Showing posts with label 1. Show all posts
Showing posts with label 1. Show all posts

Suitcase Review

Suitcase
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Suitcase ReviewKeb' Mo' continues to please the listener with a diverse variety of smooth blues. The album's focus is on love and relationships. A must have for any Keb' Mo' fan. Mo' stays true to his own version of the blues and it pays off. One of his best to date.
Lyrics that we can all relate to, well delivered vocals and a great production makes this album one you can just listen to over and over without having to skip a single track. Mo' is keeping blues relevant by keeping up with the times, his lyrics reflect his life experiences as did the lyrics of bluesman of the past. Thank you Keb' Mo'.Suitcase OverviewSuitcase is the highly anticipated new studio album from threetime Grammy award winning artist Keb' Mo.Produced by Keb' Mo and long time collaborator John Porter (B.B. King, Los Lonely Boys, Santana), Suitcase is Keb's first album of original music since 2004's Grammy winning release, Keep It Simple.Keb' Mo will be touring all summer and performing songs off of Suitcase on a nationwide tour with Bonnie Raitt.

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Live & Acoustic Review

Live and Acoustic
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Live & Acoustic ReviewIt's really hard to find a good album from a young artist these days. If you don't know what you're looking for, you can find a lot of popular crap. You never have to worry about that with Mraz.
Live at Java Joe's is a real treasure. Mraz is a brilliant songwriter and you can really relate to him on this album. He's not (yet) my favorite artist of all time, but he's certainly the best live performer out there. No, his sets don't sound like his studio recordings-they're worlds better. On Java Joe's, you get that flavor without audience interference. I don't know how he got such a perfect recording, but he did.
Mraz's talent shines through on old favorites like "You and I Both." The live version is energized and free, unlike the studio recording. "Sleep All Day" with the "At Last" intro is absolutely brilliant. By far, my favorite track on this album is "0% Interest," but that's just because I have a personal bias toward that song. His guitar playing is brilliant as always, and his talent and love for vocal jazz music also graces this CD.
It doesn't matter if you're an old Mraz fan or if you only know him by his radio hits; you've got to own this album.
Best lyric: "There's something in the way you laugh that makes me feel like a child." (After an Afternoon)Live & Acoustic Overview

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Cream - Royal Albert Hall - London May 2-3-5-6 2005 (2005) Review

