Showing posts with label dance. Show all posts
Showing posts with label dance. Show all posts

Treats Review

Treats
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Treats ReviewThis one is going to split the jury. Sleigh Bells are not a Christmas novelty act (some will disagree) but another band from the People's Independent Noise Republic of Brooklyn and an immense grungy dance punk juggernaut consisting of Alexis Krauss and Derek Miller a former hardcore rock guitarist. For influences think Bow Wow Wow, crossed with Lil Wayne and then throw in the Beastie Boys, White Stripes and Le Tigre.
As for the music Sleigh Bells elephantine beats don't just hammer the damn things could pile drive concrete supports into the foundations for skyscrapers. Their primitive guitar fuzz is wickedly distorted and married to the simplest of pop melodies. Krauss's ever so sweet voice provides tranquillity amongst this cacophony. Thereby this irresistible mix combines with room-shaking production and big guitars and is the reason why so many people are salivating over this album on the blogosphere.
When I first played the opener "Tell em" on my car stereo it was so bloody loud I swerved to miss a passing cyclist. It is a full blown aural assault, the musical equivalent of a punch in the face and one of the quieter songs on the album. It may just be 2010's musical counterpart to last years "My Girls" by Animal Collective. In terms of what follows there is no let up or escape. "Riot Rhythm" has drums which pound and Millers guitar introduces a razor like cutting riff. "Infinity guitars" sounds like a cross between the Beastie boys and Japandroids. "Run the heart" is Abba for the Twitter generation. It is a staccato composition punctuated by bubbling noises, shimmering synths and the dreamlike vocal of Krauss. Then there is the Phil Spectorish "Rill Rill" formerly "Ring Ring" from their demo's which is a charming confection of a pop song that is a temporary if welcome relief from Miller frankly going mental. His return however comes back with all the force of a wayward Katyusha missile on "Crown on the Ground" which sounds like the treble button has broken and someone has sucked the bass out. Your graphic equalizer is I am afraid onto a hiding to nothing but it works brilliantly and is actually quite sweet in comparison to the 90 second riff monster "Straight A's" that follows which could be Husker Du having a bad soundcheck. "A B Machines" is a surf guitar hip hop mash up (I kid you not) with Krauss repeating a two line lyric throughout. Finally the title track sounds like Mastadon making a bid for the charts with a girl singer.
There will be many of you wonderful people on Amazon who will state that "you don't get this", that "you've heard it all before" or will use that ubiquitous insult that it is the "king's new clothes". Even more will complain that the level of distortion on the album (at Spinal Tap "11") is giving your speakers a workload which they neither desire or can cope with and that perhaps "Treats" should come with complimentary Paracetamol. Yet there are on occasions when certain albums for just a very elusive moment on the space time continuum appear to make all other game players sound a bit wrought and tired. Sleigh Bells new album "Treats" falls into that category and will nudge popular music into different directions.
Granted "Treats" is so bound for mainstream success and overexposure that you sense that a brief romance with this band may be the extent of your involvement, but so what it will be fun while it lasts. Thus we have an album that is very loud, trashy, and disposable and pulled off with the sort of brazen audacity that would find the state police visiting in the dark of night in a less tolerant society. "Treats" describes itself, get it on Amazon MP3 download now and be prepared for a complete sensory overload.Treats Overview

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25 Classical Dance Favorites Review

25 Classical Dance Favorites
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25 Classical Dance Favorites ReviewI agree that this is indeed absolutely beautiful light classical music. It is indeed a perfect beginning to a lifelong passion to have classical music playing in the background or to turn up the volume and immerse yourself in it. But it consists of mostly ballet music, several marches, polkas, an entrance of the gladiators, a gavotte and just to show that he can-can, a delightful little march by Beethoven of all people (Turkish March). Or can you dance to the continuous hypnotic rhythm of Ravel's Bolero? Quite tiring, I would think. Nevertheless, great music at an astounding price. Consider buying all or most of the "25 Favorites" series. You will not regret it25 Classical Dance Favorites Overview

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America's Musical Heritage Review

