Showing posts with label british folk. Show all posts
Showing posts with label british folk. Show all posts

Walking on a Wire: Richard Thompson (1968-2009) Review

Walking on a Wire: Richard Thompson (1968-2009)
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Walking on a Wire: Richard Thompson (1968-2009) ReviewWho is reading this? If you are an RT fan, as I have been since Fairport days, was your first reaction the same as mine: why? I mean, I have every song in this box set on some other cd(s). But I had to have it anyway (as another review noted). It is a great career overview, the recording is pristine - these songs have never sounded better. And when I play RT now I tend to gravitate to his live releases. So I am really enjoying re-visiting these great songs. I would recommend this for the sound quality alone.
If you are not a big fan, or have heard the hype but do not really know his music, it is all warranted. Fairport Convention was a "folk rock" band from the 60's. (I italicize that because they were really so much more). There are only a few songs from this period here. (The box set A Fairport History has a much more comprehensive selection of RT from this period). The tracks here range from the upbeat rock of Time Will Show the Wiser to the folk of Genesis Hall and Crazy Man Michael to the long dirge Sloth, with it's ending guitar workout, RT already showing his chops (and Dave Swarbick adding his usual astounding fiddle). Then a couple tracks from RT's 1st solo effort, which was a great mish mosh of styles (in a good way).
His next period after leaving Fairport was with his wife Linda Thompson. This era produced some of the finest adult rock music ever. The songs are quite varied, acoustic and electric, happy and sad. Actually, together they recorded (lyrically) some of the most realistic love songs I have heard: Walking on a Wire; The Great Valerio; Did She Jump or Was She Pushed; Withered and Died; For Shame of Doing Wrong. This is not greasy kid stuff. These are mature songs for folks whose hearts have been around the block a few times and know the joy and pain of love. RT's lyrics really hit home in expressing these emotions. Balancing these are more upbeat rockers: When I Get to the Border, Calvary Cross, Bright Lights, Wall of Death and Sunnyvista. I am not listing every track, but this period was really strong, RT maturing both as a guitarist and songwriter. And having LT and RT trading vocals added to its strength. Richards playing is generally a showcase for restrained, "smart" guitar. Hero guitar for the thinking person. The electric pyrotechnics are there, but on record he does not go for the epic workouts his live shows are known for. And his acoustic work, well, everytime I close my eyes I hear 2 or 3 guitarists. No, it is not double tracked recording. For the uninitiated, check out the song Shoot Out the Lights (and the CD). Powerful, riveting, frightful, the sound of despair and loneliness at the breaking point with some jaw dropping guitar work. This was recorded as he and Linda's relationship was falling apart, and it is all documented in song. Brilliant.
After their breakup came his long and continuing solo career. Again, it the the variety of songs which is compelling. The common thread is the smart, adult lyrics, many of which all have a touch of cynicism. As well as the guitar. I could not possibly go through all the tracks. There are a lot of uptempo "rockers": Tear Stained Letter (one of his classics), Turning of the Tide, Valerie, I Feel so Good (..."I'm going to break somebody's heart tonight"), Razor Dance, Dad's Gonna Kill Me, Cooksferry Queen. Then the ballads which tell a story: the heartbreaking and fan favorite 1952 Vincent Black Lightening (lightening would be a good metaphor for his guitar work in this, eh?), Beeswing, Al Bowlly's in Heaven, Persuasion. Heck, there are just so many great songs here. The cynicism of She Twists the Knife Again; the poignent I Still Dream and Waltzing for Dreamers; the melancholic confession of I Misunderstood; the achingly lovely She Sang the Angels to Rest. Folks, every song here is truly great. And throughout this period RT always has had a great collection of backup musicians, Pete Zorn and Danny Thompson (no relation) prominent amoung them.
So, if you do not know RT, this is a great place to start, and perhaps all you will need. (His first 3-cd "box" has many of the same songs but balances this release nicely in that it includes a few essentials that are not here. The second box of unreleased stuff is essential for fans, but not the place to start if you are new to RT.)
Top twenty guitarist of all time? I love how rock magazines and critics have to rank things. If you, as I, have seen RT live both acoustic and electric he is beyond compare. Sure, there are other guitarists just as "great", though with different styles. How do you compare them? You cannot. But the things RT is capable of doing and his mastery of both the electric and acoustic are unparalled. One thing this box lacks, with one exception, is any of his epic live guitar workouts. I have seen him drop jaws many times with Shoot Out the Lights, Calvary Cross, Can't Win, Jerusalem on the Jukebox, Night Comes In, and others. (On his 2nd box set box I always had issue with the "guitar workouts" included on it; I have dozens better on numerous bootlegs). But here, we do get one gem: Hard on Me. I saw him do this a couple of years ago at the Tralf in Buffalo, and words cannot describe the workout he exercises on this song. I watched his hands so carefully, but the notes, the bends, it was all a blur of virtuosity. Again for the uninitiated, this song (especially the last 5 minutes) is a perfect example why RT has the reputation he does. (For further proof listen to the aforementioned acoustic work on 1952 Vincent Black Lightening). I kind of wish they included a couple more of these live killers, but, oh well, whatever, never mind.
Yeah, there are some favorites I would have like to have seen included, but I am not even going to bother listing them. RT picked this set, so who I am to quibble? I will echo another review: you gotta have this release. I love music and love lots of different kinds of music, but I cannot think of another box set that is top to bottom this good. Thanks Shout Factory. While Rhino still does a few good things, I appreciate that there are some labels that consistently get it right. Shout Factory is one of them. Attention all mature adults seeking intelligent rock written just for them: go buy this and enjoy it!Walking on a Wire: Richard Thompson (1968-2009) OverviewCareer-spanning four CD box set from the British Folk Rock legend spanning the years 1969-2009. The songs chosen for this selection of his work were carefully assembled and aim to provide a real sense of Richard Thompson, as well as to celebrate the diversity of hismusic - Rock 'n' Roll with Folk, Jazz, Rockabilly and the odd waltz thrown in - the scope of his songwriting, and the sheer virtuosity of his playing. Produced by Richard Thompson, Walking On A Wireimpressively includes 71 tracks from albums released by 15 different labels, and includes a 60 page booklet with new notes by Patrick Humphries.