Cream - Royal Albert Hall - London May 2-3-5-6 2005 (2005)
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Cream - Royal Albert Hall - London May 2-3-5-6 2005 (2005) ReviewI bought this DVD with some degree of trepidation given that most of these reunion gigs/albums whatever seldom live up to the hype Rumours have abounded about Jack Bruce's poor health and finances as well as personal emnities between the various band members but in the end I could not pass it up.
From the moment that the band walked on the stage I had a lump in my throat and from the very fist note it was clear that in the intervening years since Goodbye Cream the only thing that had changed was the degree of skill and virtuosity that each possessed had increased.
I am not churlish about the song selection given the stated number of songs that the trio had played together summed to only 35 as per Bruce including the ones that had never been played. I am sure that each of us has our own favourites that we wanted them to play and we were disappointed by their exclusion but ce la vie. I do agree with others that a gesture to the diehard fans about making available the totality of the concerts available on CD would be a good one. Especially since Eric has done it before regarding his solo performances in the same venue.
Before foccussing on the songs I must say that for me the most poignant moment can when they were performing Badge and Clapton left the section attributed to his friend George on the album silent before resuming his blistering, very heartfelt playing. If these shows are about anything it is about learning that life is too short for holding grudges and we should all be thankful of each opportunity to share our wonderful gifts with others.
Aside from the music the highlights of this two disc set lie in the camera shot of Brian May in the audience during the performance, another friend who has been a good asscoiate of Eric's in recent years and the brief interviews, alas each done separately giving us insight into the shows.
AS for the music, it is a shock to the system to see what these three old men can put out on stage just in terms of the sheer power of the trio. The band rehearsed a lot we know but the blistering improvisations remain outstanding and the Grateful Dead would be proud. The interplay between Bruce and Clapton was a joy to behold and Bruce's bass almost seemed to be alive. Ginger Baker may be getting on a bit but he can still pound the life out of the drum kit.
For me Crossroads brought tears to my eyes as did Badge, The initial chords of the blues song seemed an anachronism in an odd sort of way but Clapton has a way of giving each song another idiosyncratic feel at the heart of the blues tradition but at the same time in a very contemporary manner. His seemingly endless capacity to express his emotions in a different way in each song in such an easy manner is incredible and that was no more so in evidence in We're Going Wrong.
To me none of the songs were a disappointment even Pressed Rat and Wharthog which even seemed to belong. You almost wanted the discs to go on forever and the surprising thing is that by the end they do not seem to have been on long at all.
I thought that I had seen the pinnacle of Clapton playing at the Concert for George in the loving yet mournful rendition of While My Guitar Gently Weeps yet in these shows you found the full gamut of hurt and anguish, joy and pain, being delivered almost offhandedly by a Clapton whose own life experiences have earned him the term blues player. These three guys on the stage infront of such a mixed age audience drew us all in the to excellent playing and in effect into their own intimate relationship. The DVD selection in the fantastic sound derserves to be in every home.
Cream we salute thee. The Cream is dead. Long live the Cream.Cream - Royal Albert Hall - London May 2-3-5-6 2005 (2005) OverviewIn May of 2005 Cream returned to London's Royal Albert Hall-to the same stage where they had completed what was thought to be their final performance in 1968. It was one of the most eagerly anticipated, hard-to-get tickets in rock history. With the exception of a brief reunion set at their 1993 induction into the Rock and roll Hall of Fame, Cream had not played together in nearly four decades. This DVD documents Cream's momentous London shows. Performances from each of the four nights are featured and much more. Also included are alternate performances and interviews with Ginger Baker, Jack Bruce, and Eric Clapton. Cream formed in 1966 and disbanded in 1968. The band were a prolific and thrilling live act and toured incessantly in their short but remarkable history.Track Listings: I'm So Glad, Spoonful, Outside Woman Blues, Pressed Rat & Warthog, Sleepy Time Time, N.S.U., Badge, Politician, Sweet Wine, Rollin' & Tumblin', Stormy Monday, Deserted Cities of the Heart, Born Under a Bad Sign, We're Going Wrong, Crossroads, Sitting on Top of the World, White Room, Toad, Sunshine of Your Love, Spoonful (Alternate Takes), Sleepy Time Time (Alternate Takes), Badge (Alternate Takes), Sweet Wine (Alternate Takes), Rollin' & Tumblin', We're Going Wrong, White Room, Sunshine of Your Love

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Nothing Like the Sun Review

Nothing Like the Sun
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Nothing Like the Sun ReviewThis, the follow-up to "Dream Of The Blue Turtles" was Sting's REAL debut LP, or at least, where he finally arrived at true artistic brilliance.
His pop sensibilities are still present, here... check out 'Englishman In New York' and 'We'll Be Together' for evidence, but added to all this is a bit of picked guitar ("Fragile"), some jazzy polyrhythms ("They Dance Alone"), and a great cover of Jimi Hendrix' "Little Wing".
It's as essential an 80s document as Peter Gabriel's "So" album was, and still holds up, even nearly 20 years later.Nothing Like the Sun Overview

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Keb Mo Review

Keb Mo
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Keb Mo ReviewThere's something about acoustic blues, the idea of playing on a street corner deep in the Delta, running a bottle over a National Steel. Keb' Mo' is one of the best acoustic blues players today. Sometimes it's just him and his guitar, other times he's backed by drums and keyboards. Moore's playing is full and you rarely notice that there is no one else playing but him. His solo guitar work brings visions of Robert Johnson, and he pays tribute to the Master with two of his cuts. The rest of the tracks are penned by Moore with some collaboration from others.
Every tune on this album is good. Moore's playing adjusts between strumming, fingerpicking and slide. He also adds in banjo and harmonica, but his great asset is his voice. Smooth and sweat, it lacks the gravel sound we've become accustomed to for the blues, but his voice is perfect for solo guitar, almost as if it matches the sound of the guitar. "Victims of Comfort" is my favorite off the album with his strumming and voice interaction. The song is just him and his guitar, almost slow and sad sounding. "Angelina" throws in drums to keep the beat and Moore's fingers pluck the strings with an upbeat tempo. "Come On In My Kitchen" is the first of the Johnson covers, and he plays with a slide, and belts out some on the harmonica, with a little help from an organ and drums. Another great cut. More of the straight blues shuffle is heard on "Love Blues" again a solo guitar bit.
Each track is good on this album, and proves that Keb' Mo' is a name to be recognized with his unique sound of yesterday. Anyone who likes the original blues players like Johnson, will love this album, as will many people who don't love the blues. Moore's voice is soothing, and his playing has a relaxed feel to it. A pure joy to listen to.Keb Mo Overview

