Showing posts with label son house. Show all posts
Showing posts with label son house. Show all posts

Art of Bottleneck Slide Guitar Review

Art of Bottleneck Slide Guitar
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Art of Bottleneck Slide Guitar ReviewSam Mitchell's playing is a throw back to the simpler musical life we enjoyed in the late sixties. His clean performance of the great slide tunes of the 20th Century make this CD a classic. If you play slide guitar at all, this is a must have for your collection. Stephan Grossman, the guitar educator, has devoted almost half his Slide Guitar book directly from the tunes on this CD (tab and notation both). A new Sam Mitchell album has justed been released (Oct'00) so keep you eye out for that one also.Art of Bottleneck Slide Guitar Overview

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The Slide Guitar: Bottles, Knives & Steel Review

The Slide Guitar: Bottles, Knives and Steel
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The Slide Guitar: Bottles, Knives & Steel ReviewEternal thanks to Thomas Edison for inventing recording when he did because, had it been delayed for many more years, much of what you hear in this magnificent 1990 release from Sony/Columbia, which presents artists ranging from legends to the virtually unknown, may well have been just a dim memory.
Those that fall into the legend category are immediately recognizable, led by the master of the 12-string guitar (he could also play the accordion and concertina, violin, piano, mandolin, and harp or harmonica) Huddie William Ledbetter, better known as Lead Belly (or Leadbelly as he is sometimes listed). Born in January 1888, he left behind an extensive catalogue of Folk standards when he died on December 6, 1949, including this previously-lost version of Packin' Trunk Blues. Another in that vein is Robert Leroy Johnson, born May 8, 1911, a Delta Blues master whose singing, guitar, and song-writing skills influenced so many later arrivals (among them Muddy Waters, Bob Dylan, Jimi Hendrix, Led Zeppelin, The Rolling Stones, Jeff Beck, Jack White, and Eric Clapton) that, in its first year of existence in 1986, the Rock & Roll Hall Of Fame inducted him in the Early Influence Category (Lead Belly was also so honoured in 1988). Indeed, often called the Grandfather Of Rock `N' Roll, Clapton flat-out called him "the most important blues musician who ever lived" (and he didn't live long, passing away at age 27 on August 16, 1938). One listen to Traveling Riverside Blues and you'll hear why he so highly-regarded.
Also in the legend grouping are Tampa Red (You Can't Get That Stuff No More), Bukka White (Bukka's Jitterbug Swing and Special Stream Line), and Son House (Pearline). Hudson Woodbridge, born on January 8, 1904 in Smithville, Georgia, but known from his earliest days as Hudson Whittaker, developed a signature single-string bottleneck approach which, combined with his composing under the name Tampa Red, also had a profound effect on the great Muddy Waters as well as Elmo(re) James, Big Bill Broonzy and Mose Allison. His career lasted much longer as he passed away at age 77 on March 19, 1981. Another who lived to a ripe old age was Eddie James "Son" House, Jr. (born on March 21, 1902 and died October 19, 1988) whose strong, repetitive rhythms also influenced many big names that followed, while Bukka White (born Booker T. Washington White on November 12, 1909) passed away at the relatively young age of 68 on February 26, 1977. A Delta Blues guitarist and singer (and cousin of B.B. King), his unusual nickname Bukka resulted from an erroneous spelling of his first name by the Vocalion label back in 1937.
At the other end of the spectrum are Barbecue Bob and Sister O.M. Terrell, about whom very little is known. Born Robert Hicks on September 11, 1902, Barbecue Bob took his performing name from his main occupation as a cook and, indeed, one of the few photographs of him around show him decked out in his cook's garb. The untitled cut presented here, recorded in 1929 (two years before his death on October 21, 1931) sounds very much like Handy's St. Louis Blues - but with different lyrics. As for Sister Ola Mae Terrell, it appears she was a wandering Holy Ghost Preacher who somehow managed six cuts for Columbia in or around 1953 and then disappeared.
In between these two extremes are some of the best slide guitar artists ever recorded, including Oscar "Buddy" Woods, aka The Lone Wolf, who not only was one of the driving forces behind the development of the lap steel bottleneck blues slide guitar; but is credited by many historians as THE one who created the genre.
These and other details are contained in the six pages of liner notes written by musicologist and author Richard Spottswood (Ethnic Music on Records: A Discography of Ethnic Recordings Produced in the United States, 1893-1942), the AAD sound reproduction is excellent, and with the insert you get a discography of the contents.The Slide Guitar: Bottles, Knives & Steel Overview

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Shake That Thing: Fingerpicking Country Blues Review

Shake That Thing: Fingerpicking Country Blues
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Shake That Thing: Fingerpicking Country Blues ReviewStefan Grossman is one of a handful of contemporary acoustic blues guitarists that I consistently enjoy. He knows this music inside and out, and he does all of the little things right (e.g., getting just the right vibrato, phrasing, or articulation). Unlike all but a few of his peers, he really seems to think about the tone and sound of the guitar.
Grossman certainly makes little effort to dazzle the listener with explosive fingerwork. I can listen to these tracks over and over again, marvelling at how many ways he can change the feel of a song by varying the pulse, or how many sounds he can get out of the bass. Do keep in mind that this is a "How to..." CD. This recording is designed to demonstrate a variety of country blues guitar styles, and all of the tracks are geared to the intermediate fingerstyle player. His other 1990s solo CD's are more technically challenging. The pleasures of this recording are subtle, but if you listen to this type of music a lot (as I have, for more years than I care to count), you will probably appreciate this CD. Right now I'm comparing it to a recent solo acoustic guitar CD by Kenny Sultan, who sounds superficial and cliched in comparison.
Also, Grossman sings on a few tracks. His singing is natural and easy to listen to. He hasn't sung on most of his recordings for the last 20 years or so. He really should sing more often. Hopefully he'll record again soon - this is a 1998 recording.Shake That Thing: Fingerpicking Country Blues Overview

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