Showing posts with label electric blues. Show all posts
Showing posts with label electric blues. Show all posts

The Complete Plantation Recordings Review

The Complete Plantation Recordings
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The Complete Plantation Recordings ReviewWhen Muddy Waters made the first recordings here, he was 26 or 27 and had not been playing regularly. He didnt own a guitar and had to borrow Alan Lomax's Martin. You see here your basic Delta and Mississippi blues in full blossom, by a man who was a great player if he could sound like this when he wasn't in practice. People look at Mississippi blues with a distorted mind thinking of it only through the stream of Robert Johnson, when the music and the tradition was much broader.

In the interviews on this recording you can see how lame and ignorant at times the folklorists were, both white and black, Lomax and Work. But you also see a testament to Son House who taught Robert Johnson, Muddy, and a whole layer of bluesmen and who was such a great artist even in his revival 1960s that Muddy would make his band members keep quiet and play close attention when House performed with them at Newport and elsewhere.
However, you also see his roots beyond this. We get to hear a good string band performance with Muddy Playing with fiddler Son Sims and a mandolin player in a blues fiddle band that was typical of what was going on at the time. Muddy explains his decision to start playing music was inspired by Sims and the string band with Sims and the mandolin player was the band he performed with when he got work. Neither Waters nor the liner notes let you know that Waters also played mandolin, and that when Muddy was a teenager in the 1930s, his favorite blues group was the fiddle band The Mississippi Sheiks. Years later, Muddy would explain he walked all day just to hear the Sheiks.
Despite all this history, this is some good blues music to listen to,. More relaxed,and less intense, and of course less masterful than the Chess masterpieces Muddy began putting out in Chicago in the 1940s, but this is still a CD I put on my player with it set to keep replaying it because I want to hear it.The Complete Plantation Recordings OverviewRecorded on Stovall Plantation in Clarksdale, MS by Alan Lomax in 1941 and 1942, these 18 tracks represent the first recordings of a sharecropper named McKinley Morganfield a.k.a. Muddy Waters. And, yeah, there's an unreleased track, and four interviews, but really, for something this historic the less said the better. Just listen.

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Definitive Collection Review

Definitive Collection
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Definitive Collection ReviewThis is really just MCA/Chess' Howlin' Wolf-compilation "His Best" in new guise, but that's not a bad thing. "His Best" was by far the greatest single-disc Wolf-compilation on the market, and now this one is simply taking its place.
But do you know what you are getting into here? Even people who like Muddy Waters are sometimes turned off by the "sound of heavy machinery operating on a gravel road" that was Howlin' Wolf's voice.
Chester Arthur Burnett, the Howlin' Wolf, stood about 6'4" and weighed close to three hundred pounds in his prime, and his raw, throat-shredding vocals sound positively frightening on early cuts like "Moanin' At Midnight" and the clanging, piano-driven boogie of "How Many More Years", his first R&B hit, and the one which allowed him to proudly state that "I'm the onliest one drove out of the South like a gentleman!"
This is electric blues of the highest order, rough and tough and extraordinarily powerful. The songwriting credits are shared about equally by the omnipresent Willie Dixon, who plays bass on most of these cuts, and the Wolf himself, and while few of these songs are as well-known as Muddy Waters' "Hoochie Coochie Man" or Elmore James' "Dust My Broom", they are quite as magnificent.
Wolf's tough "Who's Been Talkin'" is an incredibly gritty tour de force set to a thumping rhumba beat, and Dixon's horn-driven rave-up "Hidden Charms" features perhaps the greatest guitar solo ever comitted to tape, courtesy of Jimmy Page's and Eric Clapton's hero (as stated by themselves), the extraordinary Hubert Sumlin.
Other highlights include "Forty-Four", the eerie "Smokestack Lightnin'", the slide guitar-driven "Little Red Rooster" and the phenomenal "Killing Floor", written by Howlin' Wolf, shamelessly stolen by Led Zeppelin and covered by several others, but never surpassed, and featured here in the ultimate version, propelled by an incredibly catchy guitar riff by Hubert Sumlin, and with Buddy Guy on acoustic rhythm guitar.
Almost every song is a highlight, actually. This CD is a corner stone in any serious blues collection...hard-rocking, bone-crunching electric blues, burning with the sheer ferocity of Chester Burnett's incredible voice.
There was never anyone quite like the Wolf, and it doesn't seem likely that there will be.Definitive Collection Overview

