Showing posts with label electro. Show all posts
Showing posts with label electro. Show all posts

Discovery Review

Discovery
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Discovery ReviewEven if you bought this record just for it's liquefied metal cover, you would not be disappointed. This is truly a fantastic album in every sense of the word. And the techniques used in the creation were just fabulous. One of the things my friend said when he first heard me playing it was "the samples sound so CLEAN!" And they do. Every sample has been processed at incredibly high quality, there is no "Lo-Fi" on this record. The entire record is permeated with funky-style samples that you swear you know but just can't seem to place. Every song has some fantastic SOMETHING about it:
1.One More Time - the perfect party track! a thick thumping bassline and everybody-that's-not-a-raver's-view of the raver world lyrics -:)-, catches your attention immediately.
2.Aerodynamic - by far, the most significant bit on this track is the squealing pseudo-guitar solo. It may be simple, but it sounds REALLY COOL!
3.Digital Love - early 80's motivational tapes samples with cheesy vocoded lyrics = something still meaningful? To be honest, it's still fun to listen to, despite it's cheesiness.
4.Harder, Better Faster, Stronger - one of my favorite songs on the record. Easy to dance to, but it features one of the most incredible things I've ever heard. To understand you have to know what a vocoder is. A vocoder is a device that takes your voice, specifically the vibrations in your voice, and converts it to the tone of the instrument it is attached to, which is almost ALWAYS a keyboard for simplicity. What's really neat about Harder, Better, Faster, Stronger, is that at 2:25, the vocoder is switched over to an odd device that triggers it by a guitar. It's especially obvious at certain points, where the player is playing a really neat solo. Truly interesting to hear.
5. Crescendolls - A little odd at first, but it's got the throw-your-arms-in-the-air "HEY!" sample going on. A lot of fun, eh?
6. Nightvision - a slow, short instrumental track, but still extremely well put together. I wish it were longer with some vocals.
7. Superheroes - When I looked at the sample list for the record, and saw "Barry Manilow - Who's Been Sleeping In My Bed?" I wondered "what the heck?!" But when you hear the track, and the thumping bassline and beat and "love is in the air" echoing over and over it really makes sense and the song is a lot of fun.
8. Night Life - Brings back memories of disco! And that's always a good thing, right?
9. Something About Us - Listening to the beginning of the track I was expecting Barry White to start singing. A nice slow mellow groove.
10. Voyager - A little distortion on the bassline kept it interesting.
11. Verdis Quo - After you get by the somewhat slow intro, it starts getting kind of neat, and you want to keep listening. The layers get thicker each minute, and by the end it's a real sonic jubilee.
12. Short Circuit - I can't really say anything in favour of this song, neither could amazon.
13. Face To Face - This will HAVE to be the next one on the radio! I've already remixed this into an extended version and played it at some parties where we play a lot more old-school funk and stuff. The version on the record is about 3 and a half minutes, my version was nearly 9 minutes, and still when it ended people acted dissapointed because they were getting so into the groove. I love this song!
14. Too Long - when I first saw the length of the song, I thought the title was a joke! Ten minutes? An epic pop-techno song? But yes, it's an incredibly well done track, and as Romanthony says in the lyrics, it's really been "too long" since we've heard from the Daft Punk.
In all, this is truly a fantastic record with a lot of vision. A combination of funk, pop, disco, and techno, this isn't techno up front, and it doesn't claim to be. In fact, it doesn't CLAIM to be anything. Whatever it is, it's REALLY good at being it.Discovery Overview

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Treats Review

Treats
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Treats ReviewThis one is going to split the jury. Sleigh Bells are not a Christmas novelty act (some will disagree) but another band from the People's Independent Noise Republic of Brooklyn and an immense grungy dance punk juggernaut consisting of Alexis Krauss and Derek Miller a former hardcore rock guitarist. For influences think Bow Wow Wow, crossed with Lil Wayne and then throw in the Beastie Boys, White Stripes and Le Tigre.
As for the music Sleigh Bells elephantine beats don't just hammer the damn things could pile drive concrete supports into the foundations for skyscrapers. Their primitive guitar fuzz is wickedly distorted and married to the simplest of pop melodies. Krauss's ever so sweet voice provides tranquillity amongst this cacophony. Thereby this irresistible mix combines with room-shaking production and big guitars and is the reason why so many people are salivating over this album on the blogosphere.
When I first played the opener "Tell em" on my car stereo it was so bloody loud I swerved to miss a passing cyclist. It is a full blown aural assault, the musical equivalent of a punch in the face and one of the quieter songs on the album. It may just be 2010's musical counterpart to last years "My Girls" by Animal Collective. In terms of what follows there is no let up or escape. "Riot Rhythm" has drums which pound and Millers guitar introduces a razor like cutting riff. "Infinity guitars" sounds like a cross between the Beastie boys and Japandroids. "Run the heart" is Abba for the Twitter generation. It is a staccato composition punctuated by bubbling noises, shimmering synths and the dreamlike vocal of Krauss. Then there is the Phil Spectorish "Rill Rill" formerly "Ring Ring" from their demo's which is a charming confection of a pop song that is a temporary if welcome relief from Miller frankly going mental. His return however comes back with all the force of a wayward Katyusha missile on "Crown on the Ground" which sounds like the treble button has broken and someone has sucked the bass out. Your graphic equalizer is I am afraid onto a hiding to nothing but it works brilliantly and is actually quite sweet in comparison to the 90 second riff monster "Straight A's" that follows which could be Husker Du having a bad soundcheck. "A B Machines" is a surf guitar hip hop mash up (I kid you not) with Krauss repeating a two line lyric throughout. Finally the title track sounds like Mastadon making a bid for the charts with a girl singer.
There will be many of you wonderful people on Amazon who will state that "you don't get this", that "you've heard it all before" or will use that ubiquitous insult that it is the "king's new clothes". Even more will complain that the level of distortion on the album (at Spinal Tap "11") is giving your speakers a workload which they neither desire or can cope with and that perhaps "Treats" should come with complimentary Paracetamol. Yet there are on occasions when certain albums for just a very elusive moment on the space time continuum appear to make all other game players sound a bit wrought and tired. Sleigh Bells new album "Treats" falls into that category and will nudge popular music into different directions.
Granted "Treats" is so bound for mainstream success and overexposure that you sense that a brief romance with this band may be the extent of your involvement, but so what it will be fun while it lasts. Thus we have an album that is very loud, trashy, and disposable and pulled off with the sort of brazen audacity that would find the state police visiting in the dark of night in a less tolerant society. "Treats" describes itself, get it on Amazon MP3 download now and be prepared for a complete sensory overload.Treats Overview

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Tokyo Review

Tokyo
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Tokyo ReviewI own every Guitar album there is... even a few made directly from the artist and another since Tokyo.
Anyways... like all their albums... 90% of it is great, and then there's always a song or two that are not so great... usually more noise type songs. That's just my preference. But most of the songs are the type you can listen to over and over again and just get more into the more you listen. Guitar is one of my top all-time favorite artists in the elctro-hybrid shoegaze mixed genre. I really enjoy their use and mix of electronics with more traditional instrumentation. A very unique sound that not too many are duplicating.Tokyo Overview

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