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Your Man Review

Your Man
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Your Man ReviewI'll be honest here--I thought Josh Turner would be a one-hit wonder. Not that he isn't good--he has one of the best voices gracing radio today, and is a heck of a songwriter, to boot. No, I thought radio would overlook his traditional sound. Fortunately, I was wrong. "Long Black Train" was indeed the only major hit from his first record, but the title track to this album has proven to be a smash, as well, proving that radio is ready to accept an incredible singer with a penchant for the traditional.
YOUR MAN tops LONG BLACK TRAIN easily, most noteably because it includes more of Turner's own songwriting. He sounds more confident as he swings into the opening stompers, then shifts into the Conway Twitty-esque "No Rush." From there, it's a deluge of country music--heart-melters, odes to country music, and even another gospel number, performed with Ralph Stanley and Marty Roe, Dana Williams, and Gene Johnson from Diamond Rio. There's not a song on here that doesn't qualify as traditional (yet potential radio-hit) country. Check out the twang on "White Noise" with John Anderson, or the banjo boogie that ends out the album. Josh Turner may not be at the top of his form on YOUR MAN (it's only his second album, how can we tell?), but he is certainly doing fine. Get this one, if you are a fan of country music. And if you're not a fan of country music (what are you doing here?), get this and become a convert. No sophomore blues for Josh Turner, only a promising career as one of the best country crooners of all time.Your Man OverviewJosh Turner has come a long way from his Grand Ole Opry debut when he, a then unknown, received two standing ovations. Since that day in 2003, he released his first single, was nominated for Best New Artist at the ACM's and nominated for the CMA's Horizon Award for the best newcomer, toured with Brooks & Dunn and saw his debut album Long Black Train reach Platinum status. It was exactly what the Hannah, South Carolina, native hoped for, but didn't expect. For Josh's 2nd album Your Man Josh again teamed up with producer Frank Rogers [Brad Paisley, Darryl Worley] and put together an album that shows his growth and maturity as an artist but also reflects the changes he has experienced as a person. The first single from the new album 'Your Man' continues to showcase Josh's signature deep vocal and mirrors the true love Josh found with his wife that he married shortly after the release of his debut album. MCA. 2006.

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Supernatural Live: Santana (2000) Review

Supernatural Live: Santana (2000)
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Supernatural Live: Santana (2000) Review"Supernatural Live" is one of the great recent concerts I've seen. And on DVD it looks fabulous. This is a great work of art that showcases what good music really is. Carlos Santana remains like Jimi Hendrix one of the enduring guitar gods of our time. Here he performs along with some great artists timeless music. And the concert technically is superb. The sets are beautiful (especially the illusion of stars in the background) and lighting absolutely stunning as well as the editing (I loved the wink to "Woodstock" with the three screen separation when the band performs "Gypsy Queen" and "Oye Como Va"). Santana has obviously come along way from his days in the late 60s and 70s as one of the revolutionary artists in rock. He shows here that age does not matter, it's the ART that counts. His guitar playing is in fact, superior to his previous work now more than ever. The songs here are wonderful too, especially "Love Of My Life" with Dave Matthews, which is a hypnotic love song that sets off atmosphere and mood into the listener. "Smooth" of course, remains the main attraction here and it remains a brilliant and exhilarating blend of rock, salsa and blues, the medley that goes with it, "Dame Tu Amor" is also fun. "Maria Maria" sounds like great street poetry and "Put Your Lights On" is a deep, dark meditation. I loved the duet with Sarah McLachlan of "Angel," which is a beautiful, absolutely moving song. Then there are the independent Santana band performances which are also excellent like "Africa Bamba," which is a great samba and "Migra" which is comic but also has something to say. All in all, "Supernatural Live" is a great experience. The best deal is with the DVD because these visuals look excellent on digital disc, not to mention you get the music videos for "Smooth," "Maria Maria," "Put Your Lights On" and "Corazon Espinado." A magnificent showcasing of musical talent.Supernatural Live: Santana (2000) OverviewA stage performance by Santana and guests with behind-the-scenes footage, music videos, a mini documentary and more.No Track Information AvailableMedia Type: DVDArtist: SANTANATitle: SUPERNATURAL LIVEStreet Release Date: 09/12/2000

