Showing posts with label leon russell. Show all posts
Showing posts with label leon russell. Show all posts

Alone Together Review

Alone Together
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Alone Together ReviewTaped safely in a box is my copy of the original issue of this classic; you know, the one that folds out numerous times to make about four feet of album cover that proudly holds what many of us in 1970 called 'The *Barf* Album'! (Others here called it the 'marble' album.) Blue Thumb, the original label, put a lot into this album and it didn't end with the cover (second only to the cover of the first edition issue of Small Faces 'Ogden Nut Gone Flake.') The music here is one of the true artistic masterpieces from the era. Imagine a line-up that includes some of the top names of the period -- Jim Gordon (Derek & Dominoes, et al) is brilliant on the drums. Carl Radle (Derek, Delaney & Bonnie, et al) is magnificent on the bass. Leon Russell adds piano in much of the album and is at his peak. Hey, when you're playing alongside guys of this calibre, you better be! Then throw in Jim Capaldi and Stevie Winwood (Traffic) on some songs. They play with a disciplined yet fiery style that was better than most anything they ever did in Traffic. Add probably the finest Eric Clapton lead solo of all time (every bit as sweet as his playing on the Beatles 'While My Guitar Gently Weeps') at the end of 'Look at Me, Look at You.' This little-known Clapton masterpiece was recorded during the time when labels didn't like to share their artists with other labels. So, just as Clapton wasn't credited for 'My Guitar...' and George Harrison became 'l'Angelo Mysterioso' for his favor-returning appearance with Cream on 'Badge' -- most never knew that Clapton graced this one with some awesome work. The best way to think about this one is to think of Traffic, Derek and the Dominoes, Joe Cocker Band, Clapton and some of the other brilliant musicians hereon all playing better than they ever did anywhere else. This is Dave's best album by far! It was simply too good for the radio, though it did get a lot of airtime, -- but as was always the case back then -- on the less brilliant cuts. Buy this one for Clapton's end solo alone! It's as good as *anything* he's ever played before or since! You'll find it tucked away at the half-time end-piece of "Look at Me" and all the musicians in attendence know what's happening and play the piece with all the dignity and awe that it deserves. It doesn't come any more brilliant than this, kiddies (and aging kiddies!). Thanks Dave for making this one -- thirty years later and I'm still blown away by this one!Alone Together Overview

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Delaney & Bonnie On Tour With Eric Clapton Review

Delaney and Bonnie On Tour With Eric Clapton
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Delaney & Bonnie On Tour With Eric Clapton ReviewWhat a tour this must have been! Imagine a pick-up band with Eric Clapton, Dave Mason and Jessie Ed Davis on guitars, the rest of Derek and the Dominoes behind them, Jim Price and Bobby Keys on horns and Rita Coolidge to sing back up vocals. That's the team that Delaney and Bonnie Bramlett fielded for this 1970 gem. Thank God it was recorded! You won't be able to sit still during the opening Things Get Better, which manages to showcase every musician in one killer tune. Delaney and Bonnie's voices are wonderfully soulful in their Tribute Medley to Robert Johnson, and Dave Mason's Only You Know and I know rises to a new level. Bonnie really belts it out during That's What My Man is For, and a fun Little Richard Medley is icing on the cake. E.C. always loved being part of a band, and it really shows here. Everyone playing on this CD was young, healthy, energetic and still learning how good their music could be. I bought the vinyl 30 years ago, and now with the CD, I'm still loving it.Buy it and BOOGIE!Delaney & Bonnie On Tour With Eric Clapton Overview

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JJ. Cale featuring Leon Russell - In Session at the Paradise Studios, L.A. 1979 Review

JJ. Cale featuring Leon Russell - In Session at the Paradise Studios, L.A. 1979
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JJ. Cale featuring Leon Russell - In Session at the Paradise Studios, L.A. 1979 ReviewIf you like the music of J.J. Cale and you enjoy Leon Russell's unique take on any music he plays, you'll really take to this effort. It basically is like sitting in on a final practice for a studio recording. The band is arrayed in a small circle in Leon Russell's Paradise Studios. Lots of closeups, no crowd noise, pristine clear sound quality... very defined and nuanced... nice.
Mr. Russell mostly plays a Hammond B-3 and if you've ever listened to most of J.J. Cale's catalog, you'll know that this instrument is right at home in the instrument mix he chooses for his songs. It adds a distinctly Bluesy element to the sound signature whenever Leon stretches a little bit on a solo.
There's one guy, Cale's keyboard player, who doesn't sound quite "on" to me. I've only watched the DVD a couple times, so maybe he'll grow on me with time. The guy IS wearing roller skates, so that might tell you something. The second time through, he sounded better... more "on" than the first time through. The other players are all solid across the board. (Note: these people are still the band that Cale tours with today)
There is the occasional clunked note in this session and it's fun to see the reactions go through the band. These people have an easy, comfortable feel with each other and it's great to see.
For you guitar nuts, J.J. flips over this old Harmony guitar that he's "worked over" and it is enlightening to say the least. It's the guitar that provides Cale's signature sound on his early albums especially "Naturally" and you will be stunned when you see what he's done to it. I'll say no more as I wouldn't want to spoil the surprise. Let's just say 'not as originally built.' He also uses a Strat on a number of tunes and you get to see him play slide on several songs as well.
One thing I particularly liked about this disc is you get to see his hands at work close up. Good guitar players will tell you most of the cool sounds are in the player's hands - not the guitar, not the amp, not the strings, not the pickups. This disc demonstrates that like no other one I've found.
I wasn't quite sure what to expect when I bought it, but I was way more than pleasantly surprised. Let's hope you are, too.JJ. Cale featuring Leon Russell - In Session at the Paradise Studios, L.A. 1979 Overview

