Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

White Sugar Review

White Sugar
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White Sugar ReviewI bought this CD mainly for curiosity. I did not know anything about this young artist even if she is British. I have to say that I am pleased I did it. White Sugar is a very solid blues/rock CD and Joanne displays all her ability as guitar player and singer. It looks pretty evident that SRV and Albert King are her main influences. Her style is reminiscent of the sound of the two great players of the past and this is really clear in the two excellent slow numbers included in the mix. Listening to Time Has Come you will surely be able to recognise two or three licks very distinctive of Albert's style while in Blackest Day, that is also in my view the best song of the album, the influence of the great SRV is very strong. Having said that I would like to point out that Joanne guitar playing is really very good and her soloing is always well balanced and inspired. I would like also to add that she is a good singer too, and this is a plus that is not so common in the business. In conclusion a very enjoyable album that will please blues and rock/blues aficionados.White Sugar Overview

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Battlestar Galactica: Season One Review

Battlestar Galactica: Season One
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Battlestar Galactica: Season One ReviewBear McCreary took over as the main composer for Battlestar Galactica after Richard Gibbs left to continue working on movie scores. With McCreary writing all of the main music for the first season, I found the music even more rich then that of the miniseries that preceded it. Not only is the soundtrack rich with low-synth percussion action tracks, but it also employs such genres as opera, muzak, and string orchestral to convey the feeling of a scene. The use of drums in this soundtrack trumps their use in the miniseries with even catchier drum rolls.
Most notably, the string orchestral pieces Passacaglia and the Shape of Things to Come are definitely the best pieces on this non-generic soundtrack. Even with an orchestra at his disposal, McCreary did not write any bombastic score and instead wrote beautiful soothing melodies that ironically contrast the scenes in which they are placed, making those sequences all the more memorable and enticing. Battlestar Galactica is successfully breaking free from the shackles of the modern sci-fi genre, and the music which strays so far from the orthodox helps it do so.Battlestar Galactica: Season One Overview

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Battlestar Galactica: Season Two Review

Battlestar Galactica: Season Two
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Battlestar Galactica: Season Two ReviewAbout the Composer:
Bear McCreary took over as the composer for the hot new science fiction series Battlestar Gallactica when the series went it normal production in 2004. McCreary expanded upon some of the original mini-series (2003) composer Richard Gibbs's themes, but quickly developed a style of his own characterized by a mix of tribal beats, ethereal vocals, and electronics. His season 1 Battlestar Galactica soundtrack was very well received, and has been considered an instrumental part of the success of the series. McCreary is comfortable writing and making use of traditional orchestra ensembles, string quartets, electronic compositions, rock flavored guitar, and more traditional folk arrangements. I'd describe his style as actually being similar to European "fusion" music, which mixes electronics with a variety of music styles from around the globe.
About the Soundtrack:
This disk is packed with over an hour of some of my favorite musical tracks from BSG season 2. Though the series itself reused some of the music originally scored for season 1, with only a few exceptions this soundtrack actually focuses on highlighting the new music introduced in season 2. In season 1, McCreary established a few theme songs that we incorporate with specific characters and those themes are worked into new pieces for season 2. Starbuck's theme is masterfully mixed into "Escape from the Farm" and Baltar's theme is integral to "Baltar's Dream" (the track ties into "The Shape of Things to Come" from the season 1 disk). Aside from those two tracks and Richard Gibbs main title sequence (sort of a must for a television soundtrack disk), the rest of the material is not available on the previous disk.
Recommended Tracks:
* Pegasus
* Lords of Kobol
* Martial Law
* Black Market
* Prelude to War
* Something Dark is Coming
Though amazon allows you to sample the music, their choice of what part of the tracks to sample does not always highlight what I like about many of these tracks. For example, the sampled version of "Lords of Kobol" (sung by jazz singer Raya Yarbrough) doesn't feature her vocals ... which are amazing! Raya's lyrics, sung in Sengalese, are really one of the most moving pieces on this disk and it is a shame you will not be able to sample them before making your purchase! On the other hand, the amazon sample of "Martial Law" is very true to the track. Basically the disk is better than the samples.
What I liked most about this soundtrack was its diversity. "Black Market" is a dark fusion of industrial guitar riffs and a middle-eastern flute / drum rhythm (it sounds like a seedy restaurant). Yarbrough's heavenly vocals on "Lords of Kobol" add an emotional and uplifting human touch. "Martial Law" is a chilling styled cold war / eastern bloc styled piece that is completely unlike "The Cylon Prisoner" which has a mix of blues and southwestern American folk. All of these different styles work together as an audio exploration of the state of the human condition - which ultimately is what the series itself is about!
Battlestar Galactica: Season Two OverviewSci-fi fans have said that composer Bear McCreary did for Battlestar what John Williams did for Star Wars -and we aren't about to argue! This is like no other TV-series soundtrack you've ever heard: Colonial Anthem; Scar; The Cylon Prisoner; Black Market , and more.

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The Perfect Gig Review

The Perfect Gig
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The Perfect Gig ReviewNot sure why deals are offered with this CD and "Philosphy: The Best of Bill Hicks" as they are two completely seperate people!
DON'T buy this thinking it's from the late comedic genius, this is from a DIFFERENT Bill Hicks -- one who simply wrote music! This may be an excellent CD for all I know, but it ISN'T newly released lost material of Bill's and Kevin Booth's band!
Who knew there were two Bill Hicks? You have been warned!The Perfect Gig OverviewThis is a live album of 17 original songs performed and written by Bill Hicks--the fiddler and co-founder of the Red Clay Ramblers, NOT the deceased comedian of the same name. The songs range from witty to wry--reflecting life on the road and life in general.Bill plays guitar only (as it's live and he's not fast enough any more to grab the fiddle when the breaks come around).

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Firefly (Original Television Soundtrack) Review

Firefly (Original Television Soundtrack)
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Firefly (Original Television Soundtrack) ReviewFor those of us who are "Firefly" fans and tried to be happy with the music from the movie inspired by the series, "Serenity," the long wait is over for the music that originally moved you and helped make "Firefly" the magical, immersion experience that it is.
I'm not knocking David Newman too much. The "Serenity" soundtrack had its moments (the title track "Serenity" and "Love" come to mind). But Texan composer-guitarist Greg Edmonson wrote the music that Nate Fillion ("Capt. Mal Reynolds") observed moved *him* deeply as *he'd* watch the episodes. This entire work is enjoyable, entertaining, and exhilarating. And the composer loved the show, writing some of his best music for episodes that - as far as he knew - might never air.
I'm convinced that this is a fan-driven soundtrack release. I've been waiting for my copy since I heard it would be available. Yet the best part of this soundtrack is that there's no pandering to the people; you just get the music from the show that you love. Here's what Greg himself had to say about working for the music of "Firefly":
"It wasn't just the cast, or the writing, acting or directing. It was not any one element. It was all the elements together. It was such clever show about deep, interesting things. In my opinion, it was too good for television."
Edmonson's masterful blending of Western and Eastern, classical and country avoids both the futuristic and archaic and leaves you in the "here and now" with your friends and foes in the world of "Firefly." I especially enjoyed the Theme, River's Dance, Funeral, and all the parts of all the songs with Edmonson's great Western guitar.
Yeah, Greg. It probably was "too good for television." I'll just have it for myself and share it as something precious with my intelligent, tasteful friends.Firefly (Original Television Soundtrack) Overview

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