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Be Here Review

Be Here
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Be Here ReviewKeith Urban really cuts loose on this album, he co-produced to make sure the fans hear it just as he intended and it is SO diverse and shows his mad skills. From the simple pickin' on "Country Comfort" and "God's Been Good to Me" to the upbeat, odes to women "You're My Better Half" and "I Could Fly". The guitar is prominent on "Days Go By" and "Live to Love Another Day", he is definitely a happy guy. He is at his most soulful on "Tonight I Wanna Cry" and the dark "Nobody Drinks Alone", that song gave me chills the first time I heard it, I had to immediately play it again. "Making Memories of Us" is destined to be a big hit, it is from the heart and the lyrics are so sweet. This CD is hot from front to back and sideways, it should make everyone's top ten lists for 2004.Be Here OverviewBE HERE shifts Keith Urban's career into a higher gear! This country music superstar has already had success with a double platinum-selling GOLDEN ROAD & his platinum-selling debut, KEITH URBAN, BE HERE is showing every indication of following the same path.

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Ultimate Collection Review

Ultimate Collection
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Ultimate Collection ReviewB.B. King is certainly the greatest living ambassador of the blues that we have and this latest anthology--released ahead of his eightieth birthday next September--is a well chosen collection of some of his best and best known songs. However, condensing a 50-plus-year recording career onto a single disc and calling it THE ULTIMATE COLLECTION borders on chutzpah.
However, give the compilers at Geffen Records their due. Through cross licensing they have been able to include some of his early RPM and Kent singles as well as his MCA material. [MCA has been B. B. King's home since the late sixties.] The set begins with his first No. 1 R&B single "Three O'Clock Blues" in 1951 and continues through with the most recent song "Ten Long Years" from 2000's collaboration with Eric Clapton, RIDING WITH THE KING.
Even at twenty-one tracks, there is much that had to be eliminated from this collection. Only the last four tracks represent King's post-seventies output. And over the past half dozen years alone, King has released some powerful albums, including 1999's tribute to the music of Louis Jordan LET THE GOOD TIMES ROLL and 2003's collection of standards REFLECTIONS, neither of which is represented here.
What you do get though is classic B.B. King, including his 1964 crossover hit "Rock Me Baby," a couple tracks from 1965's LIVE AT THE REGAL "Every Day I Have the Blues and "Sweet Little Angel," his signature song "The Thrill Is Gone" (which at No. 15 was his highest charting pop hit in 1970), and the 7" edit and mix of "When Love Comes to Town" with U2.
Overall, this is a satisfying collection and makes for a nice introduction to the music of B.B. King. If you want a broader overview, consider 2000's 2-disc anthology or 1992's box set KING OF THE BLUESUltimate Collection OverviewThe King Of The Blues celebrates his 80th Birthday later this year, and Universal kicks off a year long celebration with the most complete single disc B.B. King collection ever. The Ultimate Collection collects B.B.'s legendary hits and signature songs between 1951 and 2000, from his first hit, 'Three O'Clock Blues' to his recordings with Eric Clapton and U2. MCA. 2005.

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Barcelona Nights: The Best of Ottmar Liebert 1 Review