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Pink Moon Review

Pink Moon
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Pink Moon ReviewIn the throes of a depression that would see him dead at the age of 26 from an overdose of anti-depression medication, Nick Drake still managed to produce his last album, "Pink Moon." Unlike his first two efforts, which consisted of orchestrated folk-pop music, this 1972 album was just Drake playing his acoustic guitar and singing (with a bit of piano here and there). The result is a bleak testament to melancholy and alienation that has a haunting and pristine beauty. There are only eleven songs, most of which are under three minutes in length, which is why the album is not even a half-hour long, but there is a sense in which anything longer would be too much to bear. "Pink Moon," by itself, justifies Drake's status as a cult figure among those who love folk-rock.
Ironically, you have probably hear Nick Drake's music before, because the title track was used for a Volkswaggen commercial, just another example of how music is perverted to commercial interests (what else is new?). I have been spending the cold winter putting together mixes of folk music (in the broadest sense) and making a concerted effort to get beyond Bob Dylan and the Byrds to explore the likes of Sandy Denny and the Beau Brummels. Checking out Sandy Denny led me to Fairport Convention and Richard Thompson, and eventually to Ralph McTell and Nick Drake. Now I can only wonder what rock I have been living under that I have never come across these artists before.
The title track is a beautiful folk ballad, performed with just Drake's superb acoustic guitar playing and haunting vocal. Throughout the album you notice the depth of his lyrics and his guitar playing. The latter might have been lost in an album with orchestration, but here you have the opportunity to listen to the openings of "Radio" and "Parasite" unadorned. For the former a choice example would be the opening of what is probably the best song on the album (it is hard to choose), "Which Will," which begins: "Which will you go for/Which will you love/Which will you choose from/From the stars above?" There is a simple elegance to the lyrics, captured by the vocals, and complimented by the more complex guitar playing.
Nick Drake only produced three albums, so there is no reason not to have all of them in your music library. These works represent the very best of the British folk-rock scene and Drake is a first rate singer-songwriter whose songs of failed romance, mortality, and depression are quite affective. Drake intended "Pink Moon" to be his final album, saying he had nothing left to record. When you lose yourself listening to these songs, you can actually convince yourself that this was true.Pink Moon OverviewReissue of the late British folk icon's final full-lengthalbum, released in 1972. 11 tracks. Slipcase. Island.

