Showing posts with label foo fighters. Show all posts
Showing posts with label foo fighters. Show all posts

Echoes, Silence, Patience & Grace Review

Echoes, Silence, Patience and Grace
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Echoes, Silence, Patience & Grace ReviewIn the mid-90's, I saw the Foo Fighters on the "Color and Shape" tour. At the time, I was particularly discouraged by the state of live music. I genuinely felt that the time for drums and guitars had ended, and that I should "gird my loins" for the next wave of musical expression, as previously exemplified by early `90s bands such as EMF and Jesus Jones.
Attending this show singlehandedly reinvigorated my belief in rock and roll. Eloquently enough, nearly a decade later I still find the Foos engaging. The Foo Fighters are a band that has inexplicably stood the test of time in the same way that U2 and Peter Gabriel did in the early 90s. While their reinvention may not be as obvious as their predecessors, it still situates them as one of the great and longlasting bands in the increasingly fickle musical landscape of today.
The beauty in the new Foo album lies in the way in which it navigates dynamics, songwriting, and energy. Even in its mellower moments, the "Echoes, Silence, Patience, & Grace" brims with a subdued tension that is only relieved by explosive energy. The way in which Grohl and his cohorts navigate the dichotomy between soothing lullaby and devastating intensity within song form (in the micro) and the overall album (in the macro) expresses a compositional maturity that belies the "rock" format within which they are categorized
For the careful listener, "Echoes, Silence, Patience, & Grace" is driven by subtle melodic polyphony. We're not talking counterpoint here, but the interplay between bass and lead vocal on "Erase/Replace" and rhythm guitar and vocal on "The Pretender" exhibit a certain compositional depth. To get much more complex would question the Foo's status as "rock" music.
And undeniably, The Foo Fighters' new album is, to its core, rock music. Who would have thought that, out of the ashes of the band that defined the `90s, a band that defines "rock" music through the strength of their vision would continue to be both relevant and eloquent? Perhaps the one criticism that can be leveled is their use of repetition and dynamic build-up for climax. Several songs on the album use this technique. However, there are also songs that are just loud, and others that are just, well, less loud (read: guitars are not distorted). Overall, it creates a relatively diverse acoustic environment.
The lowdown: Here's where melody, songwriting, and raw energy meet. I have had this album in my car for almost a month now, and I'm to the point of feeling guilty about removing it. I seem to enjoy it every time.Echoes, Silence, Patience & Grace OverviewThe Foo Fighters latest offering, Echoes, Silence, Patience & Grace, presents a variety of songs, from hardcore rock to a softer, malleable rock.

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Colour & The Shape (Exp) Review

Colour and The Shape (Exp)
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Colour & The Shape (Exp) ReviewThe Colour and The Shape
In my opinion, the finest work by the group and best writing by Grohl before or since. The CD that truly turned me onto the Foos, eventually earning them the spot of favorite. The debut was great, yet a little repetitive; This one is perfect in all ways.
Every song hits an individual chord with the soul, and each selection sounds genuinely heart felt. A concept album (of sorts), the order of songs is perfect as well, creating a great finished UNIT which deserves to be listened to straight through:
A little breakdown...
1)Doll - Great opener. Short and sweet, it portrays Grohl's timid and overwhelmed feeling at the beginning of the story. Each passing song is filled with more and more confidence until the triumphant end.
2)Monkey Wrench - One of the more publicly recognizable tunes on the platter, it has an awesome beat and is one of the better songs on a CD without a weak spot.
3)Hey, Johnny Park! - My second favorite song and one which, for some reason, always seems to be overlooked. Great intro, terrific lyrics, and a very unique aura qualify this one as an A+.
4)My Poor Brain - The song that took me the longest to open up to; after listening to it enough it really starts to stick. Very powerful sound, after a peculiar start.
5)Wind Up - Another hidden gem everyone tends to pass over. Somewhat bitter and vengeful, it definitely deserves a listen.
6)Up In Arms - Cool little song. Changes from slow to fast halfway through, it really becomes quite uplifting.
7)My Hero - Gets quite a bit of radio play, still. Many interperatations exist concerning its lyrics, making it very intersesting. Great drum opening, cathcy riff, and POWERFUL lyrics.
8)See You - One of the more innocent and laid back songs. Fun to listen to and it is reported that Grohl joked that it was his "favorite" on the album.
9)Enough Space - Strange song, but like everything else, it fits. Loud sound and fast pace keep things moving in a good direction.
10)February Stars - Slow, emotional lyrics for the first half, followed up by a second half containing strictly the chorus, set to an awesome distorted sound.
11)Everlong - This is it. The most famous Foo song, most widely played, and my personal fav song by anyone. Horribly infectous da-da-da-dada-da sound, poigniant and beautifully vocalized lyrics, and an almost haunting quality all serve to leave an indelible impression on the mind.
12)Walking After You - Slow, acoustic love(?) song. Very interesting and thought provoking lyrics. A good one.
13)New Way Home - Simply brilliant ending. Caps off the concept in an ingenious fashion. Ends with Grohl's shouting of the lyric "I'm not scared" (whereas in "Doll" he claims, "I've never been so scared"), completing the whole confidently re-born motif. One of the best 6 minute songs I've ever heard.
Overall Rating: A+ (a MUST have)Colour & The Shape (Exp) OverviewIncludes the bonus tracks Requiem, Drive Me Wild, Down In The Park, Baker St, Dear Lover and Color & Shape.--This text refers to an alternate Audio CD edition.

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