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Morph the Cat ReviewFagen's previous solo albums were "concept" albums: each had a definite theme that followed through each of the tracks. MORPH is also something of a concept album, although in a looser way. The title track sets the stage for what could have easily been called "New York City Stories," with various character dealing with their dreams and fears of post-9/11 America.Musically, the album actually sounds more like Steely Dan than Donald Fagen...although this certainly isn't a bad thing. Fagen's trademark keyboards and bass abound throughout, but one immediately notices the prominent role of electric guitars on the disc. There's "real" brass (vs. electronically reproduced instruments) on several tracks, giving songs like "Brite Nightgown" and "The Night Belongs to Mona" extra punch. And my favorite new touch has to be the use of an organ and real piano on a few tracks. The music is uniformly tight, occasionally surprising (as in the trippy marimba flourish leading into the 3rd verse of "Brite Nightgown"), and NEVER dull.
As a longtime fan, my ongoing gripe is the brief amount of material covered here. Although MORPH has one more track than each of the previous Fagen albums, it still feels too short. And I love a good jazzy instrumental break, but a few of the tunes go on a little too long. In the final analysis: It's not as good as THE NIGHTFLY (nothing...ever...will be), but it's a slight improvement over KAMIKIRIAD.
Finally, a plea to Mr. Fagen himself...please don't make us wait another 13 years for more!Morph the Cat OverviewThe first solo album in 13 years from Donald Fagan, Morph The Cat is another contemporary classic from half of the Rock and Roll Hall of Fame duo Steely Dan. With Fagan's adventurous musical depth, uniquely layered lyrics and entertaining subject matter (from a conversation with the ghost of Ray Charles to a romantic liaison with an airport security guard named Joan), Morph the Cat is the newest chapter chronicling the most sophisticated music in rock. 2006.
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