Barcelona Nights: The Best of Ottmar Liebert 1
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Barcelona Nights: The Best of Ottmar Liebert 1 ReviewOh please, all these people who are so worried about this genre blending with their sacred "Flamenco." Some of the best Flamenco-inspired music is stuff like this and the work of Steve Stevens, artists who think outside the box. Music is flexible and evolving; what you call it or label it doesn't matter. Nobody seems to mind that Ricky Martin or Enrique Igelsias represent "Spanish" or "Latin" pop music. To me, Alberto Iglesias would be the real deal!
In my estimation, Flamenco has always been an art form influenced by many different forces and subject to change and evolution. Why is there such a nationalistic pride among many of its fans that ends up precluding such visionaries as Liebert, who have devoted their lives to making wonderful music, from taking part? Is it because he is not 100% Spanish?
The same exclusionary mentality that wants to limit Flamenco works well in Bible music in the South. The irony is that a Latin talent is often more welcome in other genres than a Gringo's is to Flamenco. The entire genre of Flamenco suffers much more from exclusionary thinking than it does from cross-pollination. How sad that such a beautiful art form is tainted by control freaks. Those of you who bash the likes of Liebert bash one who is intensely accomplished and pays such homage and utmost respect (not to mention commercial attention and longevity) to the art form. Very sad, indeed. You should be bashing Ricky and Enrique first!
Those of you who are so close-minded (You're probably ignoring me because of my Gringo status, anyway) should check out a really cool blue grass band I know. You'll be made to feel much more welcome than Liebert has in the wild world of Flamenco "purists."
This album is a wonderful collection of soulful, technically masterful sounds from a true visionary who pays the highest tribute to Spanish guitar by infusing it with fresh blood and vouchsafing its wonders to the masses. And it's better quality Flamenco than lots of other stuff on the market! Oh, sweet blasphemy! This is no dilettante - this man lives and breathes his music.
Other genres should only be so lucky!Barcelona Nights: The Best of Ottmar Liebert 1 OverviewMusic

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Eric Johnson - Live From Austin Tx (2005) Review

Eric Johnson - Live From Austin Tx (2005)
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Eric Johnson - Live From Austin Tx (2005) ReviewIf you have even the slightest interest in the playing of an electric guitar you absolutely MUST check out this DVD.
Eric Johnson fans have been circulating old VHS copies of this for decades. EJ has appeared on "Austin City Limits" as often as any performer - perhaps helped by being from that town, although I don't recall seeing other Texans appearing nearly as often. Austin City Limits is one of the most treasured live-music shows in American History. Madonna and Britney Spears and other over-hyped lip-syncing media sell-outs can hog up the mainstream airways as much as they like - all Austin City Limits performers have artistic heft that can't be faked.
This 1988 performance is dated by Eric's "Flock of Seagulls" hairdo and Sergeant Pepper/Michael Jackson/John Phillip Sousa jacket. But the music is timeless. Eric joins his perfectly supporting 2-man bass and drums combo to blow our minds. The now-platinum Ah Via Musicom had just been released and it is fair to say he was "peaking". A known perfectionist in the studio, he would record tracks over and over and over again until they were "just right" and I saw in an interview that he simply didn't think he could play better than on that recording. That being said, he doesn't have the opportunity to "redo" on this live performance, but as he unleashes the most overwhelming guitar technique ever known it doesn't really matter, does it? The man is a force of nature in this performance. Best of all - the DVD features crystal clarity in both the picture and audio. Every one of his flood of notes rings like a bell.
"Musicom" cuts like "Steve's Boogie" and "Desert Rose" surround his performance of perhaps the most incredible instrumental in rock history "Cliffs of Dover". He also covers some Hendrix and "Are You Experienced?" makes us remember the left-handed master while marveling at Hendrix' able successor.
The album-oriented rock airwaves have been flooded for decades with speed demons who race up and down their stratocasters without a thought for tone or note selection. Here is where Eric Johnson completely shines: although as fast as Vai or Malmsteen, Mr. Johnson is as thoughtful and careful in his note selection as Clapton or Louis Armstrong. His tone is so bell-like clear... it is simply unrivaled.
Guitar fans - this is heaven.Eric Johnson - Live From Austin Tx (2005) OverviewLegendary guitar hero Eric Johnson's 1988 performance on the Austin City Limits TV show was an amazing performance. The performance is now available on DVD. It captures the magical guitar work and energy that only Eric Johnson live can deliver. Also available on CD.

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Ho Ho Hoey: Complete Collection Review

Ho Ho Hoey: Complete Collection
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Ho Ho Hoey: Complete Collection ReviewI have been aboard for the entire HO HO Hoey series, 1, 2, & 3. Then came along "The Best of Ho Ho Hoey" with 1 or 2 new songs that weren't on the other discs so yes I had to buy it. When looking through a Best Buy store, I found this 2 CD set which includes almost every song from the 3 but not quite. A few omissions but still a "fun" Christmas record at a great price with a few "new" tunes. I have noticed the trend of bands like (Chicago, Brian Setzer, Martina McBride, etc.) to just re-release the old Christmas season discs a year or 2 later with 1 or 2 new songs instead of recording at least an EP of new music and releasing that instead. It makes a fan a little bitter and resentful that to get the new tunes, you have to shell out cash for an album you already have. Don't worry, by Christmas next year or 2006, another version of this will be released. Aside from all that, most of these songs rock and you get a lot of fun instrumental renditions of classic Christmas songs, my favorite being, "You're a Mean One Mr. Grinch". This is at a great price so get it before they disappear. Someone please stop this re-releasing though, record and release a new full length instead and stop screwing the fans of your music! I don't want to fail to mention that He plays all of the instruments on this except for drums on a couple of tracks, woah!Ho Ho Hoey: Complete Collection Overview