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Trainsong: Guitar Compositions, 1967-2010 (2-CD) Review

Trainsong: Guitar Compositions, 1967-2010 (2-CD)
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Trainsong: Guitar Compositions, 1967-2010 (2-CD) ReviewI fell in love with Michael Chapman with Full Qualified Survivor, and found Trainsong as a worthy addition to my new found addiction. Great guitar work, spirited playing and wonderful feel. Recommended for guitarists and fans of fingerstyle guitar like Hot Tuna, John Fahey and Leo Kottke.Trainsong: Guitar Compositions, 1967-2010 (2-CD) Overview

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Shoot Out the Lights (2-Disc Deluxe Edition) Review

Shoot Out the Lights (2-Disc Deluxe Edition)
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Shoot Out the Lights (2-Disc Deluxe Edition) ReviewThey should have called their concert appearances to support this album "The Divorce Tour" or "Break Up Tour. "Shoot Out the Lights" remains a seminal 80's album and one of Richard and Linda Thompson's finest achievements. Although it wasn't written about their martial discord, "Shoot Out the Lights" certainly reflected the aftermath of failing marriage. A spare, brilliantly written/performed/produced album and one of the Thompson's towering achievements.
When this review was written it was still cheaper to order this through Rhinohandmade.com
As many fans know this was the second attempt to make the album the first was with Hugh Murphy (and Gerry Rafferty)and Richard wasn't happy with the result. He, Linda and producer Joe Boyd started all over again. The first disc is the original album (unfortunately none of the earlier tracks are here and "Living in Luxury" hasn't been added back to the CD. It was never on the album but was a b-side to the single).
The second disc consists of the surviving live recordings taken from the multitracks for the San Francisco, Santa Cruz appearances and from soundboard cassetttes. The multitracks were damaged for most of these performances (some of them irrepairably)but Ed Haber working with the Rhino team managed to restore some of these for this set. Sound quality is surprisingly good given the various sources and damaged state of some of these tapes and Haber along with input from Richard and Linda Thompson has assembled the best surviving performances for an 11 track CD:
1. Dargai
2. Backstreet Slide
3. Pavane
4. I'll Keep It with Mine
5. Borrowed time
6. Did She Jump or Was She Pushed?
7. I'm A Dreamer
8. Honky Tonk Blues
9. Shoot Out the Lights
10. For Shame of Doing Wrong
11. Dimming of the Day (and a "hidden" track at the end of the CD--"Price of Love"--from a cassette recording so the quality does fall a bit).
All of these have never been released before and since the only other full length concert recording is from a 1975 show, it's nice to have these tracks as well. Sadly, Joe Boyd DIDN'T record the L.A. shows which were by all accounts outstanding so this is all we have with good sound (at least "offically").
The CDs are housed in an oversized hardcover book with a deluxe booklet including comments/interviews from the Thompsons' band, Haber as well as Joe Boyd. The original lyrics are also included presented in the same typeface and design as on the inner sleeve for the original vinyl album (and on the booklet for the earlier CDs as well). It's kind of big to store with your regular CDs but you could do what I did and just rip the songs from the CDs for listening in the car. I'm sure some folks might not like the design but I did--it isn't as big as most "boxed sets" and it adds quality to it in my opinion.

While I think this is a terrific two disc set, it's a pity that Rhino couldn't (or wouldn't due to cost concerns)license the material from the aborted first attempt to make the album. The few tracks that have turned up were on the "Watching the Dark" third disc anthology that Ed Haber put together and "Dreams Fly Away". I would have loved to see those tracks here as part of a third disc. It's also possible that Richard or Linda nixed the idea of including these tracks but I suspect it was more a licensing/cost issue since some have appeared before.
Early editions of this album on CD also include the bonus track so you can find "Living in Luxury" there.
The inclusion of this material would have made this the ultimate edition of this great album. These minor quibbles shouldn't prevent you from buying this though as it is worth it for fans if only for the second live disc AND the exceptional packaging of the set.
Highly recommended.Shoot Out the Lights (2-Disc Deluxe Edition) Overview

