Showing posts with label columbia. Show all posts
Showing posts with label columbia. Show all posts

Lotus Review

Lotus
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Lotus ReviewMany complaints have been lodged against this album including comments regarding the excess length of songs, the constant noodling, the missing presence of Carlos Santana, the lack of an overall melody, and poor sound quality.
To begin with, the length of the songs is excellently chosen. And believe it or not Supernatural fans, each song is well planned out. Most reviewers who have a beef with this album's length don't like jazz to begin with, and desire that Carlos keep within the bounds of his late 60's and late 90's hit making three minute song machine. The greatness of Lotus is its ability to take all of Carlos' beautiful melodies and expand them each into a whole new creation.
Despite the extended length of songs on Lotus, there is no excessive noodling. Each solo has a central rhythmic and melodic structure that was used to express in a moment what can never been repeated. Unlike earlier Santana albums, Carlos allows other musicians (i.e. excellent keyboards and Latin percussion) to express beautiful melodies over a palette of amazing chord progressions and tight rhythms. In addition Carlos is in his best recorded form, from the subtlety displayed on Samba Pa Ti to the incredible Incident at Neshabur. Lotus is pure genius if for nothing but the second disk of material. Carlos' guitar tone on Lotus is perfect in its ability to express cleanly when played gently and fire up when played with great passion.
Lotus is one of the single greatest achievement in guitar playing in terms of Santana's ability to harness and realize the melodic powers of the guitar. No other guitarist I have heard (Jimi, Django, Allman, Clapton, Beck, and even McLaughlin) has unlocked the mystery of a melodic, singable solo more completely than Carlos Santana did on this record.

In regards to the recording quality and mix, I believe it to be one of the best live album ever made. This album is not meant to sound up-front like a studio album or have lots of crowd noise like live albums made in the late 70's till today have. Lotus is meant to sound endless and reverberate with great warmth. The mic positioning, engineering, and mixing is top notch. Every instrument is balanced and every subtlety is audible and clear. If you have never tried to mix a live album, you would never know how hard it is to achieve the level of warmth and tonal quality Lotus produces.
Lotus is near the top of recorded music of all time. Many years after "Smooth" is forgotten, future generations and historians will look upon Lotus as one of the most important achievements in modern music history.Lotus OverviewJapanese Limited Edition Issue of the Dsd Mastered Album Classic in a Deluxe, Miniaturized LP Sleeve Replica of the Original Limited Vinyl Album Artwork. This Legendary Package Has 22 Sides and Folds Out....well, Like a Lotus Blossom! Includes a Special History Booklet (In Japanese) with Numerous Pictures of the Period and Miniaturizations of all the Cards that were Enclosed with the Original LP Issue. The CDs Themselves Are Picture Discs. The LP Edition was an Extremely Limited Edition and Predictably, this Edition Will Be as Well! the Japanese have Perfected the Art of Re-creating Original Album Covers in the Digital Age and this Set is One of their Most Outstanding Packages Ever!--This text refers to an alternate Audio CD edition.

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Santana (1st Album) Review

Santana (1st Album)
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Santana (1st Album) ReviewThis is the first of three albums by the classic Santana lineup: Carlos Santana on guitar, Gregg Rolie on keyboards and vocals, Dave Brown on bass, Mike Shrieve on drums, and Jose Areas and Mike Carabello on percussion. The band shows a great improvement over the 1968 recordings at the Fillmore -- Carlos's playing is much more confident and inventive, the addition of Mike Shrieve loosens up the drumming, and Areas and Carabello bring out the Afro-Latin aspects of the music. At the same time, the band's sound is still strongly rooted in the blues (especially on "You Just Don't Care") and wouldn't fully achieve its potential until 1970's Abraxas. Nevertheless, many of the performances are absolute classics -- especially the fiery organ-guitar duel on "Waiting" and the explosive "Soul Sacrifice". Those familiar with Santana's radio hits will of course recognize "Evil Ways" and their chugging version of Olatunji's "Jingo", while the laid-back Latin groove of "Treat" provides a nice respite. And the bonus tracks, from the band's Woodstock performance, make this album even more essential: you get to hear exactly why the live performance of "Soul Sacrifice" blew away so many acid-drenched listeners at the festival. It's still speaker-frying 32 years later. If you like the stinging guitar and swirling organ of early Santana, their debut is a must-buy.Santana (1st Album) OverviewThe album that started it all-it hit #4 in 1969 and stayed on the charts for 108 weeks! Includes the Top 10 single Evil Ways ; their first charting single, Jingo , and the rest of the original album. The CD-only bonus tracks, recorded live at Woodstock, are Soul Sacrifice; Savor , and Fried Neckbones .

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Caravanserai Review

Caravanserai
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Caravanserai ReviewI don't know about ya'll, but I'm about gettin tired of this "remastered" business. Firstly, at this stage of the game, many of these "remastered" albums are just being equalized from the previous digital copy (most likely a 16 bit Sony 1630 digital master), this release makes no mention of using the analog masters. For lovers of Caravansari, keep your old disc and save your money unless you just gotta have those extended liner notes. The other reviewer is absolutely correct....great album, one of Santana's most daring and experimental... a very rewarding listen, but the reissue is mostly about greed....cheap case and thinner disc than previous one with virtually identical sound. The remaster is a little brighter...which will make it more or less appealing depending on your tastes...but basically there is not enough difference to buy again. No bonus tracks either, they did'nt even do "super bit mapping" this time. Of the reissues by Santana, Abraxas is the only one that has some really good bonus material (live tracks from the same period) which makes it worthwhile. Get "Welcome" or "Love, Devotion Surrender" instead of this. Let me see if I'm understanding this correctly- "Hey what we sold you before was crap, and even the one after that, and sometimes the next one after that was crappy too...this new one is the good one"...if you want to believe it go ahead...usually the differences are small, once in a while you get a significant improvement, but the passage of time and it's effects on analog tape is making that less likely.Caravanserai Overview

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Chicago Presents The Innovative Guitar of Terry Kath Review

Chicago Presents The Innovative Guitar of Terry Kath
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Chicago Presents The Innovative Guitar of Terry Kath ReviewWhat is it with record companies. What planet are they on? I can't believe that such a worthy tribute album could have been so badly put together. Terry Kath was a truly great guitarist and songwriter. Why then do we have a collection of tracks of which a mere handful are Kath compositions and hardly any really define his intensity, lyrical perspective or guitar playing. Where are "Oh, Thank You Great Spirit" "Song Of The Evergreens" or "Takin'It On Uptown" to name but a few. And "Byblos" ??? where is "Byblos" !!! Surely one of the best songs ever written. This is a great album if you want a Chicago collection, but if it's the real Terry Kath you want, best to get a CD-R and make your own !Chicago Presents The Innovative Guitar of Terry Kath Overview

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