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The Tony Rice Guitar Method ReviewThis is an excellent DVD, but there are a few minor negatives. Compared to his earlier VHS "lesson," (An Intimate Lesson w/TR) this one was more difficult for me to follow because Tony isn't talking to you, the viewer. He's talking to Happy Traum. This makes it a little more difficult to match with the tablature because Tony will do a variation after Happy asks a question. The older VHS is straight forward - we're going to learn this one now. This new DVD really is like sitting in on two musicians playing around but not noticing you're there. The pieces are more difficult than the older video as well - I find myself very intimidated by how fast and clean he plays these more complex tunes - but that may be because I haven't learned them yet!!! Other than those nitpicks, it's always great to get a closeup view of just what in the world Tony's doing, hear stories, listen to that amazing old Martin and his very impressive newer Santa Cruz. And the ability to slow forward and easily rewind the DVD is magnificent. The selection of tunes is very good, the audio quality is excellent and the camera work is very good. Now if I could just get Tony to come to my house and teach me this stuff . . .
The Tony Rice Guitar Method OverviewYou'll gain insights into important elements, such as Tony's method for getting his guitar in tune, how he warms up for a show, the correct way to put on a capo, proper left hand fretting technique, advice about speed and dexterity, the secrets of Tony's guitar micing and how he plays some of his signature licks. Tony plays and breaks down some relatively easy songs, including "The Last Thing on My Mind," "Bury Me Beneath the Willow" and "Wildwood Flower," showing how these country-folk standards can evolve from basic Carter Family style to an arrangement utilizing Tony's unique embellishments. You'll see, up close, the details of his right hand technique – his fluidity of motion and how he holds the pick, adjusting its angle to give him his trademark cross-picking sound. Clarence White was Tony's first major influence, and he relates how his own sound was derived from the rhythm patterns and licks of his early idol. He slows down astonishing solos they each played on "Nine Pound Hammer,"and describes the scales he uses for his improvisations both in basic G position and up the neck. Tony also discusses Doc Watson's powerful role in his musical development, launching into an exploration of fiddle tunes "Stony Lonesome" and "Billy in the Lowground." Tony Rice's uniquely beautiful ballad arrangements of "Shenandoah" and "Danny Boy" (both in dropped D tuning) combine chord-melody style, improvised scales, the use of harmonics and other lyrical techniques that will give you endless pleasure in guitar exploration. Wyatt Rice then joins his brother in a demonstration of how to play minor key tunes "Little Sadie" and "Jerusalem Ridge." Finally, Tony uses "Salt Creek" to demonstrate his highly regarded back up technique, with Wyatt playing lead. The brothers then go out with a version of the classic "I Am a Pilgrim" to finish the set.
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