Showing posts with label smashing pumpkins. Show all posts
Showing posts with label smashing pumpkins. Show all posts

Gish Review

Gish
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Gish ReviewIn all fairness though, this is still an excellent accomplishment from Billy Corgan and company. Yes, it is more guitar heavy than Siamese Dream, Mellon Collie, or Adore (Pisces Iscariot I didn't include because that covers all of the b-sides from Gish and Siamese Dream, therefore it isn't a good album to be used as a measure), but consider that all of their live shows are just like Gish in their raw guitar power, and when Gish was recorded the Smashing Pumpkins were still a relatively new band who only had experience on stage, not in the recording studio. I Am One, Siva, Bury Me, and Tristessa will get your speakers booming with their grinding rythms, while Suffer and Daydream seem to around the room on a wave of soft melodies. One cannot count out Rhinoceros though, for this one song captures the best of both types of SP songs. So, to pumpkins fans new and old who don't have this album, buy it for it's sheer artistry at a time when Nirvana and the "grunge" sound ruled the airwaves, but more so, buy it because it still stands out as a great accomplishment from the Smashing PumpkinsGish OverviewDigitally remastered and expanded deluxe three disc (two CDs + DVD) edition of the Alt-Rock quartet's 1991 debut album.Features the original album remastered plus a bonus CD consisting of 15 previously unreleased or alternate versions of Gish era songs, a bonus DVD containing a previously unreleased 1990 live show from The Metro, six postcards featuring never-before-seen band photos and a 24 page booklet with lyrics, liner notes and track by track annotations by Billy Corgan. Features 'I Am One', 'Rhinoceros', 'Siva' and more.--This text refers to an alternate Audio CD edition.

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Swoon Review

Swoon
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Swoon ReviewWhile many modern bands try to go retro and end up with sterile, insincere imitations of the 'real' thing, Silversun Pickups' traverse into 90's-tinged alternative rock (I admittedly can't help but think of The Smashing Pumpkins) is a totally different animal...the 'borrowing' of bits and pieces never comes across as shoddy...in fact, their second full-length album is one of the most 'original' works of somewhat mainstream rock I've heard in a while. The songs here are 'Indie'-sounding and melodic at the same time, and for me, music is nothing without memorable melodies.
But if you're expecting a collection of pop/rock 'commercial' songs on Swoon, then you may want to save some bucks and look elsewhere...I feel this album is best when taken in as a whole. While there are very good individual 'stand-outs' here (the super hi-intensity "There's No Secrets This Year" and "The Royal We", the hypnotic "Growing Old Is Getting Old", the catchy "It's Nice To Know You Work Alone", the beautifully melodic "Catch And Release"), Silversun Pickups create a mesmerizing atmosphere (albeit somewhat dark) that you can 'immerse' yourself into from beginning to end. Metaphorically speaking, this record is like hit-and-miss thunderstorms with periodic breaks in the clouds...the 'storms' being songs like the aforementioned opening tracks "There's No Secrets..." and "The Royal We", "Panic Switch", and "Surrounded(or Spiraling)"...and the 'breaks' being tracks like "Draining", "Substitution", and "Catch And Release"...where some of the distortion gets toned down in order to open up 'holes' where the songs can breathe and the vocals take center stage.
While Swoon generally maintains a mid-tempo nature, tempo changes are more common (both within songs and between them) this time around. For example, "There's No Secrets This Year", with those fantastic fuzzy guitars blazing away throughout most of the song, switches to a slower, ethereal, atmospheric ending minute, perfectly setting up the transition to "The Royal We", which starts out slow but quickly regains a driving tempo, and eventually soars to the rare occurrence of vocalist Brian Aubert extending his vocal range to its limit...the rest of the album mainly stays within his 'comfort zone' lower to middle registers range. On "Growing Old...", a clean bass guitar and kick drum groove serves as the foundation for light synths, delayed clean guitars, and cavernous vocals before eventually turning up the heat (and distortion) toward the end. And overall, the drum sounds here are generally 'small' sounding and not produced to be the focal point of the album's sound (plenty of loud cymbal crashes, however). The amazing intertwining of Joe Lester's keyboards and Aubert's guitars are what make this album stand out for me...the bass guitar work also drives many of the tunes in exceptional fashion.
Perhaps the album's only weakness is the moment or two when the multi-layered instrumentation and distortion leave little room for the mainly melancholy vocals to be fully intelligible, but that's a concession I can handle considering that the music of Silversun Pickups' sophomore album almost has me swooning. Grade: B+Swoon Overview