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Tomorrow Is a Long Time Review

Tomorrow Is a Long Time
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Tomorrow Is a Long Time ReviewNon-soundtrack recordings made between 66 and 68, these sides show that Elvis' 68 Comeback was inevitable. Jerry Reed gives Elvis 2 of his best songs "Guitar Man" and "U.S. Male" and the King knocks 'em out of the park. His cover of the Clovers "Down In The Alley" from 1966 is tough R&B. Also, check out his version of Bob Dylan's "Tomorrow Is A Long Time". A great performance. Yes, the man could do it all. So, while he was still making bad movies, these Nashville sides are proof that the King was on the verge of Rock and Roll's greatest comeback. His voice sounds great, the songs on this CD are generally good (a few too many remakes of other artist's hits), and you can just feel him committed to making great music again. Which he would.Tomorrow Is a Long Time OverviewThese 1966-1968 recordings have never been grouped together, so chalk this up as another album that should have been, but wasn't-until now! His hits Love Letters; Big Boss Man; U.S. Male , and Indescribably Blue are here with the Bob Dylan-penned title song and 13 more tracks!

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The Ultimate Jesse Cook (2-CD Set) Review

The Ultimate Jesse Cook (2-CD Set)
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The Ultimate Jesse Cook (2-CD Set) Reviewsimply stated. if i want to lie back and chill out, i listen to ottmar or govi. but if i want my blood to boil, jesse cook has to be my choice. i have made my own compilation of all of jesse's cd's and have titled it "boiling". no artist past or present has effected me more than jesse cook, and i was born in 1937. jack stanleyThe Ultimate Jesse Cook (2-CD Set) Overview

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Get Your Wings Review

Get Your Wings
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Get Your Wings ReviewGet Your Wings(1974). Aerosmith' s Second Album.
In 1974, Aerosmith was some what of a sensation in Boston, where their constant touring and high octane hard rock endeared them to thousands of fans. Their debut, a fantastic mix of hard rock and gritty blues tracks, helped Aerosmith develop a cult following around Boston, not unlike The Grateful Dead. Fans considered Aerosmith "the next Led Zeppelin" , and when 'Get Your Wings' was released, fans eagerly picked up the album. Although not popular until many years later, 'Get Your Wings' eventually went multi-platinum and contained the hit singles "Same Old Song And Dance" and "Train Kept A Rollin'.
By 'Get Your Wings', Aerosmith began to sound more and more like the band that produced classic songs like "Walk This Way" and "Back In The Saddle". Steven Tyler's singing voice began to take on the high-pitched, over-the-top sound that made him one of the most identifiable singers in rock n' roll. Aerosmith even began to branch out their songs, playing more original, experimental, and darker tracks that distinguished them from other blues and Led Zeppelin clones. "Same Old Song And Dance", an Aerosmith classic, pits distorted, kick ass blues guitar against Stephen Tyler's energetic, in-your-face singing. "Lord of Your Thighs" is a slower, percussive hard rock track that is very dark and gritty. "Spaced" is a "spacy" rock track, with an emotional, trippy verse, complete with "epic" sounding guitar work. Definitely one of Aerosmith's most different and inspired songs. "Woman of the World" is a folk and blues inspired hard rocker, and has the sound of a guitar "orchestra", much like early Led Zeppelin. "S.O.S.(Too Bad)" is a loud, brazen hard rocker that is your typical Aerosmith. "Train Kept A Rollin'" is a cover of the classic Yardbirds song, layered with louder and more distorted guitars. Tyler is at his best... his vocals fit the pompous, youthful energy of the song perfectly. Easily one of Aerosmith's best, "Train Kept A Rollin'" is definitely one of the best examples of Joe Perry's mastery of the blues guitar. "Seasons of Wither" is hands down one of Aerosmith's best, most underrated tracks. A dark, progressive, and emotional track, "Seasons of Wither" reminds me of Led Zeppelin's darker material. This song is great, and probably the best on the album. "Pandora's Box" ends the album with a bluesy, upbeat hard rocker, full of loud, blazing guitars.
'Get Your Wings' is a fantastic album, and unfortuneatly is often overlooked by fans of Aerosmith's earlier material. This album has a very mature sound, and Joe Perry and Steven Tyler display some of their best work here. Aerosmith would go on to even greater success with 'Toys In The Attic' and 'Rocks', but you shouldn't overlook their first albums, because they are just as good. In my opinion, "Same Old Song And Dance", "Spaced", "Train Kept A Rollin", and "Seasons of Wither" are all some of Aerosmith's most inspired tracks.
HIGHLY RECOMMENDED TO FANS OF CLASSIC ROCK, HARD ROCK, AND AEROSMITH! IF YOU LIKE AEROSMITH, DON'T OVERLOOK THIS CLASSIC ALBUM!
Also Recommended-
Aerosmith- Aerosmith
Led Zeppelin II- Led Zeppelin
Tres Hombres- ZZ Top
Thanks For Reading!
Get Your Wings OverviewJapanese reissue of the popular hard rock band's 1974 album, packaged in a limited edition miniature LP sleeve. CBS. 2004.--This text refers to an alternate Audio CD edition.

