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Best Kept Secret ReviewPlaying Time - 52:02 -- Just about two decades ago, Jerry Douglas had already established himself as the premier dobro player on the bluegrass scene. Fine albums on the Rounder, MCA and Sugar Hill labels were one of his legacies from the 1980s and 90s. "Slide Rule" and "Lookout for Hope" were two stupendous releases. Now associated with growing Koch Records, Douglas now appears headed in new electric directions that match up his resophonic guitars, Fender telecaster and lap steel with drums, B-3 organ, violin, guitars, bass, mandolin, banjo, saxophone and piano. Joining him on the journey are a number of friends, including Sam Bush and Bela Fleck who joined Jerry in the band, Strength in Numbers. Other key quests include Alison Krauss, John Fogerty, Bill Frisell, and Derek Trucks.
"The Best Kept Secret" may take a few by surprise. Bluegrass fans expecting a more acoustic or traditional sound will be displeased. On the other hand, fans of progressive country rock will immediately take to the dramatic opening salvo of the 6-minute "She Makes Me Want To Sing," with its driving guitar. The album appears to be a vehicle for Douglas' astonishing creative juices to freely flow, an even the most close-minded traditionalist has to appreciate the hot picking in the upbeat "Who's Your Uncle?" An album of enterprising undertaking, Douglas seems to enjoy the challenge of facing formidable tasks. It's actually pretty cool to hear Alison Krauss getting down and funky on "Back in Love Again." Assuming you like blues and country rock, this is the kind of music that grows on you with repeated listens. On my first few spins of the CD, orchestrated late at night after a long day, I took to the soothing effect of Joe Zawinul's "A Remark You Made" and Bob Willis classic "Swing Blues No. 1," sung by John Fogerty. Guitarist Bill Frisell trading licks on "Lil' RoRo," and Douglas' "Ya Ya etc." are packed with punch and intensity. Musicians appearing on most cuts are Gabe Witcher (violin, B-3), Keith Sewell (guitars), Shannon Forrest (drums, percussion), and Derek Jones (acoustic bass).
While many Nashville artists are getting more country or acoustic and a lot less rock `n' roll, Jerry Douglas is bucking that trend. I won't purport to say that he's going against the grain because he's never had a specific grain to follow. His objective has always been to simply produce stimulating music. With multiple Grammy awards under his belt, Jerry Douglas has the experience and smarts to know exactly what he's doing. His "Best Kept Secret" may be commercial and targeting a younger album-buying demographic. In any case, we know he's come to represent exceptional dobrology with broad influences. His aqueous compositions are full of excitement and energy. It's Playing Time - 52:02 -- Just about two decades ago, Jerry Douglas had already established himself as the premier dobro player on the bluegrass scene. Fine albums on the Rounder, MCA and Sugar Hill labels were one of his legacies from the 1980s and 90s. "Slide Rule" and "Lookout for Hope" were two stupendous releases. Now associated with growing Koch Records, Douglas now appears headed in new electric directions that match up his resophonic guitars, Fender telecaster and lap steel with drums, B-3 organ, violin, guitars, bass, mandolin, banjo, saxophone and piano. Joining him on the journey are a number of friends, including Sam Bush and Bela Fleck who joined Jerry in the band, Strength in Numbers. Other key quests include Alison Krauss, John Fogerty, Bill Frisell, and Derek Trucks.
"The Best Kept Secret" may take a few by surprise. Bluegrass fans expecting a more acoustic or traditional sound will be displeased. On the other hand, fans of progressive country rock will immediately take to the dramatic opening salvo of the 6-minute "She Makes Me Want To Sing," with its driving guitar. The album appears to be a vehicle for Douglas' astonishing creative juices to freely flow, an even the most close-minded traditionalist has to appreciate the hot picking in the upbeat "Who's Your Uncle?" An album of enterprising undertaking, Douglas seems to enjoy the challenge of facing formidable tasks. It's actually pretty cool to hear Alison Krauss getting down and funky on "Back in Love Again." Assuming you like blues and country rock, this is the kind of music that grows on you with repeated listens. On my first few spins of the CD, orchestrated late at night after a long day, I took to the soothing effect of Joe Zawinul's "A Remark You Made" and Bob Willis classic "Swing Blues No. 1," sung by John Fogerty. Guitarist Bill Frisell trading licks on "Lil' RoRo," and Douglas' "Ya Ya etc." are packed with punch and intensity. Musicians appearing on most cuts are Gabe Witcher (violin, B-3), Keith Sewell (guitars), Shannon Forrest (drums, percussion), and Derek Jones (acoustic bass).
While many Nashville artists are getting more country or acoustic and a lot less rock `n' roll, Jerry Douglas is bucking that trend. I won't purport to say that he's going against the grain because he's never had a specific grain to follow. His objective has always been to simply produce stimulating music. With multiple Grammy awards under his belt, Jerry Douglas has the experience and smarts to know exactly what he's doing. His "Best Kept Secret" may be commercial and targeting a younger album-buying demographic. In any case, we know he's come to represent exceptional dobrology with broad influences. His aqueous compositions are full of excitement and energy. It's another chapter in Flux's music book that illustrates the creative genius at work. (Joe Ross, staff writer, Bluegrass Now)
Best Kept Secret OverviewKicking off with the slippery and driving groove of 'She Makes Me Want To Sing' featuring fellow slide-master Derek Trucks, the album's 11 tracks are the most ambitious and accessible work to date for Douglas, marking the masterwork of a key musical explorer and a testament to his evolving creative spirit. The Best Kept Secret takes an inclusive tack on 'Who's Your Uncle', regular co-conspirators Bela Fleck and Sam Bush whip it up on a series of blistering choruses, while on 'Back In Love Again' Douglas unveils a new slinky -- one could even say funky -- side from singer Alison Krauss. Koch. 2005.
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