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Siamese Dream Review

Siamese Dream
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Siamese Dream ReviewI have not been on the Smashing Pumpkins bandwagon for long. I missed the albums when they first hit; hell, the first song I heard by them was "Tonight, Tonight" from Mellon Collie and the Infinite Sadness. Needless to say, I had some catching up to do. Thankfully, that catching up included listening to this album, which I now consider a seminal/pivotal/simply amazing point in rock history. Billy Corgan does away with pretension by twisting it into glorious rock anthems and beautiful alt-pop. The kicker is that, while people wrote them off as depressionists, almost every moment on this CD can be compared with euphoric joy. Even in moments of rage, the beauty of the music shines through. Straight-out rockers such as "Geek U.S.A." and "Quiet" are singular yet grand in their guitar riffs, creating a near-primal feeling. Softer numbers such as "Spaceboy", "Disarm", and "Mayonaise" cause reflection and introspection on the listener's part, creating a more balanced record. The true killers on this album, though, are "Today' and "Soma". The first is the most melodic alternative rock ever written, while the second is the most sobering alt-rock ever written. In closing, while the Pumpkins may not be sure who they are anymore, I'll always love them for who they were.Siamese Dream OverviewDigitally remastered edition of this 1993 album from the Alt-Rock band led by Billy Corgan. While their album Gish had brought them to the attention of the Alternative crowd, Siamese Dream was the album that broke the quartet in a big way.Features the hits 'Cherub Rock', 'Today' and many more.--This text refers to an alternate Audio CD edition.

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Pisces Iscariot Review

Pisces Iscariot
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Pisces Iscariot ReviewMost bands with genuine rock creation going on end up with some B-sides, and the Smashing Pumpkins were no exception. While it has no internal cohesion, "Pisces Iscariot" is a solid album in its own right, with the mix of bombastic and balladic that the Pumpkins did so very, very well.
With a few exceptions like Broken Social Scene, B-side albums usually have a few enchanting songs, surrounded by half-formed songs that might be good when they grow up. "Pisces Iscariot".... is not one such album. Virtually all of these songs are worthy of being A-sides.
The Pumpkins were one of those rare bands that did both quiet and loud songs equally well. There are mellower, beautiful songs like "Soothe," the beautiful cover of Fleetwood Mac's "Landslide," or the rather wispy "Whir." On the other hand, there is the rock side: frenetic "Frail and Bedazzled," steady "Plume" and jagged "Pissant." Then there's the center jewel of the album, the steadily built-up "Starla," which starts soft and turns into pure sonic insanity.
The instrumentation has a raw quality -- it doesn't sound unpolished, but it does have a lot of unbridled power and enthusiasm. Billy Corgan was in good form during each recorded track, including the one from his apartment, be it fuzz-rock, distorted jams or his acoustic guitar, with James Iha quietly and exceptionally backing him up. And as the finishing touch, there's outstanding drumming by Jimmy Chamberlin.
Corgan's voice is a bit off in "Landslide," but otherwise his high vocals fit in as well as always. James Iha also gets to shine in "Blew Away." And the songwriting is a bit more simplistic ("You hear a lot of visions/you can't even stop/can't see what you're missing/spinning like a top") than the usual Corgan fare, but still quite pretty to listen to.
"Pisces Iscariot" is a rare beast among B-side albums -- the B-side album that is better than many regular rock releases. And whether you're a Pumpkins fan or a newbie, it's a solid listen.Pisces Iscariot Overview1994 compilation from the Alt-Rock quartet consisting of B-sides and outtakes from the prolific mind of Billy Corgan.

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