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Blues Deluxe Review

Blues Deluxe
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Blues Deluxe ReviewIt doesn't happen too often to me to be fascinated and carried away by a new CD at the first listening. Well, it has happened this time! What a master this guy is! And what a milestone in the history of modern blues this CD is already! After two solid blues-rock releases Joe turns straight into the blues and the final result is so amazing that the first reaction a common human being could only have after have been listening to it, it is about half an hour of silence simply because this CD leaves you speechless!
I quite like Joe's first two efforts, however from my point of view this one is much, much better than the previous two. Joe demonstrates beyond any doubts that he is at this moment in time maybe the best guitar player, or in the worst case scenario one of the three bests, alive. It is absolutely pointless to try to work out which one is the best cut on this album, all the 12 "12 bars" songs here are equally good. Joe is able to cover all the spectrum of the blues reinterpreting (be aware not covering) B.B. King, Buddy Guy, Albert Collins, John Lee Hooker and even Robert Johnson with such a great taste and personality that you will not believe to your own ears! He plays slide and acoustic with the same intensity and feeling he usually plays traditional electric guitar and his playing in the three slow blues included here is so wonderful that you can't avoid having shivers going up and down your spine. In my personal opinion this is by far the best electric, guitar driven blues album of at least the last twenty years. I would be really surprised and flabbergasted if he will not have the W.C. Handy Blues Award as best guitarist when time will come. More than highly recommended I would say that Blues Deluxe is simply an essential addition to everyone collection. Much more than 5 stars!
PS. I have been lucky enough to have the chance to see Joe playing live on the 22nd of May 2005 in a small club in north London. He played a lot of songs from Blues Deluxe and the live version of the title track was just mind blowing! I am old enough to have seen live on stage such greats like Stevie Ray Vaughan, Albert King, Albert Collins, B.B. King, Buddy Guy, Luther Allison, Luther "Guitar Junior" Johnson, Little Milton, Johnny Winter, Ronnie Earl, Hubert Sumlin, Robben Ford, Eric Clapton, Peter Green, Gary Moore, Kid Ramos, Alvin Lee, Mick Taylor and many more...however with all the due respect for such great musicians, Joe is by far the best I've ever seen! Don't miss him live, it will be the greatest experience of your life!Blues Deluxe Overview

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Songs From The Road Review

Songs From The Road
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Songs From The Road ReviewI had the privilege of seeing Luther Allison back in 1972 at the Dane County Coliseum in Madison, Wisconsin. Believe it or not, he opened up for two greaser bands, Bill Haley & The Comets and a band called Sha Na Na. There was some motorcycle gang up front harassing Mr. Allison while he was playing. I was kind of amazed that he didn't walk off stage but apparently the band wasn't entirely intimidated by those clowns. I had never seen anyone play the blues like THAT and needless to say, we split the coliseum right after Luther left the stage. I saw Luther Allison twice after that, both time on the East Coast. The last time I saw him was on 6/12/1997. He died on 8/12/1997 from lung cancer and brain tumors. There's no way that he knew he had cancer on that warm June night because he played like a man possessed for more than 3 hours. I've seen lots of great guitarists but Luther Allison was a pure joy to watch. The guy was drenched with soul and he always played his heart out. So many fantastic musicians (Jimi Hendrix, Hound Dog Taylor, SRV, Jim Morrison, Duane Allman, Barry Oakley, Toy Caldwell, Tommy Caldwell, John Lennon, George Harrison, Richard Wright) have passed away over the years and I miss them all, but I miss Luther Allison the most. I highly recommend that you buy Soul Fixin' Man, Blue Streak, Reckless, and Live in Chicago. If you listen close enough, you'll see why I believe that Luther Allison was the true king of the blues.Songs From The Road OverviewSongs From The Road by Luther Allison
This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.


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