America's Musical Heritage
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America's Musical Heritage ReviewA1. Greensleeves -- The Weavers;
A2. Lullaby, My Sweet Little Baby - The Abbey Singers;
A3. Lilliburlero -- Tayler Vrooman;
A4. Catch Round the Table -- Tayler Vrooman;
A5. The Spanish Lady's Love -- Tayler Vrooman;
A6. Early One Morning -- The Trapp Family Singers;
A7. Villikens and His Dinah -- Dyer-Bennett;
A8. The Farmer's Curst Wife -- Sam Hinton;
A9. The Anacreontic Song -- John Gower;
B1. Scotland the Brave -- Highland Light Infantry Band;
B2. Barbara Alien -- Ronald Soodalter;
B3. Comin' Through the Rye; Annie Laurie; Loch Lomond - Mary Sue Berry, David Dodds;
B4. Cockles and Mussels -- Ed McCurdy;
B5. Stack of Barley - The McNulty Family;
B6. Bryan O'Lynn -- Sam Hinton;
B7. Rose of Tralee -- David Dodds;
B8. Londonderry Air -- Heritage Ensemble;
B9. Men of Harlech -- Russ Morgan and the Morganaires;
B10. All Through the Night -- Mary Sue Berry;
C1. Muss I' Denn -- The Trapp Family Singers;
C2. Wiegenlied -- Barbara Crouch;
C3. Du, Du, Liegst Mir im Herzen -- Mary Sue Berry, Joseph Porrello, Alan Baker;
C4. Blue Danube; Artist's Life -- Mishel Piastre;
C5. 0 Sole Mio; Santa Lucia; Funiculi, Funicula -- Mary Sue Berry, Joseph Porrello, Alan Baker;
C6. Vieni sul Mar -- Joseph Porrello;
C7. Malbrouck S'en-Va-t-en Guerre; Au Clair de la Lune; Sur Le Pont D'Avignon -- Martial Singher;
C8. Plaisir d'Amour -- Heritage Ensemble;
D1. Two Guitars -- Dave Apollon;
D2. Song of the Volga Boatman -- Alan Baker;
D3. Dark Eyes -- Heritage Ensemble;
D4. Varmlandvisan -- The Trapp Family Singers;
D5. Juanita -- Nico Castel;
D6. Siboney -- Sabicas and Escudera;
D7. La Cucaracha -- Nico Castel;
D8. Cielito Lindo -- Nico Castel; &
D9. Greek Dance -- Heritage Ensemble.
America's Musical Heritage Overview

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James Galway - Dances for Flute Review

James Galway - Dances for Flute
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James Galway - Dances for Flute ReviewThis is one of a number of cd's bought for my wife (an avid flute lover) which have turned out to be among my favorites.
Galway plays with his normal crispness and energy, but here some unusual pieces one doesn't hear often. The two Khachaturian songs are haunting and the Belfast Hornpipe is so neat!
We listen to this often with toetapping, sometimes dancing enjoyment.James Galway - Dances for Flute Overview

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Who Needs Guitars Anyway Review

Who Needs Guitars Anyway
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Who Needs Guitars Anyway ReviewTecnho, trance, rave, electronica - hey, it's all DANCE MUSIC to me. HOWEVER, I am really 'feeling' Alice Deejay. I first heard "Better Off Alone" while looking for music to play (I was a DJ for the event) at the University of California at Santa Barbara's "All-Hall Ball". Upon hearing the song online, I was very impressed. When it comes to dance music, I usually go for compilations, but this album is a safe buy. Let me explain why:
The album starts with "Back In My Life" (great song), which was already a huge hit in Europe. Then, "Better Off Alone" is next, and you'll find yourself satisfied that you own the CD cuz this song is so good! Then there's "Celebrate Our Love" which is a cool, pre-party/get dressed/go out song cuz it sounds like she's saying "Rave...Saturday Night" instead of "Yeah...Celebrate Our Love". Anywayz...
I really like "The Lonely One" - kinda reminds me of "Runaway" by the Real McCoy (remember them? - "Another Night" wuz their biggest hit). Next up is an extremely well done instrumental called "Who Needs Guitars Anyway?". Come to think of it, this may be the best song on the album. I have to mention "Fairytales" which is a slower, kinda mysterious song, and the other incredible instrumental on this album, "Everything Begins With an E" (hey...is that a drug reference? )
Yes, this is not hard house, but I consider it a a "gateway" CD to house music. Ladies, (and some fellas too), this is your stairmaster music - you'll have energy for dayz...But you can do just about ANYTHING to this music. As a matter of fact, I'm typing this to "Fairytales". So do yourself a favor, and expose yourself to the world of Alice Deejay.
You won't regret getting this if you enjoyed music by: Ace Of Base, The Real McCoy, Technotronic, Black Box, C&C Music Factory, Erasure (very Europop) or even Madonna's "Ray of Light". Trust me!Who Needs Guitars Anyway OverviewUK Version including different tracklistings & sleve art to versions available everywhere else. A different enhanced section which includes the video for 'Back In My Life', a photo library, lyrics & a screensaver.--This text refers to an alternate Audio CD edition.

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Samba Bossa Nova Review

Samba Bossa Nova
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Samba Bossa Nova ReviewLike a breath of fresh air in the stale world, this CD re-creates the warmth of feeling of the Jobim/Bonfa/Gilberto/de Moraes Samba / Bossa Nova songs of the mid sixties. The liner notes say "the children of the Bossa Nova generation are also coming of age and while many originally rebelled against their parents' music, they are now returning to it to carry the torch of the Bossa Nova style". Indeed, there is a song by the son and grandson of Jobim on this sunny CD.
And it has the authentic feel. Songs each by a different performer, but well chosen. The best song, for my money, is Rosa Passos' lyric version of the Ari Barroso song "E Luxo So." This is the song Stan Getz made a memorable version of on "Jazz Samba", the spectacular album that started it all. This song never fails to improve my mood and put a smile on my face whenever I hear it.
There is more Carnival polyrhythyms here than Bossa Nova had originally, which makes it all the more authentic. Pleasant music from beginning to end. Along with Bebel Gilberto's "Tanto Tempo", and Joao Gilberto's "Voz e Violao" of two years ago, this music breathes new life into an old form.
Tom Jobim (and Stan Getz) must be proud.Samba Bossa Nova Overview

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