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Stardust Review

Stardust
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Stardust ReviewOver the last few years we've been bombarded with one unnecessary CD that remakes American standards after another. Ughh! I can only think of two artists who honor these songs while still making contemporary albums: Steve Tyrell's A NEW STANDARD and, best of all, Willie Nelson's STARDUST. Re-discovering this album, complete with two new tracks, is a joy. Of the many great albums that Willie Nelson has recorded, this one is my favorite. It sounds just as good today as it did twenty years ago, and I suspect it will sound the same in another twenty years. I am living proof that you don't have to listen to standards on a regular basis - if ever - to love this album. STARDUST is an absolute gem that gets better every time you play it. Bravo, Willie!Stardust OverviewNo Description AvailableNo Track Information AvailableMedia Type: CDArtist: NELSON,WILLIETitle: STARDUSTStreet Release Date: 10/19/1999

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Guitar Blues Review

Guitar Blues
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Guitar Blues ReviewNo it may not sound like B.B. King, Buddy Guy, Stevie Ray Vaughn, Delbert McClinton, John Lee Hooker or even Eric Clapton. And, no it may not sound a whole lot like early Leon Russell. But, all of this begs the question(s) why would Leon want to do and why would you want to buy more of what has already been done?
Technically, this IS the blues. As a listening experience it is fabulous. This CD has never been put away since I bought it, and the longer I have it the more frequently it gets played.
Also - a note to musicians - this is a FUN album to play along with! Sure, I listen to it, but I often grab a guitar or bass and jam along.
Leon deserves all the five stars he gets on this.Guitar Blues Overview

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Let It Roll: Songs by George Harrison Review