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Sweet Warrior Review

Sweet Warrior
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Sweet Warrior ReviewI can't believe that it's been about twenty-five years since Richard Thompson set off on his solo career. I know, some may gripe with that date, (rightly) pointing out his 1972 album "Henry the Human Fly," but he subsequently teamed with then-wife Linda for a series of stunning albums that will remain masterpieces of their genre. I am referring to the part of his career that followed all that hubbub. Either way, I have bought every official album and every `semi-official' website release with his name on it. If you count everything since "Henry," that's about forty albums of material I own, so I feel very qualified when I say that "Sweet Warrior" is Richard Thompson's best collection of songs in quite some time.
The most rewarding aspect of being a fan is when an artist is talented enough to be consistently challenging, yet kind enough to maintain a predictable level of consistency. I have never bought a Richard Thompson record that left me unmoved, but the above characteristics occasionally thwarted one another. Recent works, like "Front Parlor Ballads" and the "Grizzly Man" soundtrack, were interesting, challenging works, but the very nature of these projects rendered them less consistent than I would have hoped. "Sweet Warrior" marks a return to fully realized compositions, with full band accompaniment and what is by now a predictably stunning degree of songwriting prowess. Every song here rewards multiple listens, but a few grow to gargantuan proportions. "I'll Never Give It Up" rocks with a wrath that matches the lyrical intensity, while "Take Care the Road You Choose" may be the most gentle and poignant tale of regret I have ever heard. "Mr. Stupid" is a rocker that captures the sting of divorce by wrapping it in bitter irony, while the upbeat rhythm of "Bad Monkey" (which resembles "Tear Stained Letter") somehow manages to takes a playful look at emotional abuse. The centerpiece, though, is "Dad's Gonna Kill Me," (It took me a while to figure it out - I'm a bit dense - but `Dad' is shorthand for Baghdad), told from the perspective of a soldier who has grown fully aware of his awful predicament. A revealing comment arrives in the song's bridge, when the soldier observes, "At least we're winning on the Fox Evening News."
By now, it's a cliché to discuss the brilliance of Thompson's guitar playing, but he's firing on all cylinders throughout "Sweet Warrior." The band is also top-notch, especially the entrancing accompaniment of Thompson's longtime acoustic bassist Danny Thompson (no relation). It would be rude to call "Sweet Warrior" a return to form, but this collection boasts a thoroughly satisfying combination of intriguing lyrics, fully realized songs, astounding instrumentation, and heartfelt vocalizing. Once it grabs hold, it never lets go. Whether you judge from the earliest phase of his career or from his twenty-five year run of solo releases, "Sweet Warrior" rates with the very best work of Thompson's long and varied career.ATom RyanSweet Warrior OverviewLiterate rocker Richard Thompson's new album, Sweet Warrior, is a return to his classic electric sound, his first plugged-in album since 2003's The Old Kit Bag. Filled with 14 songs of stories of loss and betrayal, the album also holds one of Thompson's most overtly political songs to date, "Dad's Gonna Kill Me," told from the perspective of a nervous young soldier stationed in Baghdad (abbreviated as "Dad" in the song). Richard Thompson is a consummate singer, songwriter, and guitarist. His career stretches back to the late '60s, when he was a founding member of the British folk-rock Fairport Convention. In the late '70s, with his then-wife, Linda, he recorded Shoot Out the Lights, which regularly makes critics' lists of the top ten records of all time. In the '90s, he experienced another career renaissance with the album Rumor & Sigh and he remains an elder-statesman of alternative rock.

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Best of Bert Jansch Review

Best of Bert Jansch
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Best of Bert Jansch ReviewThis album was originally released by Transatlantic (and distributed by Kicking Mule in the U.S.) in 1979 with the same album cover, but with only thirteen tracks--and only eight of those show up on this generous 25-track anthology of Bert Jansch's work from 1965-1971, covering such albums as It Don't Bother Me, Jack Orion (with future Pentangle co-founder John Renbourn), Nicola, Birthday Blues and Rosemary Lane.
The Best of Bert Jansch includes instrumentals like "Perigrinations," "Alman" and "The First Time Ever I Saw Your Face"--all clocking in at under two minutes each. Then there's the bluesy interpretaion of Davey Graham's instrumental "Angie." In addition to being a gifted guitar player, his songwriting and expressive vocals on songs like "It Don't Bother Me" and "Needle of Death" make Jansch one of the most important folk artists of the 20th Century.
While Jansch's albums from the past two decades have been few and often go out of print (I would recommend 1981's Heartbreak and 1990's Ornament Tree), his early Transatlantic recordings are still readily available (many of them as two-fers). So if this album leaves you wanting more (and it should), I would suggest Rosemary Lane, Birthday Blues and his self-titled debut. HIGHLY RECOMMENDEDBest of Bert Jansch Overview

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