Showing posts with label 1 cent discs. Show all posts
Showing posts with label 1 cent discs. Show all posts

Hints Allegations and Things Left Unsaid Review

Hints Allegations and Things Left Unsaid
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Hints Allegations and Things Left Unsaid ReviewIn 1994, the alternative movement had been in full swing for about 2 years ever since Nirvana released their breakthrough album NEVERMIND that changed the course of pop music forever. That same year (1994), Nirvana leader Kurt Cobain would be found dead and alternative would no longer be the innovative genre it was when they came along. With grunge on the verge of becoming a parody of itself, slowly mainstream rock was on its way back to being a legitimate style, and a band like Collective Soul was to lead the way. Of course, at the time their debut album HINTS, ALLEGATIONS & THINGS LEFT UNSAID was being recorded, there wasn't a band so to speak, just Ed Roland performing solo on a demo tape. His record company loved it enough so that Roland reformed the recently-disbanded group to be Collective Soul again. It was a good move because Ed Roland may have been the man behind Collective Soul, but he couldn't have done it all alone (What to do when he begins to tour? He can't play all the instruments then, can he?). The first single, "Shine" blasted out of many a radio during the summer of 1994, and not only did it become a hit on alternative radio (despite the fact that Collective Soul has never referred to themselves as a grunge band), but became a considerable hit on top 40 radio as well, even being certified gold. The guitars may have been loud and bombastic, but the lyrics were something grunge could never have mastered: an upbeat song of spiritual searching with a positive message. "Shine" could have also worked as a gospel tune, and would be remade as such by Dolly Parton on her LITTLE SPARROW album. With songs like this, Ed Roland shows he may be a less-depressing role model for the music that would eventually metamorphasize into modern rock. "Sister Don't Cry", "Heaven's Already Here" and "Reach" are much more encouraging and upbeat than any of the many "hate myself and want to die" manifestos that all the other grunge acts were creating. There are also songs that have been made just to play loud and hard, like "Love Lifted Me", "Wasting Time", "Goodnight, Good Guy" and the punk-inspired "Scream". To further show Collective Soul's multi-faceted personality, "In A Moment", "Burning Bridges" and "All" have more in common with Badfinger than Bad Company, thanks to their luscious vocal harmonies. With alternative and grunge's days numbered in the spring of 1994, pioneers like Pearl Jam and Nirvana (or its offshoot, the Foo Fighters) would need to think fast if they wanted to stay in the game. Both of those bands have done that by evoking the past they so much wanted to avoid when they made touchstones like NEVERMIND and TEN. As a result, modern rock bands have become less distinctive than usual. But while Collective Soul may have been considered hacks at the time they arrived, and to some extent still are today, HINTS, ALLEGATIONS & THINGS LEFT UNSAID sort of foreshadowed grunge's eventual fall in favor (which started with Kurt Cobain's suicide) with its aim to merge elements of older genres with more modern techniques. And with that, they indicated that would be the ultimate remedy for a modern rock band wishing to stay afloat after the trend they came in on ran out of steam.Hints Allegations and Things Left Unsaid Overview

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Ten Summoner's Tales (Jewel Box) Review

