Showing posts with label cool jazz. Show all posts
Showing posts with label cool jazz. Show all posts

Common Ground Review

Common Ground
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Common Ground ReviewEverett Harp again did a wonderful job for his fans, thanks for being true to real Smooth Jazz......always a fanCommon Ground Overview

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Global Cooling Review

Global Cooling
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Global Cooling ReviewI agree with the first review. This CD is fantastic! I've been a Joyce Cooling fan for a number of years and she keeps getting better with each release. Global Cooling is a great mix of instrumental and vocal. You can't get bored as each cut brings something new to grab you. This is definitely music at it's best.Global Cooling Overview

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Stan Getz & The Oscar Peterson Trio: The Silver Collection Review

Stan Getz and The Oscar Peterson Trio: The Silver Collection
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Stan Getz & The Oscar Peterson Trio: The Silver Collection ReviewThis CD presents a very important collaboration. Stan Getz may be the most lyrical tenor saxophone player to have ever graced the face of the earth. Only Lester Young comes close. Prez modeled his sound on that of Frankie Trumbauer's C-melody saxophone, and Getz' model is Prez. Both of them transcend Trumbauer's syrupy improvisations. Getz' tone and the lyricism it supports are evident. All of this is for context, of course. This recording is truly a major musical event. It was on a par with Lester Young's famous collaborations with Teddy Wilson and Oscar Peterson. During this 1957 recording session, all of which is on the CD, Peterson's trio and Getz were more than comfortable with one another, and their mutual musical respect yielded classic performances . The cooperation is evident in Getz' solo on "I Want to Be Happy," a model of precision and lyrical invention. Peterson's solos are equally impressive; there's no unnecessary embellishment or decoration, and he swings powerfully. The long ballad medley--"Bewitched, Bothered, and Bewildered," "I Don't Know Why, I Just Do," "How Long Has This Been Going On?", "I Can't Get Started," and "Polka Dots and Moonbeams"--features fine solos by Getz and Peterson as well as Herb Ellis on guitar and Ray Brown on bass. In the interplay between the trio and Getz in such numbers as Getz' "Bronx Blues." the quartet sounds like a permanent group. In "Three Little Words" Ellis sets down a solid rhythm and Peterson comps behind Getz' opening solo before delivering an eloquent statement of his own which Getz answers with equal grace. The Getz-Peterson collaboration is particularly appealing on Ellis' "Detour Ahead," a prime instance of their treatment of ballad material. On "Sunday" Ray Brown's persistent bass and Ellis' percussive guitar support Getz admirably. The quartet even approximates a rhythm 'n blues song with Getz' "Blues for Herky." It's not every day that you hear Herb Ellis playing blues guitar with Oscar Peterson doing boogie woogie and Stan Getz blowing like he was in a jump band. But here it is, and it comes as a surprise bonus with some really superb jazz.Stan Getz & The Oscar Peterson Trio: The Silver Collection OverviewDigitally remastered and expanded edition of this classic Jazz album. Contains the complete original album Stan Getz And The Oscar Peterson Trio, widely regarded as one of the saxophonist's finest recordings. A bonus track by the same band with the addition of drummer Connie Kay is also included here. The ballad was taped during a concert that preceded the aforementioned studio session by only three days. Essential Jazz Classics. 2011.--This text refers to an alternate Audio CD edition.

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Getz/Gilberto Review

Getz/Gilberto
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Getz/Gilberto ReviewThis album is bossa nova's finest moment. It contains the definitive version of one of the greatest hits in jazz music --- The Girl From Ipanema --- the first part sung in Portuguese by guitarist/singer João Gilberto, the second in English by his ex-wife Astrud who had never sung professionally before this recording. All the songs were written by Antonio Carlos Jobim except Para Machucar Meu Coraçao and Doralice. Stan Getz's lyrical yet swinging solos complement João's equally lyrical singing and rhythmic guitar playing. The unassuming Jobim plays a brief but beautiful piano solo on Corcovado (Quiet Nights of Quiet Stars). Tommy Williams (bass) and Milton Banana (drums) provide the steady rhythm without overpowering the music. To this day, Getz/Gilberto remains the definitive bossa nova album.
The sound quality on this 20-bit remastered edition is even more brilliant than the original CD reissue. Moreover, the fading notes on some of the selections have been extended, thus prolonging the listening pleasure just a bit more.
This album proves that music is indeed a universal language. You don't need to know Portuguese to understand, let alone, appreciate this album. All you need is the ability to appreciate fine music and an innate sense to admire beauty, and this CD has plenty to offer.
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Jazz Samba Review

Jazz Samba
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Jazz Samba ReviewHow do you critique the album that started an era? Forty years later, Jazz Samba is still one of the most relaxing, rhythmically pleasing albums made. All instrumental, with the tenor sax of Stan Getz (the guy John Coltrane professed to admire!) and inspired guitar of Charlie Byrd. The entire album was recorded in one session in the performance hall of a Washington, D.C., church, and it puts legions of studio albums to shame.
While Desafinado and Bahia are the best known tracks, the album is a seamless experience and it is difficult to single out certain songs as superior. If Getz is one of the masters of the tenor saxophone, it is also hard to separate his proficiency from the effort as a whole -- it truly comes across as a tight ensemble effort. (For a contrast, Duke Ellington's masterful and equally essential Money Jungle released the same year finds the trio of Ellington, Mingus and Max Roach locked in a musical duel on a couple of tracks.)
Favorites? I enjoy Samba de Uma Nota So, but every time I reach for Jazz Samba I alway listen to the entire album. At least once. This and Getz/Gilberto belong in every jazz collection.Jazz Samba Overview

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Playin' Favorites Review

Playin' Favorites
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Playin' Favorites ReviewHi there! I gave my own CD 5 stars on the advice of my manager (and my mother) and as there are no tracks listed, here they are:
1. What Does It Take (To Win Your Love)
2. The Look Of Love
3. Deja Vu (featuring Boney James)
4. Mister Magic (featuring Bob James)
5. Lovely Day (featuring Jonathan Butler)
6. Crazy Love (Van Morrison's)
7. Sunny
8. For The Love Of You
9. Hit The Road Jack
10. You Are Everything (featuring Jeffrey Osborne and Richard Elliot)
11. One On One (featuring Rick Braun)
All my best.......Peter White
email@peterwhite.comPlayin' Favorites OverviewPlayin' Favourites is a collection of Peter White's favorite classic songs from the 60s through the 80s, beautifully re-styled on the guitar, including his rendtions of Bill Withers' 'Lovely Day' and Van Morrison's 'Crazy Love'.

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Tango: The Elegy for Those Who Are No Longer Review

Tango: The Elegy for Those Who Are No Longer
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Tango: The Elegy for Those Who Are No Longer ReviewOne of the best Modern Tango albums I've listened to in a long time. With the Direction of Rudolf Werthen bringing intense emotion and full scale rhythm to this album, you are sure to be pleased. A true legacy album to Rudolf's enduring career.
Not recommended for a cheap and cheesy stereo system. Be certain that your stereo can play SACD/Hybrid CDs.Tango: The Elegy for Those Who Are No Longer Overview

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