Showing posts with label john hiatt. Show all posts
Showing posts with label john hiatt. Show all posts

John Hiatt - Greatest Hits: The A&M Years '87-'94 Review

John Hiatt - Greatest Hits: The AandM Years '87-'94
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John Hiatt - Greatest Hits: The A&M Years '87-'94 ReviewIf the song list on Greatest Hits looks familiar to longtime John Hiatt fans, it's because it virtually duplicates his 1994 live album. However, this studio best of is the better representation of this gifted singer-songwriter than the less polished arrangements found on Hiatt Comes Alive at Budokan? Culled mostly from his four studio albums for A&M--Bring the Family, Slow Turning, Stolen Moments and Perfectly Good Guitar--this collection brings together on one disc most of his finest moments.
To the general public Hiatt may be known primarily as a songwriter, since many of these songs have been covered by other artists: "Thing Called Love" (Bonnie Raitt), "Through Your Hands" (David Crosby), "Feels Like Rain" (Maria Muldaur, Aaron Neville), "Tennessee Plates" (Mark Collie), "Rest of the Dream" (Nitty Gritty Dirt Band), "Have a Little Faith in Me" (Joe Cocker, Delbert McClinton) and "Angel Eyes" (Jeff Healey). But those cover versions have nothing on Hiatt's own. Even Hiatt's live version of "Angel Eyes" provides a heartfelt interpretation.
In addition to being an excellent songwriter, he is a more than proficent guitar player and posseses one of the most distinctive voices in popular music. Standout tracks include everything from Bring the Family ("Memphis in the Meantime," "Thing Called Love," Thank You Girl," et. al.) where he was backed by drummer extaordinaire Jim Keltner along with bassist Nick Lowe and Ry Cooder on guitar.
While each of the four studio albums that this CD draws from would be a welcome addition to any John Hiatt fan's collection, this is an excellent place to start. But be forewarned: You will eventually want to buy the entire albums. HIGHLY RECOMMENDEDJohn Hiatt - Greatest Hits: The A&M Years '87-'94 Overview

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Anthology Review

Anthology
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Anthology ReviewI'm getting a bit annoyed after reading some rather negative or complaining reviews about this wonderful 2cd set. This is as good a John Hiatt compilation ANYONE is ever going to put together, period.
Really good value for your money with 40 crisp remastered tracks and interesting booklet, I can't see how this could be bettered, in terms of song selecion also. I also bought the compilation cd "The best of John Hiatt" and that was a rather dissapointing affair, because John re-recorded some versions of superior original songs like the classic "Have a little faith in me",
also other compilations are too limited in scope (A&M years only etc.). So I'm glad I came across this great compilation. CD2 plays just perfectly, great great music. CD1 is a little more uneven but there are still plenty of highlights like Riding with the King and Lipstick Sunset.
People complaining that there not getting a box set with rarities, outtakes, live versions, demos, etc. ARE TOTALLY MISSING THE POINT OF THIS COMPILATION I'M AFRAID. That is not the meaning of this collection. The goal here is to present a complete overview of Hiatt's carreer, the best songs in their
original versions. Comparable to Chuck Berry's "The Anthology",
Paul McCartney's "Wingspan", Pink Floyd's "Echoes" and BB Kings "Anthology". And as such it is perfect. Box sets: great but not for the casual listener. If you are already a big fan and have all of the original Hiatt albums you can pass this one
up but for the curious music fan this is the one and only compilation of Hiatt's best work up from 1974 until 2000.
I wonder sometimes: artists like Hiatt, Willy Deville, Nick cave, Tom Waits, Frank Zappa etc. who are uniformly respected by the music press and a selected audience (and whom I love) are often criticized when a compilation of their best work is released to the general public. It seems than as if something exclusive has been taken away from the fans of artists like these, because you see them bashing good compilations like this one into the ground, claiming you HAVE to get the original albums. I totally disagree with that, just accept that there are a lot of music lovers who are interested in these artists (like me) but don't want to shelve out for 10+ albums or a 4cd box set to get a decent overview of an artists carreer. No compilation ever will be perfect, but this along with "Strictly Commercial"
(Frank Zappa), "Used Songs" (early Tom waits) and more prove that it is possible to present decent overviews of so-called album artists. Ride on John.Anthology OverviewThis ultimate John Hiatt anthology covers every phase of his career, from his early Epic LPs to his MCA, Geffen, A&M, Capitol and Vanguard recordings; here are his original versions of Thing Called Love; Riding with the King; Drive South , and more; trademark classics like Have a Little Faith in Me and Memphis in the Meantime ; rare outtakes and live tracks, and more. 40 tracks on 2 CDs!

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Music for Native Americans - O.S.T. Review

Music for Native Americans - O.S.T.
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Music for Native Americans - O.S.T. ReviewThis CD is beautiful. Theres a ephemeral, spiritual sound to it, yet at the same time its so very modern. I can't think of a good way to explain it, but the music is wonderful. Someof the songs, such as "Coyote Dance", "Ancestor Song" and "Twistd Hair", call to mind beautiful spiritual images in your head. The sound effects and lyrics on "Twisted Hair" in particular still stand out in my mind. Others, such as "Mahk Jchi", "Cherokee Morning Song" and "Akua Tuta", blend traditional Native American music stylings with modern rhythms for a breath taking effect. Many of these songs incorporate other Native American artists, such as Rita Coolidge and Kashtin.
However, the most interesting songs on this CD are the ones that come from Robbie Robertson himself. The lyrics to "Ghost Dance", "It is a Good Day to Die" and "Skinwalker" are haunting and will almost certain stick in your mind long after you've finished listening to this CD. The sound effects and soft-spoken voices meld perfectly together with the powerful and moving lyrics to create a magnificent effect. This is one of my favorite Native American CDs and I simply can't recommend it enough, esecially for people unfamilar with contemporary Native American music.Music for Native Americans - O.S.T. Overview

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Perfectly Good Guitar Review

Perfectly Good Guitar
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Perfectly Good Guitar Review"Perfectly Good Guitar," released in 1993, finds John Hiatt flexing his rock 'n' roll muscles. He can still find a balance with slower, folkier, or bluesy numbers--which are also perfect vehicles for his throaty, nasal vocals--but it's the stomping, harder offerings that really stand out.
The opening track, "Something Wild" gets the album off to an explosive start, complete with Hiatt's cougar-like howls and snarls and his syncopated rhythm guitar. The title track is equally powerful and raw, with an ominous chord progression that reflects the singer's anger toward other artists who disrespect or mistreat his favorite sacred instrument.
"Buffalo River Home" is one of those in-between songs that manages to be both rocking and folky at the same time. "Angel" is terrific, but "Cross My Fingers" might be the album's high point. The song manages to be haunting in spite of its breakneck pace. "Permanent Hurt" is also toe-tapping and catchy, proving Hiatt hasn't lost his knack for insightfulness and wit.
As far as the ballads go, "Blue Telescope" is quite memorable, and perfectly placed among the faster numbers.
An all-around solid album, and a must for any John Hiatt aficionado. If you've never owned a Hiatt disc, give the guy a chance. His clever lyrics and distinctive melodies will surely pull you in.Perfectly Good Guitar Overview

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