Let It Roll: Songs by George Harrison
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Let It Roll: Songs by George Harrison ReviewGeorge's widow Olivia had a lot of input into the selection of songs on this album, and it's a good set of songs. Many hard core fans believe this collection should have been a 2 cd set, and should have included songs like "Crackerbox Palace", "Bangla Desh" and "This Song". But, be that as it may, "Let It Roll" is a solid collection of Harrisongs, remastered by Giles Martin, and that's good enough for me.
It may have been helped by the remastering, because the lead song of this new collection (from his "Cloud 9" album) "Got My Mind Set On You" sounds better than ever to me, here. One of the three Harrison #1 singles represented here, this one went to #1 in the U.S. in January of 1988. This was, by the way, the last song by any solo Beatle (up to now, anyway) to go to #1 in the U.S..
"Give Me Love (Give Me Peace On Earth)" was the 2nd Harrison single to go to #1 in the U.S. (June 1973) and features an amazing backup band of Ringo, Klaus Voorman, Gary Wright, Jim Keltner and Nicky Hopkin. One of George's best songs, simple and direct.
"Ballad of Sir Frankie Crisp (Let It Roll)" was one many great songs from George's "All Things Must Pass" 3-lp set which went to #1 in at least half a dozen countries in 1970. Sir Frank Crisp was the former owner of George's home in the U.K. and Mr. Crisp was somewhat of an eccentric and carved sayings into statues and stones around the estate, which apparently gave George great delight. This song is one of the most memorable from "All Things Must Pass" and is a good lead-in to another of George's #1 Hits, "My Sweet Lord".
"My Sweet Lord" is probably George's signature song for various reasons. For one thing, it was his first #1 single, topping the charts all over the world. But more importantly, I think, to George was that this song represented a spiritual philosophy and spiritual journey that began in 1965 when he met his friend and guru Ravi Shankar who introduced him to Hindu philosophy. The song celebrates God in His many forms, as George chants "Hallelujah!" and "Hare Krishna!" This represents an eclectic approach to spirituality that lasted throughout his life. George believed that by chanting the names of the Lord one could eventually come to know God directly, and this song was an attempt to share that with his fans.
"While My Guitar Gently Weeps" is represented here by a live version recorded at the famous Concert For Bangladesh. This was a benefit concert that George organized to help provide necessities for refugees from East Pakistan, after Ravi Shankar asked George's advice on what might be done for these suffering people. George quickly pitched in by organizing the first concert of its kind ever in the world, a rock concert organized specifically for the purpose of raising money to help an important cause. This song features Eric Clapton, Billy Preston, Leon Russell and Ringo Starr playing live at that concert. While this is not the best version of the song (you'll find that where it was originally performed by George with his band mates, on The Beatles' "white album".) this is a soulful version that features some great guitar playing by George and Eric Clapton.
"All Things Must Pass" is of course the title track of that album, and represents George at his most philosophical. Reassuring us that "sunset doesn't last all evening / a mind could blow those clouds away" the song isn't just about sadness or pain, it indeed points out that ALL THINGS pass away. George sings, "none of life's strings can last", so the implication is that God, Love, or Enlightenment (depending on how you care to see it) is the only thing that can really endure.
"Any Road" is from George's posthumously released album, "Brainwashed" from 2002, but this song was originally written at the time of his "Cloud 9" album. It's a bouncy little ditty about life.
"This Is Love" was co-penned by George's friend, band mate, and sometimes producer, Jeff Lynne, and has a happy pop feel to it, just a nice little song about Love with a capital L.
"All Those Years Ago" is from George's lesser known "Somewhere In England" album, and is his tribute to former band mate and life-long friend, John Lennon. It features Ringo on drums and Paul and Linda McCartney on backing vocals, and it reached #2 on the charts in the U.S.. A beautiful lyric, he speaks glowingly of his recently murdered friend: "You were the one who Imagined it all / All those years ago." It has a bouncy and very nice production.
"Marwa Blues" is an instrumental from "Brainwashed" and features probably the best slide guitar playing of George's career. His guitar beautifully and gently weeps here, and the song needs no words. You can hear the influence of Ravi Shankar here, though it is in no way overtly an "Indian" tune. This song was awarded a Grammy for Best Pop Instrumental.
"What is Life", the 2nd single released from the "All Things Must Pass" album, reached #10 on the U.S. charts. With a catchy guitar riff and a can't-get-it-out-of-my-head, upbeat melody, this was one of the more popular tracks from George's first solo release.
"Rising Sun" is another song from "Brainwashed" and is a perfect example of his writing about his life-long spiritual quest. Featuring George's son Dhani's perfect performance on the Wurlitzer, this represents one of the best songs from the album he was just finishing up when he made what he hoped would be his final journey, the journey to return to All That Is, God, Light, Love, Krishna, Enlightenment or whatever you choose to call It/Him/Her.
"When We Was Fab" is George's remembrance of the crazy days of being one of the world's most famous pop stars. He grew weary of Beatlemania very early on, back in 1965 or so, and this song is about that period. From "Cloud 9" the song was released as a single and reached the Top 30 but it is a favorite among fans, for its Beatles-related content and humorous and inventive music-video (not included here, but available on "The Dark Horse Years" box set).
"Something" is another track from the Bangladesh benefit and though not as eloquently produced and polished as the original Beatles recording from "Abbey Road", it does feature some excellent live guitar work and vocals with a nice arrangement for "big band rock and roll".
"Blow Away" is from the "George Harrison" album and it was a Top 20 hit in the U.S. and Canada in 1979. In an era when disco and punk music were the most popular genres, it was a breath of fresh air with it's simplicity and sweet lyrics: "All I got to do is to love you / All I got to be is, be happy / All it's got to take is some warmth to make it / Blow Away, Blow Away, Blow Away."
"Cheer Down" was written for the movie "Lethal Weapon 2" and allegedly the phrase came from something George's wife Olivia used to say to him when he'd get a little over-enthusiastic about something or other. Co-written by Tom Petty it was originally produced in 1989 and was formerly available on the now out of print "Best of Dark Horse 1976-1989".
"Here Comes The Sun" is the live version from the "Concert For Bangladesh" and features members of Badfinger on backup guitar, with George playing acoustic guitar and singing a clearly heartfelt rendition. Of the 3 live songs on this collection this one fares the best, as it is a rare pleasure to hear George sing with just a guitar (or 2 or 3), without bass, drums and keyboard. Without doubt one of his most beautiful songs.
"I Don't Want To Do It" was previously only on the "Porky's Revenge" soundtrack. It was written by his friend Bob Dylan who he later went on to record with as part of The Traveling Wilburys.
"Isn't It A Pity" is the 5th song on this collection from "All Things Must Pass" and that is fitting because many Beatles fans agree that George's 3-LP set was perhaps the finest album by any former Beatle. It certainly is in the Top 5 of Beatles solo albums, by anyone's count, and the unique "wall of sound" production by Phil Spector gave it a different sound than all of George's other albums, something he sometimes bemoaned, but frankly I can't imagine it any other way. In any case, this lyric speaks from George's heart and soul, so I'll end this with these words from George himself:
"Isn't it a pity
Now, isn't it a shame
How we break each other's hearts
And cause each other pain
How we take each other's love
Without thinking anymore
Forgetting to give back
Isn't it a pity."
Oh, okay, sorry George, but I gotta get the last word in:
Buy this album! Not only because it's good, but because buying it will help insure the "powers that be" at Capitol/Dark Horse that we want MORE George Harrison albums! How about a "Part 2" featuring all the rare stuff and other great hits left off of this one?
p.s. And thank you George, for all this great music!Let It Roll: Songs by George Harrison Overview

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