Showing posts with label al di meola. Show all posts
Showing posts with label al di meola. Show all posts

Friday Night in San Francisco - Live Review

Friday Night in San Francisco - Live
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Friday Night in San Francisco - Live ReviewI first heard this on vinyl. Properly awed, I promptly listened to all the other instrumental guitar music I could find. Now, twenty years or so later, I'd challenge critics: Name the OTHER acoustic guitar recording that even meets, let alone surpasses, the standard set by "Friday Night in San Francisco." I love Leo Kottke and Allan Holdsworth and Phil Keaggy and all the rest, but this is still the pre-eminent acoustic recording.
Here are two points to consider:
(1) Critics talk about the emotion and beauty being lost in the fireworks. Certainly the fireworks take up the majority of the CD, but listen again to the quiet moment right before the conclusion of "Short Tales of the Black Forest," where one of the guitarists even tells the rowdy crowd, "Shut up, now" (and, by the way, when was the last time you heard a live performer have to tell the crowd to curb its enthusiasm?). Or what about the haunting, eerie melody of the middle section of "Fantasia Suite"? You'll hear it in your dreams.
So, first of all, this recording does have the "beautiful" moments. But that leads into the second response:
(2) Don't miss the point! This is not supposed to be a meditative hour to play in the background while you eat your tofu meat loaf. These three guitarists clearly wanted to have fun with each other, to provoke each other to better performance, and, primarily, to blow away the listener who never thought acoustic guitar could sound remotely like this. If judged by these criteria, "Friday Night in San Francisco" deserves seven or eight stars instead of five.Friday Night in San Francisco - Live OverviewThe great guitar trio's classic original recording has been remastered.No Track Information AvailableMedia Type: CDArtist: MCLAUGHLIN/DIMEOLA/DELUCIATitle: FRIDAY NIGHT IN SAN FRANCISCOStreet Release Date: 09/23/1997

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Christmas: Winter Nights Review

Christmas: Winter Nights
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Christmas: Winter Nights ReviewWhat!! A Christmas album by DiMeola!!
I must admit I was a bit sceptical at first because so many Jazz/Fusion artist have made overly sweet and sentimental Christmas albums, but of course I shouldn't have doupted the master, this album is really good.
Al playes acoustic guitars on the album along with percussion, keyboards and a multi string harp Herman Romero plays additional guitar and percussion and then there is a player from Ukraine, Roman Hrynkiv who playes an ukrainian instrument called Bandura which is a plucked string instrument with a bright sound which fits this music wery well.
The music is a mix of well known Christmas songs and new compositions by DiMeola, there is of course a Christmas feel to the album but it's all in great taste and underneath the calm surface Al is burning.
I'm going to give the c.d a rest for now but come December this c.d. is going to be played a lot. This Christmas is definitely going to be fun, musicaly speaking at least.Christmas: Winter Nights Overview

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The Guitar Trio Review

The Guitar Trio
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The Guitar Trio Review"The Guitar Trio" of Paco De Lucia, Al DiMeola, and John McLaughlin join together again to perform their magic again with this stunning album. Although it has the same premise as their "Friday Night Live In San Francisco", there are some big differences. One, it's not live, and two, twenty years have passed. Although it is missing a bit of that live energy, this is an incredible album.
The Trio work well together taking turns soloing over the tune. The liner notes are kind enough to tell which of the guitar virtuosos is taking the solo. On most of the tunes, they each take one solo. Not only do they share the solo work, the share the composition work each taking the pen to write several songs each. The playing moves from fast and furious, to slow and peaceful. The rhythms are almost all Latin with a flamenco feel to them. "Le Monastere Dans Les Montagnes" is a good representation of both of these feels. The song is sometimes quiet, and nearly passive, and then with a burst of finger, the notes leap out at you in a rapid fire pace. The album opens with a very flamenco sounding "La Estiba". Add in highlights like "Midsummer Night", "Manha De Carnaval" and "Espiritu" you can't go wrong with this album.
Once again, these three show the unique chemistry they have between them. It would have been interesting to see how this album faired if it was recorded live. These guys get better with each passing year, and I look forward to their next collaboration. This should definitely be added to your Trio collection.The Guitar Trio Overview

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