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Solo Acoustic 1 (Dig) Review

Solo Acoustic 1 (Dig)
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Solo Acoustic 1 (Dig) ReviewWith nothing more than an acoustic guitar or piano, a quick wit and a voice that's aged like the finest wine, Jackson Browne comes off sounding as youthful and vigorous as he was in his earliest days. These songs are lyrical masterpieces, performed by a truly gifted singer/songwriter/musician.
The poetry of "These Days," "For a Dancer," "Fountain of Sorrow," and "Take It Easy" has yet to be surpassed, even 30 years later. It's just plain fun to hear acoustic renditions of "Lives in the Balance" and "Looking East" (you can ignore the brief, petty political commentary that proceeds them, if you wish). "For Everyman" still remains a lyrical masterwork; and "Your Bright Baby Blues," played in a bluesier fashion, becomes a rejuvenated work of art.
The only problem with this album, really, is that it only contains 12 songs; thankfully, this is SOLO ACOUSTIC VOL. 1; meaning, if there isn't a VOL. 2 in the works, then there are going to be some very disgruntled fans out there. Jackson Browne is a true artist; if you've heard any of his music, you know this. If you haven't, then do yourself a favor and buy this album; if you are a fan of music--whatever genre--you will not regret it.Solo Acoustic 1 (Dig) OverviewPresenting twelve songs culled from Browne's extensive and critically acclaimed solo acoustic concerts around the world over the past few years, the disc also captures both spirited and humorous exchanges between Jackson and his audiences, making for a truly intimate listening experience. This new comp, produced by Browne and Paul Dieter, is Jackson's first live release since his 1977 multi-platinum Running On Empty album. It also marks the recording debut of a three decades old track, 'The Birds Of St. Marks', not previously released in any form. Solo Acoustic reaches back to Browne's early years with 'These Days' and 'Take It Easy', and spans his entire career with other highlights such as 'Fountain Of Sorrow', 'For Everyman', 'The Pretender', and 'Looking East'. A stirring version of 'Lives In The Balance', the title track from Jackson's powerful 1986 album, will be this record's lead single. Inside. 2005.

