The Revenge of Hamish & Other Choral Works Review

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The Revenge of Hamish & Other Choral Works ReviewI could not agree more with the other comments about this recording. I also heard several pieces played recently on NPR and was amazed at their beauty and passion. This is a composer that deserves to be heard by a very wide audience. McClelland's skill in setting texts is truly remarkable, and his selection of poetry is flawless. The performances and the recording are both on a very, very high level. Anyone lover of serious and intelligent yet accessible music should definitely get this.The Revenge of Hamish & Other Choral Works Overview"The Revenge of Hamish," new choral works by William McClelland, has received high praise from critic Donald Rosenberg in July, 2004's "Gramophone" Magazine:"Vivid music, vividly sung . . . The music ranges far and wide, embracing everything from Scottish folklorism and pop to many-layered, traditional a cappella writing.Whatever the style, the composer finds lucid and evocative solutions to the poems, all in English, which are set with such skill that it is almost possible to forgo the texts in the booklet . . . The William Appling Singers & Orchestra perform each piece with keen attention to words, blend and phrasing, and the instrumentalists are exceptional advocates for McClelland's appealingly direct manner of expression." Equally enthusiastic is William Zagorski, who writes in the January-February, 2005, issue of "Fanfare" Magazine: "McClelland is fully at home in a multiplicity of styles , and we are treated to a wide range of them on this release--from the tonally ambivalent parallel harmonies of 'Song for the Rainy Season,' the pop-inflections of 'The Ballad of Don and Dan,' the rarefied hymnody (sometimes jazz inflected) of the 'Five Sonnets for Men's Voices' and the ecologically inspired 'Collect Pond,' the symphonic grandeur of 'A Wood,' the offhand counterpoint of 'Wolf Moon,' to the ethnically Scottish flavors of 'The Revenge of Hamish.'Withal, a distinctively American composer's voice emerges, and it is both an imaginative and compelling one . . . Some of this program is a capella.Other numbers offer diverse instrumentations that deftly underscore the subtexts of the poems.In all cases, that point where language ends and music begins is magically blurred.The choral work is excellent and the instrumentalists play with both exactitude and enthusiasm, revealing a composer who is more than worthy of our attentions."

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