Showing posts with label victim of the loudness war. Show all posts
Showing posts with label victim of the loudness war. Show all posts

Pearl Jam Review

Pearl Jam
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Pearl Jam ReviewIt's quite possible that Pearl Jam is more revered in retrospect than for their musical offerings from the last 5-6 years. Their name is legendary. And their initial 2-3 albums are considered classics. But what have they done lately that hasn't sounded tired and stale?
Even though I'd been burned by PJ's albums in the past, I took a chance on this new one, simply titled Pearl Jam.
Wow. Am I glad I did. Pearl Jam has been reborn!
This album sounds fresh, alive and -- dare I say it? -- vital. They retained their trademark garage band sound and Eddie's sometimes mumbly (but powerful) baritone. But there are melodies and hooks on this album that are infectious. And the playing sounds like a Pearl Jam I haven't heard in a long, long time. It's energetic and meaty.
The album kicks off with the guitar-heavy, toe tapping "Life Wasted," which sports typical Pearl Jam chord progressions but with more oomph behind them.
"World Wide Suicide," the next track, features a sound and energy reminiscent of anything off Vs. or their debut CD (1993 and 1991, respectively).
"Comatose" begins with a Tom Petty-like guitar riff and then explodes in Eddie's growling vocal and bashing, punk-like guitars that would make the Sex Pistols proud.
One of my favorite tracks follows "Comatose": "Severed Hand," which begins with swirling, mysterious-sounding backward-played guitar noodlings before turning into another free-for-all garage band extravaganza.
"Parachutes," a Beatle-esque song featuring acoustic guitar, a jaunty beat and tight vocal arrangements, is a nice change of pace after so many balls-out tracks.
"Unemployable," the next track, is a great riff. Very catchy and upbeat. It reminds me of R.E.M. Very tasty guitar work.
"Wasted Reprise" is totally captivating. Haunting, even. It's less than a minute long, but there's something about it that I absolutely love. The lyrics are sung with such emotion: "I have faced it, a life wasted, I am never going back again."
I can't say enough about this album. It's chock-full of big, BIG guitar riffs, Eddie's over-the-top screaming, crisp production, and heart-on-sleeve lyrics. It's a Pearl Jam you haven't heard in a very long time.
I strongly urge you to buy this new album from Pearl Jam. You won't be sorry.Pearl Jam OverviewWith over 65 million albums sold, Pearl Jam returns with their first studio record in four years. 'World Wide Suicide' is the lead single and video (directed by Danny Clinch) from the album impacting prior to release date. The band will be touring the globe through July 2006 in support of the new album.

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Colour & The Shape (Exp) Review

