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Telephantasm: ReviewI was really looking forward to getting this collection, 3 coloured vinyls mastered by Bob Ludwig and a DVD with all the videos on it as well as lithographs, a 7" vinyl of Black Rain also coloured and 2 CD's. The package is very well done, doesn't feel cheap at all. Everything fits nicely together and the vinyl is in a separate side of the box set to the CD's, DVD's and booklets, as it should be. So...where does it go wrong? From the first notes of the first LP or CD you're in for a big disappointment. Another release gets ruined with overzealous dynamic range compression.Now I wasn't too concerned about how the CD's were going to turn out, I got this first and foremost for the vinyl and secondly for the DVD of the videos. Due to low sales numbers and the methodology in which vinyl records are created, vinyl editions of recent albums have seen better mastering than their CD counterparts. Don't get all defensive and launch into a CD vs. vinyl debate, because this isn't about that. What I'm saying is, the vinyl releases of new albums from Alice in Chains, Dave Matthews Band and others have received less dynamic range compression and less tools that result in dimished dynamics of the master that is to be used to create the vinyl, resulting in a more dynamic performance, one closer to what the producer was hearing in the studio one would hope.
This isn't the case with Telephantasm, the vinyl is as poorly mastered as the CD is, perhaps even worse. The sibilance does not hold up well in Cornell's high notes and Cameron's cymbals and hi-hat, it sizzles into obscurity. There is little in the way of dynamics, everything sounds like your typical 2010 CD. This is very disappointing given that there are supposed to only be 5,000 copies of this. The loudness war sucks wholeheartedly, but with top bands usually only moving between 12,000~25,000 copies of their records per year the vinyl usually escapes as the idiots in A&R at the labels and those musicians who don't know any better usually don't care about the vinyl, it's not getting into enough people's hands, therefore the mastering engineer can master with dynamics intact like most of them want to.
I compared Outshined and Rusty Cage from SIDE THREE of the coloured vinyl with my 2003 German (EU) pressing of Badmotorfinger, man what a MASSIVE difference, the sonics and dynamics of the recording are wonderful on the 2003 edition, which can still be found on the Amazon Germany website, ASIN B000057UWZ.
If you want to order one of the two copies left, just follow through the buttons, you don't need to read German to navigate, it's all the same set-up as Amazon Canada or US. I highly recommend this pressing at 24 Euros, even though you'll have to pony up 14 Euros for shipping to North America it's still worth it to get the best sounding version of Badmotorfinger I've ever heard, although if you don't spin vinyl be content with the original CD, it's also very good.
I was hoping with Bob Ludwig's name attached that the CD's might be okay, but should have know the label and project team probably said "no, we need this to be loud like other bands albums are these days, or kids won't like it" - which is TOTAL BLOODY NONSENSE. You can see a comparison between the Badmotorfinger CD and the Telephantasm CD in a post I made at the Steve Hoffman forums by googling "Soundgarden outshined telephantasm vs badmotorfinger dynamic comparison" and click on the first link that says "New release sounds like crap" and check out post #20.
The 2010 tracks are clearly boosted, well outside the scope of CD's limits resulting in brickwalling and/or limiting to prevent a massive amount of clipping. Dynamics are suffering, what a shame. It's nowhere near as bad as Death Magnetic, but it's still poor.
I will say that the CD actually sounds better than the vinyl to my ears, or maybe it's just that the vinyl sounds so poor compared to the 2003 EU pressing of Badmotorfinger that I don't even remember how bad the CD sounds.
Now maybe there is one saving grace for this package...the DVD. Nope, it suffers too. The audio isn't as bad as the CD and vinyl from a dynamic perspective, but the bitrate afforded the DVD's audio track is poor. They've gone with 2.0 Dolby Digital only at a bitrate of a little over 200 Kbps. No effort was made to visit the studio and create a 5.1 mix, they didn't even add a 2.0 PCM uncompressed stereo mix which would have been much more palatable. I'd love it if they'd included a Blu-ray of all the videos, but really the source material is probably video in most cases and the Blu-ray would only allow for less compression...but a high resolution 24-bit audio track wouldn't have gone amiss. Anyway, that's neither here nor there, it's nice to see some of these videos and remember watching the Buzz Bin on MTV in 1991 seeing Outshined...but the lack of fidelity in choosing only a Dolby 2.0 mix takes away from it. Had they used the full 448 Kbps allowed on DVD for Dolby it would have been a much more enjoyable sonic experience.
Overall I can only give this collection 2 stars. It's well put together and definitely great for collectors, but the sonic misadventures that afflict the DVD, the 3LP's and the 2CD's are just not welcome in my house, I'm probably returning mine to Amazon.
Telephantasm: OverviewDeluxe three disc (two CDs + DVD) edition. 2010 collection from the Alt-Hard Rockers, one of the most popular bands to emerge from the Grunge/Seattle Rock scene. This multi-label, career-spanning retrospective album includes beloved band hits, deep back catalogue cuts and a never-before-heard unreleased track entitled "Black Rain," taken from the Badmotorfinger recording sessions. Telephantasm marks the first time ever a collection of its kind has been collated in one place.
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