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Prairie Wind Review

Prairie Wind
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Prairie Wind ReviewNeil Young has always been a musical chameleon. Shifting from hard rock to rockabilly to grunge to futuristic synth music, he's tried every music genre. But the style he keeps returning to is country-rock. Prairie Wind is yet another superb album in this vein. The past few years haven't been kind to Mr. Young with the death of his father and the mother of his first child or finding out that he has a brain aneurysm. With the sense of loss and mortality, Prairie Wind reflects on life and family. "The Painter" brilliantly sets the tone for the album as it a brooding, moody piece that shows music gives eternal life to its artists. "Far From Home" is a lovely ode to his parents and "Here For You" is a sweet song for his kids that has a great harmonica solo. "Falling From The Face Of The Earth" is a gentle lament and "He Was The King" is a goofy salute to Elvis Presley, but one done with spirit. "When God Made Me" has a full gospel chorus and "This Old Guitar" is the best track on the album with its simple story and laid-back charm. Country-rock is the skin Mr. Young feels most comfortable in and Prairie Wind is his best album in a decade.Prairie Wind OverviewAn artist for all musical seasons, Neil Young returns to autumnal harvest mode on Prairie Wind, with homespun material and sing-song melodies that renew the spirit of some of his most popular releases. Yet the mood here is darker in its maturity than on Harvest and Harvest Moon--the previous releases in what now sounds like a trilogy--and the arrangements have greater range and aural depth, with Wayne Jackson of the soulful Memphis Horns, the Fisk University Jubilee Singers gospel choir, and a string section employed to striking effect. This is a song cycle of dreams, memories, family ties, and the passage of time--what is lost and what endures. The elliptical, epic 'No Wonder', with its evocation of 9/11, ranks with the most ambitious songs of Young's career, while 'Falling Off the Face of the Earth', 'It's a Dream', and the bluesy title cut combine childlike innocence with unsettling experience. Spooner Oldham's church keyboards and co-producer Ben Keith's steel guitar reinforce the sound's sturdy simplicity. Young has released a lot of albums in different musical styles, but Prairie Wind feels like a homecoming, and ranks with his very best. Reprise. 2005.

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A Tribute to Stevie Ray Vaughan (1996) Review

A Tribute to Stevie Ray Vaughan (1996)
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A Tribute to Stevie Ray Vaughan (1996) ReviewThis film, shot in Texas in June of 1995, features a whole host of talented musicians. The littany of names is enthralling. Buddy Guy, B.B. King, Bonnie Raitt, Jimmy Vaughan, Robert Cray and Eric Clapton, who was nominated for best male rock performance in 1997 at the Grammys for his performance. Each musician performs his own incredible piece and the film also includes each performer's reflections on Stevie and all culminating to an incredible blues guitar jam with each musician having a solo. Filled with beautiful slides, riffs and solos and heartfelt thoughts each artist pays tribute to Stevie Ray Vaughan in his own way. A befitting tribute to a once in a life time bluesman.A Tribute to Stevie Ray Vaughan (1996) OverviewTRIBUTE TO STEVIE RAY VAUGHAN - DVD Movie

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The Three Pickers Review

The Three Pickers
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The Three Pickers ReviewEarl Scruggs, Doc Watson and Ricky Skaggs team up on what has to be as good as bluegrass music gets. You will play this one again and again. This hauntingly beautiful CD reminded me once again that most of the so-called music coming out of Nashville today masquerading as "country" and/or "bluegrass" is pure (junk). No tight jeans and cowboy hats here. Just first class music.
The pickers play a lot of older songs: "What Would You Give In Exchange For Your Soul," "Who Will Sing For Me," "Soldier's Joy," "The Storms Are On The Ocean," "Foggy Mountain Top," "Roll In My Sweet Baby's Arms." These men are as good as pickers get. Having Alison Krauss join them on some of the cuts only makes this CD better.
Difficult as it is to pick a favorite, I would probably vote for "Down In The Valley To Pray." Doc Watson begins this hymn, as simple and pure as your grandmother's pound cake, and is then joined by the voices of Skaggs and Scruggs, along with Krauss, in an a capella arrangement that will send chills down your spine. You are immediately carried back to a one-room church 50 or 60 years ago. The songleader began a hymn and then one by one, the congregation joined in while mothers fanned their babies with funeral home fans. Even though it never was, we thought life was much simpler then.The Three Pickers OverviewNo Description Available.Genre: BluegrassMedia Format: Compact DiskRating: Release Date: 15-JUL-2003

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Nightshade Rounds: Twentieth-Century Works for Guitar Review

Nightshade Rounds: Twentieth-Century Works for Guitar
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Nightshade Rounds: Twentieth-Century Works for Guitar ReviewWhen I first listened to Nightshade Rounds,
I didn't find it all that great.
Good, but not great.
But, like so many things that are sublime,
you must experience them more than once
to fully appreciate them.
That was the case for me with this recording.
Each time that I listen to it I like it more.
If you like solo "classical" guitar music,
Sharon Isbin is a master and this is a recording
well worth listening to.Nightshade Rounds: Twentieth-Century Works for Guitar Overview

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