Colour and The Shape (Exp)
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Colour & The Shape (Exp) ReviewThe Colour and The Shape
In my opinion, the finest work by the group and best writing by Grohl before or since. The CD that truly turned me onto the Foos, eventually earning them the spot of favorite. The debut was great, yet a little repetitive; This one is perfect in all ways.
Every song hits an individual chord with the soul, and each selection sounds genuinely heart felt. A concept album (of sorts), the order of songs is perfect as well, creating a great finished UNIT which deserves to be listened to straight through:
A little breakdown...
1)Doll - Great opener. Short and sweet, it portrays Grohl's timid and overwhelmed feeling at the beginning of the story. Each passing song is filled with more and more confidence until the triumphant end.
2)Monkey Wrench - One of the more publicly recognizable tunes on the platter, it has an awesome beat and is one of the better songs on a CD without a weak spot.
3)Hey, Johnny Park! - My second favorite song and one which, for some reason, always seems to be overlooked. Great intro, terrific lyrics, and a very unique aura qualify this one as an A+.
4)My Poor Brain - The song that took me the longest to open up to; after listening to it enough it really starts to stick. Very powerful sound, after a peculiar start.
5)Wind Up - Another hidden gem everyone tends to pass over. Somewhat bitter and vengeful, it definitely deserves a listen.
6)Up In Arms - Cool little song. Changes from slow to fast halfway through, it really becomes quite uplifting.
7)My Hero - Gets quite a bit of radio play, still. Many interperatations exist concerning its lyrics, making it very intersesting. Great drum opening, cathcy riff, and POWERFUL lyrics.
8)See You - One of the more innocent and laid back songs. Fun to listen to and it is reported that Grohl joked that it was his "favorite" on the album.
9)Enough Space - Strange song, but like everything else, it fits. Loud sound and fast pace keep things moving in a good direction.
10)February Stars - Slow, emotional lyrics for the first half, followed up by a second half containing strictly the chorus, set to an awesome distorted sound.
11)Everlong - This is it. The most famous Foo song, most widely played, and my personal fav song by anyone. Horribly infectous da-da-da-dada-da sound, poigniant and beautifully vocalized lyrics, and an almost haunting quality all serve to leave an indelible impression on the mind.
12)Walking After You - Slow, acoustic love(?) song. Very interesting and thought provoking lyrics. A good one.
13)New Way Home - Simply brilliant ending. Caps off the concept in an ingenious fashion. Ends with Grohl's shouting of the lyric "I'm not scared" (whereas in "Doll" he claims, "I've never been so scared"), completing the whole confidently re-born motif. One of the best 6 minute songs I've ever heard.
Overall Rating: A+ (a MUST have)Colour & The Shape (Exp) OverviewIncludes the bonus tracks Requiem, Drive Me Wild, Down In The Park, Baker St, Dear Lover and Color & Shape.--This text refers to an alternate Audio CD edition.

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5th Gear Review

5th Gear
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5th Gear Review"5th Gear" marks Brad's fifth album (sixth if you count the Christmas album) and he continues the approach that pretty much started with "Mud On The Tires". The album includes the single "Ticks", probably the only song written on the subject, that song follows the trend of his older songs "Celebrity" or "Alcohol". The newest single "Online" is something of clunker to me only because it's a very "current events" kind of song and in time can become dated. Brad's sense of humor comes thru on "I'm Still A Guy" a song along the lines of "I'm Gonna Miss Her". The duet with Carrie Underwood, "Oh Love" is a standout. These two voices sound really great together. The album ends with the instrumental track "Throttleneck" where Brad tears it up. The Kung Pao Buckaroos return once again as well (with Vince Gill filling in for George Jones) and sing on the track "Bigger Fish To Fry". You'll also hear Dolly Parton in a brief clip from the "Time Well Wasted" album. Little Jimmy Dickens' jokes are once again really funny in the outtakes.
A great album and Brad shows why he's the top male in country music today.5th Gear OverviewLike his friend Vince Gill, Brad Paisley has achieved the often-difficult feat of reconciling being an entertainer and world-class guitarist. He's proven that on four admirable albums, and 5th Gear follows in that vein. Certainly "Ticks," an airy, radio-friendly ditty, is not the true substance here. That comes with such superior fare as the insightful "All I Wanted Was a Car" and "Online," a sly satire of people's Web facades. While his duet with Carrie Underwood ("Oh Love") is a bit cut and dried, Paisley ably handles "Letter to Me," "It Did," and "Mr. Policeman," a 21st-century outrun-the-law tune. The closing hymn, "When We All Get to Heaven," and ripping instrumental "Throttleneck" are Paisley at his best. It's admirable that he invites his venerable buddies, Little Jimmy Dickens, George Jones, Vince Gill, and Bill Anderson, along with Dolly Parton, to join in, but the obligatory "Kung Pao Buckaroos" skit is wearing a bit thin. Better to feature them musically, the way he includes Dickens, Gill, and Anderson on "Bigger Fish to Fry." In a time where lines between county and pop are blurring far too much, it's comforting to know Paisley still realizes and respects the differences. --Rich Kienzle

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