Showing posts with label mandolin. Show all posts
Showing posts with label mandolin. Show all posts

David Grisman's Acoustic Christmas Review

David Grisman's Acoustic Christmas
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David Grisman's Acoustic Christmas ReviewThis album is a true Grisman classic. Who else could put together such a distinct Christmas album? WHAT CHILD IS THIS is done in the old english style with mandolin accompanied by a band of minstrels playing recorders. SANTA CLAUS IS COMING TO TOWN is done bluegrass style with virtuoso Bela Fleck on banjo. Respighi's ANCIENT AIRES AND DANCES is a beautiful rendering of this classical composition done with mandonlin, mandola, and mandocello. THE CHRISTMAS SONG is a soft, jazzy, acoustic version of Mel Torme's classic. GOD REST YE MERRY GENTLEMEN is done as an acoustic jazz tune in 6/8 time. WE WISH YOU A MERRY CHRISTMAS offers a touch of comic relief with Grisman's mandolin accompanying a Donald Duck impersonator. WHITE CHRISTMAS presents jazz guitar virtuoso Martin Taylor and John Stafford on tenor sax. THE FLOWER CAROL is another old english style number done with an accompanying hurdy-gurdy, crumhorns, and recorders. WINTER WONDERLAND is done in a swing style reminiscent of the Hot Club Quintet with Django Reinhardt and Stephane Grappelli. SILENT NIGHT is done in a bossa nova (?) style with accompnying vocal percussion and vocal trumpet. AULD LANG SYNE also presents Bela Fleck on banjo with a slower beginning tempo which kicks into bluegrass overdrive upon the key modulation.
With former DGQ members Darol Anger, Mike Marshall, and Rob Wasserman providing the rhythm section this album reflects what I believe to have been the glory days of the Grisman legacy. Displaying Grisman's unique musical diversity, ingenius arrangements, and mandolin virtuosity with this all-star lineup, ACOUSTIC CHRISTMAS is a Christmas album in a class of its own. It actually makes a musical statement apart from the context of it being a holiday album. This is a must buy for fans of Grisman, jazz, bluegrass, or Christmas music in general.David Grisman's Acoustic Christmas Overview

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Pizza Tapes Review

Pizza Tapes
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Pizza Tapes ReviewDavid Grisman succeeds once again in his effort to capture high-quality acoustic music, jam-session style. This is a very cozy, intimate recording, with quite a bit of the friendly between-songs banter preserved.
Of particular interest is Rice's playing; jazzy chords and dancing leads wrapped around the melody played by Grisman and Garcia. Tony's playing adds so much color and complexity to these arrangements - compare this CD's rendition of "Shady Grove" to the version of "Shady Grove" on Grisman and Garcia's previous release (also titled "Shady Grove").
Jerry sings in his incredibly endearing Teddy Bear voice on all the vocal tracks - some say Jerry's voice is an acquired taste, if so I've acquired it. No vocals by Tony, who I believe at the time of this recording was still able to sing. David's playing, as always, is at times ornamental, at times a driving force, and ever tasteful.
There's a lot of sadness here. Jerry's gone. Tony doesn't sing anymore. And the song selection ("Man of Constant Sorrow", a stately, mournful rendition of "Amazing Grace", etc.) adds to the low-key vibe. But somehow, ultimately, this is a joyful recording - for instance, check out the interplay on Miles Davis' "So What". I'd recommend this one to those who enjoy acoustic music, traditional tunes, and expert musicianship.Pizza Tapes OverviewLegend has it that a pizza delivery boy lifted Jerry Garcia's cassette tape of two evenings' worth of jam sessions between guitar virtuosos Garcia and Tony Rice, and it's been making the rounds of underground trading circles ever since! And its first legit release lives up to the Dead collector hype: Jerry sings for the only known time the tunes Long Black Veil; House of the Rising Sun, and Man of Constant Sorrow , while the three jam out on So What and Summertime .

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The Three Pickers Review

The Three Pickers
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The Three Pickers ReviewEarl Scruggs, Doc Watson and Ricky Skaggs team up on what has to be as good as bluegrass music gets. You will play this one again and again. This hauntingly beautiful CD reminded me once again that most of the so-called music coming out of Nashville today masquerading as "country" and/or "bluegrass" is pure (junk). No tight jeans and cowboy hats here. Just first class music.
The pickers play a lot of older songs: "What Would You Give In Exchange For Your Soul," "Who Will Sing For Me," "Soldier's Joy," "The Storms Are On The Ocean," "Foggy Mountain Top," "Roll In My Sweet Baby's Arms." These men are as good as pickers get. Having Alison Krauss join them on some of the cuts only makes this CD better.
Difficult as it is to pick a favorite, I would probably vote for "Down In The Valley To Pray." Doc Watson begins this hymn, as simple and pure as your grandmother's pound cake, and is then joined by the voices of Skaggs and Scruggs, along with Krauss, in an a capella arrangement that will send chills down your spine. You are immediately carried back to a one-room church 50 or 60 years ago. The songleader began a hymn and then one by one, the congregation joined in while mothers fanned their babies with funeral home fans. Even though it never was, we thought life was much simpler then.The Three Pickers OverviewNo Description Available.Genre: BluegrassMedia Format: Compact DiskRating: Release Date: 15-JUL-2003

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The Bluegrass Guitar Collection Review

The Bluegrass Guitar Collection
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The Bluegrass Guitar Collection ReviewTony Rice is the greatest acoustic guitarist I've ever heard. His right hand knows what the left hand is doing. The tone and balance in his style haven't been equaled although every flatpicker after him owes him a debt of gratitude. The tunes are fiddle toons for the most part with a fantastic supporting cast which has been the norm for Tony throughout his recording history. This is a great collection spaning much of his career.
The collection showcases the fine instrument the man plays as well. I first heard and saw this guitar in person about 25 years ago and it sounds even better today. It's as legendary as the current owner. The instrument was obscure for it's first 25 years. Then it was purchased in 1960 for Clarence White by his father for a mere $35. Tony Rice purchased it in 1975. The 1935 Martin D28 is the finest guitar of it's kind in the world. And it's no accident that Tony Rice owns and plays it.
kcoynerThe Bluegrass Guitar Collection Overview

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Not for Kids Only Review

Not for Kids Only
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Not for Kids Only ReviewThis is a favorite with every kid I know. But what do kids know? They listen to Raffi. *
From an adult perspective, this tape is amazing. The playing is superb and intelligent, the lyrics are sincere, heartfelt, and often pull-your-leg funny. Grisman and Garcia play with and off each other beautifully.
The musical skill here is extremely high, but feels unforced and simple.
For example, listen to the song "Arkansas Traveller" about an encounter between a city slicker and a country bumpkin:
Slicker: Well, hello stranger.
Bumpkin: Why, hello stranger!
Slicker: Yer corn looks awful little and yeller.
Bumpkin: I planted the little and yeller kind.
[cue duet]
Listen to the banjo and mandolin duet of turkey in the straw; the playing is quite intricate and beautiful.
What's right about this tape: it entertains and engages without once stooping to dull playing or insincere, tired singing. Unlike Raffi, for example, this tape never feels like an act.
Recommended for any kid. Also, any adult who likes good acoustic or folk guitar. This is a tape I play all the time, whether or not kids are around.
--Pat
* Please, no hate mail from all 15 of you adult Raffi fans. I know the lyrics to Baby Beluga and I'm not afraid to use them.Not for Kids Only Overview

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