Showing posts with label latin legends. Show all posts
Showing posts with label latin legends. Show all posts

Essential Santana Review

Essential Santana
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Essential Santana ReviewThis new 2 cd set from Santana is a good value. It is probably aimed at fans only aware of Carlos Santana's last two guest filled albums. It is a pretty handy set though. The material is from his tenure at Columbia records from 1969-1989. The set illustrates Santana's varied influences from latin, blues, rock, and jazz. The first disc contains material from the first and best incarnation of his band which featured Gregg Rolie on keyboards and vocals, Michael Shrieve on drums, Neal Schon on second guitar and the standard for Santana, a fiery latin percussion section. The material for this classic period includes a cover of Willie Bobo's (a big early influence) "Evil Ways", "Soul Sacrifice" and a medley of Peter Green's "Black Magic Woman" and Gabor Szabo's "Gypsy Queen". The Latin "Oye Como Va" and "No One To Depend On" based on another Willie Bobo song are notable. The live version of Miles Davis' jazz/fusion classic "In A Silent Way" is worth the price of the set alone. Material from Santana's team up with jazz/fusion guitarist John McLaughlin is also included. However, a number of essential cuts like "Persuasion", a cover of jazz saxophonist Gene Ammon's "Jungle Strut", and early instrumentals "Incident At Neshabur" and the great "Song Of The Wind" are omitted.
The second disk begins his transition to more single oriented material. It is beneficial in that it summarizes the better material from some of his weaker albums. The second disk includes covers the the Zombies' "She's Not There", Buddy Holly's "Well Alright" via Blind Faith, and Russ Ballard's "Winning". A rare live version of the Latin workout "Dance Sister Dance" and rockers like "Open Invitation" and "All I Ever Wanted" also make the cut. However, cuts like "Europa", "Aqua Marine" and "Blues For Salvador" show why Carlos Santana's Mike Bloomfield influenced guitar playing is highly admired. Not only can he play fast and flashy when necessary but he also has good sense of when to play slower and invoke real feeling in his playing. Last but not least is a duet with blues icon John Lee Hooker on "The Healer". The second disk is only 74 minutes long so another song or two could have been added to the set.
The set provides a good introduction to those curious about Santana's earlier work. The second disk summarizes some his singles from his spottier late seventies and eighties albums. While his first three albums are essential this set successfully shows the varied styles and influences of the latin/rock pioneer Carlos Santana.Essential Santana OverviewCarlos himself chose the 33 tracks on this nicely annotated, limited-edition overview! Includes Evil Ways; Jingo; Soul Sacrifice; Black Magic Woman/Gypsy Queen; Oye Como Va; Samba Pa Ti; Love, Devotion and Surrender (previously unavailable in the U.S.!); She's Not There; Everybody's Everything; Stormy; Well All Right; Winning; Hold On , and more.

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Abraxas Review

Abraxas
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Abraxas ReviewColumbia/Legacy has restored some of the best music in its catalogue, and this album gets a royal treatment. The three bonus tracks are from a live performance and give you a taste of the band's stage persona, but the sound quality is tweeked to perfection, if you have the old one, this is well worth the price. This album is essential to anyone concerned with an eclectic mix of rock. Blues influences are predominant, but the mix of jazz-fusion and Afro-latin rhythms make every track listenable and exciting. If your going to buy one Santana album, this is the one to start with, then go to his first and third albums. The rest will work out in time. A wonderful remastering to one of the greatest albums of all-time.Abraxas OverviewThe #1 smash that changed radio playlists forever. Includes Black Magic Woman/Gypsy Queen; Oye Como Va , and the seven other tracks from the original album. The CD-only bonus tracks are Se a Cabo; Toussaint L'Overture , and Black Magic Woman/Gyspy Queen , recorded live at Royal Albert Hall on April 18, 1970.

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