Showing posts with label alex lifeson. Show all posts
Showing posts with label alex lifeson. Show all posts

Snakes & Arrows Review

Snakes and Arrows
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Snakes & Arrows ReviewTo begin with, let me say that the sound of Snakes & Arrows is fantastic. The mastering process seems to have been improved 100% since Vapor Trails in 2002. Generally the sound is thick and crisp. In terms of recording quality I think that it is the best sounding Rush album that there has ever been. Stylistically it is a hard rock album, probably the "hardest" record that Rush has made in a long time. The sound is very textured, thick and layered with lots of interesting sounds.
Musically they seem to want to avoid creating or playing anything that is too obvious or conventional. After 30+ years of making music I can see how the typical rock song would be boring for these master musicians. There is very little on this record that is "catchy" on the first few listens and sometimes a single song doesn't seem to hold itself together well, like the person who wrote the verse was working in a different room from the person who wrote the chorus. The melodies are unusual and will require some effort from casual listeners to appreciate. Some listeners may simply reject this music as non-melodic nonsense or noise, but as a Rush fan, I hope that this record is like a good piece of modern art, the more you examine it, the more fascinating it becomes. There are some great time signature changes in the song "Workin' Them Angels" and I really enjoy some parts of some of the songs.
Lyrically the record is rather dark and sad with themes of determinism and resignation in the face of all the evils of the world. They went from "I will choose freewill" in 1981 to "we can only grow the way the wind blows - we can only bow to the here and now or be broken down blow by blow." This is not a record that I would want to listen to over and over without having some more positive material to listen to on the side. For me this is not a fault of the album, and I appreciate Neil Peart's willingness to honestly express all aspects of life, the good and the bad. Perhaps this change is a function of maturity and a recognition that eventually innocence is lost the real world must be looked squarely in the eyes. In any case these lyrics are more profound and heartfelt than anything recently on the radio or MTV. Even with this lyrical aspect of the record, Neil Peart still avoids the silly "drowning in pools of black despair" stereotype of modern rock music. I get the feeling that he simply wrote down what he was feeling about certain things in this world and I appreciate that honesty. There might be some really positive messages here, but with the serious, heavy and ponderous sound of the album- it just feels sad.
In summary, this record may not appeal to everyone, but if you are interested in progressive rock music and are willing to expend a little effort in listening to this album it might be worth your time. Personally, I haven't made up my mind yet, but I'm trying to like it.
Snakes & Arrows OverviewThe first original material from Rush in five years, Snakes & Arrows comes out big and bold. Full of thick instrumentation and virtuoso playing, Rush hasn't lost the qualities that makes them one of the most inventive and exciting rock groups in music.

