Showing posts with label brazilian guitar. Show all posts
Showing posts with label brazilian guitar. Show all posts

The Life Aquatic: Studio Sessions Review

The Life Aquatic:  Studio Sessions
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The Life Aquatic: Studio Sessions ReviewI have had "The Life Aquatic" soundtrack on my wishlist for awhile, but never bought it for two reasons: it's copy-protected, and it only included a few of Seu Jorge's songs, NOT including my particular favorite from the movie, "Queen Bitch." I actually got Bowie's "Ziggy Stardust" album after seeing the movie, because I was so impressed with Seu Jorge's interpretations of Bowie's songs. Many songs from "Ziggy" are on this acoustic album, including "Starman," "Ziggy Stardust," "Lady Stardust," Rock 'n' Roll Suicide," "Suffragette City," and "Five Years." In the liner notes, David Bowie himself is quoted as saying, "Had Seu Jorge not recorded my songs in Portuguese I would never have heard this new level of beauty which he has imbued them with."
One reader was disappointed there was no lyrics sheet. I agree, especially since the lyrics in Portuguese don't correspond with Bowie's lyrics. By the way, "Seu Jorge" just means "Mr. George." "Seu" is not a first name, just a title. You may recognize him as "Man? Galinha" (literally "Chicken Manuel," but strangely translated as "Knockout Ned") from the movie "City of God."
This is a great album for fans of David Bowie and Brazilian music. If you like this album, or acuoustic Brazilian melodies in general, you should check out Jorge Ben's 1974 album "A T?bua de Esmeralda," which is probably the best album I've purchased in the past year.The Life Aquatic: Studio Sessions OverviewKnown for his work both as a musician and an actor, Seu Jorge was born in the favelas of Brazil and has risen to international fame. He's appeared in the critically acclaimed movie, 'City of God' as well as Wes Anderson's latest film, 'The Life Aquatic withSteve Zissou.' In 'The Life Aquatic' Seu Jorge's character appeared throughout as a sailor troubadour, strumming bossa nova-flavored versions of David Bowie songs in Portuguese. A handful of those songs appeared on the soundtrack to the film but now the entire recording session is being made available. Hollywood. 2005.

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Villa-Lobos: Complete Music for Solo Guitar Review

Villa-Lobos: Complete Music for Solo Guitar
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Villa-Lobos: Complete Music for Solo Guitar ReviewHeitor Villa-Lobos was a remarkable 20th-Century Brazilian composer whose works mixed elements of jazz with the flavors of South American folk music. In his compositions one can hear the premonition of later musical forms to come: salsa, rhumba, even a taste of tango, but the over-riding factor is the melodic jazz, which is so reminiscent of Villa-Lobos' contemporary Django Reinhardt. One also hears the bravado of Spanish flamenco, complete with its pounding rhythm and complex phrasings. Villa-Lobos may just be the first truly international composer, in that his work reflects the input of numerous influences from around the globe. Indeed, he was toying with jazz fusion before the term was even invented.
Out of all of his total output, his compositions for guitar were relatively few, but they are also the most long-lived and the most celebrated. That's because Villa-Lobos, who had performed as a street musician, had a clear sense of how he thought the guitar should be used as an instrument of expression. After just one listening it is easy to recognize both the beauty and importance of his works.
It's also easy to recognize just how talented the guitarist, Norbert Kraft, is. And I don't mean this strictly in technical terms. Even the great Segovia admitted that he found Villa-Lobos' pieces difficult to play, but Kraft sounds like he's doing it with his eyes closed. He's loud where he needs to be, and quiet when the music calls for it. You can tell he is very passionate about Villa-Lobos. As another reviewer has pointed out, Kraft is Canadian and, at first, that seems like heresy. But there's something very appropriate about a foreigner mastering Villa-Lobos' international music. It is definitely in keeping with the spirit of the works. I think that after hearing these definitive interpretations of his six-stringed masterpieces, Villa-Lobos would be pleased.Villa-Lobos: Complete Music for Solo Guitar Overview

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John Duarte: Guitar Music Review

John Duarte: Guitar Music
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John Duarte: Guitar Music ReviewThis I got for the sakes of music, but the performance didn't disappoint: it is confident, exact, and nuanced -- very, very good; impressive and enjoyable. Music-wise I liked the record too: though not entirely free from hocus-pocus, Duarte is melodic, tasteful, and energetic. To my taste, the pièce de résistance here is the English Suite op.31 -- it is probably the most evenly well-composed thing on this record; I liked it so much I even ordered the music for it. The first track -- Suite Piemontese Op. 46 -- is nice too, as are the Catalan folksong and the three homage-to-Lauro pieces. Musikones and Birds I didn't like much, too much hocus pocus, and by that I mean a lifeless feel, as if the pieces were artificially constructed and equipped with something definitely noticeable, if you know what I mean (mostly in harmony).
Bottom line: both the musical selection and the performance are first class here: this is a good record that I'll return to many times. Recommended.John Duarte: Guitar Music Overview

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Baden Live à Bruxelles Review

Baden Live à Bruxelles
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Baden Live à Bruxelles Reviewthis guy takes a 2-note berimbau riff and turns it into a few guitar chords - then he really launches it. this is a lesson in how to take a little nylon string guitar and, using only your fingers, make it sound HUGE. there is some singing in portuguese - i dont understand it but it isnt bad - but to a guitar player this is revolutionary stuff.Baden Live à Bruxelles Overview

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