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Couldn't Stand the Weather (Legacy Edition) ReviewTwo discs 79, 75 minutes each approximately. The digitally remastered sound is crisp and clean. The 24 page booklet goes into some depth on SRV and his music. Comments from his rhythm section (DOUBLE TROUBLE) give added depth, along with an overview by a knowledgeable writer from Guitar World. There are also photos of SRV and a 2 page spread of various advertising items to promote the album-a nice touch.
First I must confess that for me, this (original) album still stands as possibly Stevie Ray Vaughan's finest release. While valid arguments could be made for other albums, this set of songs gets to the heart of who Vaughan was. Blessed with a ragged, worn sounding voice and large hands, when Vaughan sang you knew he wasn't kidding. But its when he wrapped that big hand around the neck of his guitar that you knew he was the real deal when it came to the blues. The music was intense, and just seemed to pour out of him ("The Things That I used To Do") in a desperate, pleading torrent of sound. Yet he was capable of playing Wes Montgomery/Kenny Burrell/Joe Pass jazz-like passages ("Stang's Swang"), intense guitar driven instrumentals ("Scuttle Buttin'"-which has its origins from the great guitarist Lonnie Mack, "Wham!"-a Lonnie Mack composition, and Freddie King's "Hide Away"), and moody songs ("Lenny"), which show how sensitive and mature his playing could be. This album is proof that SRV was a truly multi-faceted musician. and could (and would) take his music wherever it suited him.
The first disc, which includes the original album, also contains a number of tracks (8) that have been previously released on other albums. Is this another example of a record company padding out an already fine album with tracks we're all familiar with? Perhaps. Or is it an attempt to give, in one package, a better picture of just who SRV was? Whether you decide to purchase this for the live disc and the remastered original album, which includes 3 previously unreleased tracks (along with the 8 previously released songs) is something every listener will have to decide for themselves. While I don't like padding an already fine album with tracks I own elsewhere, their inclusion does help paint a better picture of Vaughan's music at this stage. The 3 unreleased studio tracks, "The Sky Is Crying" (an awesome trio version), "Boot Hill", and an alternate of "Stang's Swang" (a trio version different from the original), are welcome additions for those (like me) who can't get enough of SRV during this period.
The second disc, live from 1984 (when the original album was released), is, in a nut shell, full of the guitar work that Vaughan is revered for. Its also where the rhythm section (DOUBLE TROUBLE) proves how valuable they were to Vaughan's sound. In this live context Chris Layton (drums) and Tommy Shannon (bass) play intuitively as equals, not just backing musicians for Vaughan's guitar. His combination lead/rhythm style, his crying, pleading, bent notes, his hurt-sounding sustain, and his searing single notes that sound as if they could pierce you like a knife-point are all over this disc. From slow blues ("Tin Pan Alley"), to shuffles ("Love Struck Baby"), to fiery guitar pyrotechnics ("Voodoo Child (Slight Return"), Vaughan's command of his guitar (and the blues) is evident. Tracks like Guitar Slim's "The Things That I Use To Do" (whose original 1950's version is smokin'), "Texas Flood" (by the late Larry Davis-a good blues singer/guitarist) and "Couldn't Stand The Weather" help show SRV as one of the best blues players from the modern era. Add some uptempo tracks along with a bit of funk and you have a complete picture of just who Stevie Ray Vaughan was, and what his music was all about.
So, if you can get past the already released tracks, and think of them as completing a better picture of SRV, this updated release, along with the live second disc is certainly worth purchasing. Sony Records has certainly priced this set at a fair (low) price, which is added incentive. For anyone who likes modern era blues guitar-look no further.
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