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Permanent Waves Review

Permanent Waves
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Permanent Waves Review...excluding Neil Peart's entry into the band.
Mostly recorded in 1979, PERMANENT WAVES (1980) marked the starting point for Rush's full-blown entry into condensed, accessible progressive rock. They abandoned the 20-minute suites and mystical lyrics for catchy progressive song structures, and more human, worldly-related topics. But, Geddy Lee (vocals/bass/synths), Alex Lifeson (guitars) and Neil Peart (drums/lyrics) didn't lose their brilliance in composition, even if most of the track lengths were fit for radio.
"The Spirit of Radio" is an ever-popular track, and seems to still get as much radio airplay as it did over two decades ago. A catchy, melodic track with cerebral lyrics dealing with no other than the radio, and it's effect on us listeners (i.e. music fans.)
"Freewill" is a philosophical rocker dealing with personal beliefs (e.g., god, fate, stars) and the consequences - positive or negative - of them. Neil Peart seems to be quite ambiguous in his lyrics, and you can't necessarily tell what *his* personal beliefs are at times. He seems to be playing more a role of devil's advocate, which in some cases is probably the smartest part to play.
"Jacob's Ladder" brings slight resemblance to Rush's 70s period, as this is the most *proggish* on the album, and more than likely can please fans of that particular period. Mostly instrumental, it's an atmospheric rocker which leans toward the darker and heavier side. Highlights of the track are the instrumental section in 5/4, and later, a spatial, instrumental section featuring guitarist Alex Lifeson (later joined by band) playing a snaky riff in 13/8, while Neil is keeping time nicely, and Geddy lends some darkly airy synths on top it all. This track bears considerable King Crimson influence, though clearly, it's still Rush's trademark sound.
"Entre Nous" is something of a ballad, but with intellectual-oriented lyrics. Alex Lifeson's trademark atmospheric arpeggios, Geddy's subtle, but commanding vocal combine nicely to make a highly compelling track.
"Different Strings" is the soft tune on the album. Though possibly seen as a warm up to the following track, it stands nicely on it's own. Poignant as well.
"Natural Science" is the other most *proggish* number on the album. Written in three sections, the lyrics mostly deal with nature and the enviornment. Complex musicianship is very apparent, but doesn't overshadow the strangely catchy and addicting elements found here.
This would be a perfect place to start for anyone interested in Rush. Features a nice balance of complex musicianship and accessibility that's hard to beat. Recommended.Permanent Waves OverviewJapanese only paper sleeve SHM pressing. The SHM-CD [Super High Material CD] format features enhanced audio quality through the use of a special polycarbonate plastic. Using a process developed by JVC and Universal Music Japan discovered through the joint companies' research into LCD display manufacturing SHM-CDs feature improved transparency on the data side of the disc allowing for more accurate reading of CD data by the CD player laser head. SHM-CD format CDs are fully compatible with standard CD players. Warner. 2009.--This text refers to an alternate Audio CD edition.

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Rush - R30 - 30th Anniversary Deluxe Edition (2005) Review

Rush - R30 - 30th Anniversary Deluxe Edition (2005)
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Rush - R30 - 30th Anniversary Deluxe Edition (2005) ReviewOf all the major bands of my teens, only Rush and U2 have never done a "comeback" or a "reunion." This, of course, is because they've never been gone.
There is something almost eerie about that. Twenty years ago, my friends and I were playing furious air guitar with pool sticks in my parents' basement, while a vinyl copy of "2112" did its best to exceed the limits of a hand-me-down stereo.
Today, I'm a husband and father, working very hard to keep the gut away. Yet somehow, Alex, Geddy and Neil are still here, just like they always were - and like me they've gotten older and (except for Geddy) a bit wider around the middle. Which makes it even cooler that they still ABSOLUTELY ROCK!
During the Overture on this R30 DVD, they seamlessly present themes from 2112, Fly By Night, Rush, Hemispheres and more. If you close your eyes, and just listen, you expect to open them and see young, skinny, long-haired Rush straining vintage 1970's equipment in some kind of Rock and Roll time warp. You expect to suddenly hear Geddy go high and start singing those searing notes that he used to hit.
When you open your eyes, you see older, wider, short-haired (except for Geddy) Rush straining modern equipment, changed physically by time but obviously still the exact same band that inspired me, for example, to take my speakers off my wall in college and lay down between them so that I could catch every last nuance of the entire "Farewell to Kings" album on one of the first CD's I ever bought.
As the years went by, I moved on to other bands, and my complete Rush CD collection began to scatter into the piles with the hundreds of others. I thought that I had moved on.
In watching this concert with the headphones cranked up, I got that same sense of awe and excitement I had in college. I found myself sitting upright, not just listening but mentally cheering for my onetime heroes, who were suddenly heroes all over again.
I haven't seen the "Rio" DVD, but in R30 Rush will remind every true fan of why we're all so happy that they have never gone away. I have a huge DVD music collection, and some of it is buried way in the back. R30 is one to keep on the front row.Rush - R30 - 30th Anniversary Deluxe Edition (2005) Overview

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