Ultimate Collection Review

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Ultimate Collection ReviewB.B. King is certainly the greatest living ambassador of the blues that we have and this latest anthology--released ahead of his eightieth birthday next September--is a well chosen collection of some of his best and best known songs. However, condensing a 50-plus-year recording career onto a single disc and calling it THE ULTIMATE COLLECTION borders on chutzpah.
However, give the compilers at Geffen Records their due. Through cross licensing they have been able to include some of his early RPM and Kent singles as well as his MCA material. [MCA has been B. B. King's home since the late sixties.] The set begins with his first No. 1 R&B single "Three O'Clock Blues" in 1951 and continues through with the most recent song "Ten Long Years" from 2000's collaboration with Eric Clapton, RIDING WITH THE KING.
Even at twenty-one tracks, there is much that had to be eliminated from this collection. Only the last four tracks represent King's post-seventies output. And over the past half dozen years alone, King has released some powerful albums, including 1999's tribute to the music of Louis Jordan LET THE GOOD TIMES ROLL and 2003's collection of standards REFLECTIONS, neither of which is represented here.
What you do get though is classic B.B. King, including his 1964 crossover hit "Rock Me Baby," a couple tracks from 1965's LIVE AT THE REGAL "Every Day I Have the Blues and "Sweet Little Angel," his signature song "The Thrill Is Gone" (which at No. 15 was his highest charting pop hit in 1970), and the 7" edit and mix of "When Love Comes to Town" with U2.
Overall, this is a satisfying collection and makes for a nice introduction to the music of B.B. King. If you want a broader overview, consider 2000's 2-disc anthology or 1992's box set KING OF THE BLUESUltimate Collection OverviewThe King Of The Blues celebrates his 80th Birthday later this year, and Universal kicks off a year long celebration with the most complete single disc B.B. King collection ever. The Ultimate Collection collects B.B.'s legendary hits and signature songs between 1951 and 2000, from his first hit, 'Three O'Clock Blues' to his recordings with Eric Clapton and U2. MCA. 2005.

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Martin Scorsese presents The Blues - A Musical Journey (2003) Review

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Martin Scorsese presents The Blues - A Musical Journey (2003) ReviewThe premise is a good one: take seven visionary directors and turn them loose on a subject like the blues. The result, while for the most part excellent has a slight tendency to lag a little.
The Blues takes us on a musical journey through perhaps the only true American art form. The journey begins in the Mississippi delta and winds its way to Mali and all points in between. What we wind up with is a history of the black influence in American and its expansion to the world.
The series opens with Martin Scorsese's Feel Like Goin' Home a documentary that takes modern blues player Cory Harris from the Misissipii delta to Mali in Africa to explore the similarities in the music that moved from Africa with the slave transports to the Southern United States.
German director Wim Wenders film The Soul of a Man chronicles the lives of three blues players that affected the director. Through fictional recreation and archival footage we get biographies of Blind Willie Johnson, Skip James, and J.B. Lenoir.
Richard Pearce takes us on a musical journey with B.B King. and Rosco Gordon back to Memphis and Beale Street og the past and present in his Road to Memphis. Also explored is the story of moden player Bobby Rush who continues to travel the "chitlin circuit" of his ancestors. The film culminates in a performance of bles legends at the W.C. Handy Awards.
Charles Burnett tells the story of his youthful travels with his southern blues loving uncle in Warming By the Devil's Fire. This film relies heavily on archival footage of the great southern blues artists and explains the differences between the music that was played on Saturday nights in contrast with the gospel music of Sunday mornings. It is interesting to note that in many respects that there was not a whole lot of difference between the two genres in style.
Perhaps the most interesting film is Marc Levin's Godfathers and Sons which explores the Chicago blues scene. The film profiles Marshall Chess, son of Leonard Chess and founder of the legendary Chess Records. Chess meets with rap icon Chuck D to take the blues to its next level with a modern recording of Electric Mud. The reunion of the origal band with blues next generation makes for an interesting film.
Red, White and Blues by director Mike Figgis explains the blues impact on classic rock in the 60's and 70's. This is a straight interview piece that covers the British invasion by the music and its branching out to the world.
Piano Blues is Clint Eastwood's contribution to the series. This film features interviews with piano masters Ray Charles, Dr. John and Dave Brubeck. This piece also includes archival footage of Art Tatum, Theolonious Monk, Fats Domino, and Professor Longhair.
The series is a good one if not necessary one that you'll want to watch over and over. The main problem is that there too little emphasis on the actual recordings. The films stress the music but I would have enjoyed hearing more.Martin Scorsese presents The Blues - A Musical Journey (2003) OverviewMARTIN SCORSESE PRESENTS THE BLUES - DVD Movie

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