vol. 1 of this series, but i am glad to say that this problem isnt really present here. the only thing that i dislike really is guardame las vacas...i feel that he sacrafices good phrasing for the sake of a display of speed...such playing isnt needed for a traditional piece like this.Spanish Guitar Virtuoso, Vol. 2 Overview

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In the Spanish Style Review

In the Spanish Style
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In the Spanish Style ReviewThis recording is an incredible interpretation of 17 beautiful songs. Parkening shows complete mastery of ALL songs, which, as a classical guitarist myself, I must say are extremely difficult. This album is a perfect example of what every classical guitarist should should aspire to. Especially interesting is his version of the traditional Spanish song "Romance" (Anonymous), which was personally arranged for Parkening by his cousin.In the Spanish Style Overview

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