Ten Summoner's Tales (Jewel Box)
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Ten Summoner's Tales (Jewel Box) ReviewThose who didn't understand Sting's departure from the Police may finally get it when they listen to this album. Ten Summoner's Tales is an amazing compilation of 11 songs that really push boundaries with his musicianship while staying true to his excellent songwriting. The songs included on this album are both immerse and expansive, serious and funny and packed with melodies. While its message isn't as deep as his past albums, it shines in its authenticity, surely the best material he's ever played.
To draw you in the first song is the well-known pop song, "If I Ever Lose My Faith in You." It has an addictive groove and multiple layers of sounds and melodies. In that same vein is the other guaranteed hit, "Fields of Gold." Surely this song, in its somber mood and loving lyrics is more than just a pop song but a recalled memory of love. Something even the music video hit dead-on.
If you were scared of Sting's poly-rhythms in his other albums, you'll be terrified of this album. And too bad, some of Sting's best work is with the following three songs. He uses 7/4 scale before going into cowboy bebop in "Love is Stronger than Justice (The Munificent Seven)." The storytelling here is a simple but amusing story of seven desperados as they rescue a town and fight each other for the girl. 5/2 scale is heard in "Seven Days." The musicianship is worth high praise as mandolin and violins texture this song in its weird rhythm, making the 5 beats sound normal after the first chorus. Saint Augustine in Hell is the last of poly-beats, taking a 7/4 beat again. This song is a bit awkward, but a humorous romp with its tale of one guy's descent to Hell.
Sting's sense of storytelling is exercised in songs like "Love is Stronger..." and "Heavy Cloud, No Rain" where a warning tone rings over the stories of praying in vain for rain and suffering the consequences. To accompany this, the music is playful and upbeat, adding some irony to the stories. Also in a strong sense of storytelling is "Something the Boy Said" which tells the tale of shipfairers (a favorite subject of Sting's) and their upcoming doom in the high seas. Again, the music carries its subject flawlessly and is beautiful in composition.
To give credit to the other writers on this album, Dominic Miller's "Shape of My Heart" and Clapton's and Michael Kamen's "It's Probably Me" are excellent compositions in their own right. "Shape of My Heart" is a strumming tune and rivals that of "Fragile" (from Sting's previous album, Nothing Like the Sun). It's lyrics, again, are of a story of a gambler while its music is serious and fits excellently with Sting's vocal. "It's Probably Me" is totally panoramic, capturing its listener in a sea of music, of sorts, as it takes you through its love-song context.
To end the album, "Epilogue (Nothing `Bout Me)" is another silly romp, probably talking back to the media that surrounds him. He continually denies ever spilling his guts, no matter how much you search. Again, it's silly but it's also nice epilogue and come on... that ending rips directly from "A Day in the Life" from the Beatles with its instruments winding up scales in the end.
This album feels like a whole composition while the songs themselves are a greatest hits collection. Sting's mastery of musicianship and ironic, direct lyrics can not be denied as he safely takes tastes of all sorts and blends them into his romantic and freshly synthesized songs. This album is the pinnacle of Sting's work, not going too deep or too somber in message and being as high in his own standard as he'll ever get.Ten Summoner's Tales (Jewel Box) OverviewJapanese only SHM-CD (Super High Material CD - playable on all CD players) pressing. Universal. 2008.

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Scream 2: Music From The Dimension Motion Picture Review

Scream 2: Music From The Dimension Motion Picture
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Scream 2: Music From The Dimension Motion Picture Reviewthe cd is terriffic and so is the movie.the best songs are "she said","the swing","rivers",and more.so buy the cd and the movieScream 2: Music From The Dimension Motion Picture Overview

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Over Blue City Review

Over Blue City
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Over Blue City ReviewThe guys in Skypark have a potential hit on their hands with "overbluecity." The songwriting,playing, and production have improved dramatically over their major-label debut, "Am I Pretty?" The first disc was good, but didn't compare to the energy of their live performances. "overbluecity" is full of beautiful vocal harmonies and Beatle-esque guitar, creating an overall moody (but not depressing) atmosphere. Overall, I'm very impressed and looking forward to repeated playings.Over Blue City Overview

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Balance Review

Balance
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Balance ReviewIt's hard to believe that a full decade has passed since the release of Van Halen's "Balance," one of the more underrated albums' in VH's catalogue. Although there were a lot of great bands popular in 1995--Pearl Jam, Soundgarden, Alice In Chains, Nine Inch Nails, Rage Against the Machine--it was still refreshing to have a kick-ass new Van Halen album out. Although "Balance" was released in the days of grunge and alternative rock, it still managed to sell over two million copies.
"Balance" takes up where "For Unlawful Carnal Knowledge" left off, but the music is overall heavier, and has more of an edge. Gone were the synthesizers and more pop oriented songs that that were prevalent in the first two Van Hagar albums. "Balance" rocks hard like its predecessor, but it is also somewhat darker. I take the general theme of the album to be the loss of a relationship, or going through a major life-change, and then getting back in "Balance."
The band sounds very focused and tight. Bruce Fairbain did a great job of getting the best out of the band and gave the CD a tight, crisp production. It goes without saying that Eddie's playing is terrific and each song has one or two killer solos. Mike and Al provide a killer rhythm section as usual.

