Showing posts with label dogsblues. Show all posts
Showing posts with label dogsblues. Show all posts

Butterfield Blues Band Review

Butterfield Blues Band
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Butterfield Blues Band Review
Yes, this is the great PBBB 1st album (actually, the 2nd, see below), but it's not the CD you should be buying.
This domestic CD was released in 1990 and has never been remastered.
The import 2CD version of this title (backed with the PBBB's 2nd album "East West") is the one to get. It was remastered by Bob Irwin in 2001.
Ditto for "Pigboy Crabshaw" & "In My Own Dream"; the 2004 import 2CD is also remastered (and sounds incredible) and the domestic CD's are not.
Why WEA and Elektra have not made these four remasters available domestically is a mystery.
Don't waste your money on these inferior versions: Get the imports!
Also: Don't miss the "Original Lost Elektra Sessions" CD, which was the real first PBBB album, recorded before this one. There is some fabulous music on that CD, and the liner notes by Paul Rothchild are worth the price alone.Butterfield Blues Band OverviewBloomfield, Bishop and Butterfield knocked down walls between black and white with their strong love of blues and their equally powerful chops. Here are Born in Chicago; Blues with a Feeling; Last Night; Mellow Down Easy , and the rest of their 1965 debut!

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Blues Breakers Review

Blues Breakers
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Blues Breakers ReviewIf you've never heard this album then this remaster is the best way to hear it. It's clean, has good separation and features two
bonus tracks recorded by John and Eric. Now for the anorak, trainspotting details of WHY this album is important. Quite simply, as far as tone, technique and temperament, Eric Clapton at this time was revolutionary. In the guitar world there are two periods; BB (Before "Bluesbreakers") and AB (After "Bluesbreakers"). First, tone. NO ONE had this kind of overdriven, aggressive and harmonically rich sound before 1966.
Literally, what we associate with rock/blues guitar sound for the last 35 years can be traced back to the tones Clapton was getting in '66. Second, technique. Imagine yourself as young
person in England at this time and you've discovered the great American blues guitarists like B.B. and Freddie King but figure
you will never see them unless you go to America. Then you hear about AN ENGLISHMAN your age who can play that way, plus add
something of his own. Third, temperament. Eric Clapton was able
at young age to both tap into a vastly different world (that of the African-American middle aged bluesman)and supply his own
revolutionary ideas about how the elecrtic guitar could be played. Revolutionary is right. People forget about that all the time but in 1966 Clapton changed everything. It is a tribute to his basic sanity after all these years and personal problems that
he DIDN'T try and continually live up to that standard. He did
other things. Most musicians never have the opportunity to revo-
lutionize anything and very very few can do it more than once.
Whenever anyone looks disparagingly on Eric Clapton's career, and
he had some low points it's true, all I have to say is "Bluesbreakers".Blues Breakers Overview

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