Showing posts with label over ashes. Show all posts
Showing posts with label over ashes. Show all posts

Oh Gravity. Review

Oh Gravity.
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Oh Gravity. ReviewI'm an older (almost, gulp, 40) pop, indie, alternative music fan who came across a great pop song on the radio titled "Stars." Bought it on iTunes, enjoyed it. By this band called "Switchfoot."
I recently saw a new album by Switchfoot on Amazon (released on my birthday, Dec. 26th!) and thought, what the heck, let's see if there are any good "Stars"-like songs on it. Digressing, I appreciate solid albums (yeah, 10-12 songs long) that don't force you to skip songs and provide an emotional ride (haven't had many of those since the peak of U2, R.E.M., Coldplay, Radiohead, etc.). To say the new Switchfoot album was a complete surprise is the understatement of the decade. And then I found out they were a "Christian" band (I love labels) and I was like, really? Don't care one way or the other, because this is an awesome rock/pop whatever-you-want-to-label-it album.
Partial credit must go to Steve Lillywhite - he has this knack of getting the most pop (yeah, I like pop songs - sue me) out of rock bands, while keeping the emotional strengths and solid musicianship. Look at Dave Matthews Band - their first three albums (love em or hate em) are incredible pop rock albums with emotion to boot. Nothing they have done since ditching Mr. Lillywhite have been nearly as good. So, even though I have not heard Switchfoot's catalog, I must give credit in part to Mr. Lillywhite for the incredibly pleasant surprise that is "Oh! Gravity."
Enough blathering - every song has something interesting about it, whether it be soaring guitars (the build up to and chorus of "Head Over Heels"), awesome singing (screaming in "Oh! Gravity" and "Awakening"), heartfelt emotion ("Head Over Heels" and "Yesterdays"), kick-a** rhythms (the whole album) and interesting musical touches throughout ("Dirty Second Hands" "Faust" and my favorite, "4:12"). The lyrics and emotion feel honest, not forced, and definitely provide some solid messages for this time (excess - bad, having a heart - good). And while its sounds like a mid-90's song by Gutterball (look it up), "Amatuer Lovers" rocks out and places a giddy smile on my face every time I hear it.
I highly recommend this album - you may not rate every song a five out of five, but you have to appreciate a rock band that can do a lot of different things interestingly and well without pretention and with passion. Congratulations to Switchfoot - you have a hard core new fan. I can only imagine how fun it would be to hear these songs live...
Oh Gravity. OverviewThe highly anticipated sixth album from Switchfoot, contains 12 new tracks written by the band an produced by Tim Palmer (Tin Machine, Pearl Jam, The Cure, Mother Love Bone, U2) & Switchfoot with Grammy winning executive producer Steve Lillywhite.The new album expands Switchffot's sonic palette while at the same time dealing with social issues on songs like the alt-country blues of 'Dirty Second Hands,' in which Jon Foreman sings of the dehumanization that comes with technology.Other politically motivated tracks include 'Oh! Gravity' the title track's generational appeal for love, peace and understanding, 'American Dram,' with its biting truth, 'Awakening,' about trying to recover the innocence of a child in the midst of an ever harsher reality, the sawing alt-country of 'Head Over Heels,' the exotic instrumentation and Middle Eastern flavor of 'Circles,' the REM-esque pulse of '4:12', the lush Brit-pop melodies of 'Yesterdays,' the Echo and the Bunnymen/Smiths influenced 'Burn Out Bright' and Motown sound of 'Amateur Lovers.'

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Christmas Offerings Review

Christmas Offerings
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Christmas Offerings ReviewThird Day has released a great Christmas project. As with the first two "Offerings" CD's, this one mixes both live tracks and studio recordings. The live tracks feature very little talking, but the audience is obviously present. They hold up well to repeated listening.
Third Day has taken nine familiar Christmas carols and arranged them to fit their Southern Rock style. If this scares you, don't let it. Each song is still instantly recognizable, and I had no problem singing along on the first listen. While it sounds slightly different, it felt like Christmas to me. Of course, part of making it a Third Day song is lead singer Mac Powell's trademark deep voice.
"What Child is this?" is easily one of my favorite Christmas carols and their version is great. It starts with just acoustic guitar, but builds until the final chorus. By that point, the full band is playing and it has become a driving rock ballad. I also like the fact that they use a little known verse for their second verse.
They do a similar arrangement with "Do You Here What I Hear?" It flat out rocks by the final verse. I absolutely love it, as does the live audience.
While they speed up "O Holy Night" slightly (it works well as a rock ballad), they keep "Silent Night" slow. In fact, they have a nice violin intro on that song.
Since I have quite a Christmas music library, I always pay special attention to the new songs. Here, there are four of them. Three of them are great. "Born in Bethlehem" is a mid-tempo praise song to the Baby Jesus, while "Jesus, Light of the World" has a similar theme. "Christmas Like a Child" speaks of the longing to recapture the joy of Christmas. Not the longing for presents, but remembering that the season is ultimately about Jesus.
Which brings us to the final song. "Merry Christmas" is yet another in a long line of potentially depressing Christmas songs. Band member Brad Avery's real life wait to adopt a girl from China inspires it. While the final verse does have a happy resolution, I find the first two verses very sad. I will be skipping this track most of the time.
Still, this one track is not enough to ruin the CD overall. By putting their own sound on classic carols, Third Day has created a Christmas Offering I will look forward to listening to year after year.Christmas Offerings Overview

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