The album begins with the hard hitting "The Seventh Seal." It starts with an atmospheric Buddhist chant leading into the song. This is a really cool, heavy dark song with an almost hypnotic riff. "Can't Stop Lovin' You" is a balled in the vein of "Why Can't this be Love," but doesn't have the dated, cheesy keyboards. "Can't Stop Lovin' You" is about the breakup of a relationship, not the hope of one as it is in "Why Can't this be Love." I take the mid-tempo "Don't Tell Me (What Love Can Do)" to basically mean that love is not enough to stop a suicide. The album lightens up a bit with the fast-paced "Amsterdam" and "Big Fat Money," two good, hard rockers. "Strung Out" is a sound-byte of Ed apparently ripping a piano apart, which leads into the majestic balled "Not Enough." "Aftershock" is an excellent rocker and has one of EVH's best solos on the disc. "Doin' Time" is a very cool drum solo that leads into the instrumental "Baluchitherium." It's catchy, infectious groove and killer solos make it a favorite of mine. "Take Me Back (Déjà vu)" remains my personal all-time favorite Van Halen song from the Sammy Hagar era. It's a beautiful, bittersweet, semi-acoustic song with the theme of wanting to return back to an earlier time in your life. The album ends with the depressing "Feelin'" a song that deals with getting though life alive, without getting burned. It's by far the most morose song VH ever wrote.
"Balance" was Van Hagar at it's best. It was also their last album. About a year and a half after it's release, Sammy Hagar and Van Halen parted ways. In hindsight, by listening to this dark CD, you can almost get the sense that although the band still sounds cohesive, this was destined to be the last Van Hagar CD.Balance OverviewImport pressing of their 1995 album. Out of print in the US. Warner.

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Tiny Music...Songs From The Vatican Gift Shop Review

Tiny Music...Songs From The Vatican Gift Shop
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Tiny Music...Songs From The Vatican Gift Shop ReviewStone Temple Pilots proved that they were no one-hit-wonder or Pearl Jam clones with their classic second album "Purple." It was with their third album, however, that the band reinvented themselves and found their own sound. The DeLeo brothers still had their signature killer hooks and riffs, but "Tiny Music" is noticeably more eclectic than its predecessors. "Tiny Music...Songs from the Vatican Gift Shop" mixes alternative rock and grunge with Bowie-like 70s retro glam, pop, and Beatles-ish harmonies and melodies to create a terrific album.
One thing that strikes the listener is that lead singer Scott Weiland sounds notably different on "Tiny Music" than he did on its predecessors. The baritone growl of "Core" and "Purple" has been replaced by a much higher pitched, more melodic voice. Not that one is better than the other, it's just different.
"Press Play" an instrumental sets the mood for the album. The album starts out strong with poppy grunge "Pop Loves Suicide." The similarly poppy grunge "Tumble in the Rough" keeps up the momentum and could have easily have been made a single. The glammy "Big Bang Baby" was one of the album's biggest hits and remains one of the band finest, catchiest songs. "Lady Picture Show" shows the band paying homage to "Sgt. Pepper" era Beatles and was another hit off the album. The soft and melodic "And So I Know" is an interesting break and sets the album up for its other centerpiece "Trippin' on a Hole in a Paper Heart," a defiant, no-holds-bar rocker that is another one of the bands finest, most memorable songs. The avant-garde "Art School Girl" shows the band branching out and exploring new terrain. Although the songs lyrics make no sense, it's still an interesting listen. The leisurely, morose "Adhesive" is a welcome change of pace. Its cool saxophone solos are a nice touch to the song, and to the album overall. The album winds down with the subdued "Ride the Cliché," "Daisy" (instrumental) and "Seven Caged Tigers."
"Tiny Music...Songs from the Vatican Gift Shop" is an eclectic, invigorating album that combines many styles in a melting pot and never looses momentum. Although this album is adventures, the mix of styles and genres works together perfectly. "Tiny Music" is undoubtedly one of the finest rock albums from the 1990s.
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