Showing posts with label blues hall of fame. Show all posts
Showing posts with label blues hall of fame. Show all posts

T-Bone Blues Review

T-Bone Blues
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T-Bone Blues ReviewOriginally issued by Atlantic Records in 1959, "T-Bone Blues" compiled 11 singles recorded between 1955 and 1957, and the 1994 CD reissue added four bonus tracks, including "Why Not", which Jimmy Rogers would later record as "Walkin' By Myself" and credit to himself, and a soulful rendition of Leroy Carr's "How Long Blues".
Many of these sides are re-recordings of Aaron "T-Bone" Walker's classic 40s sides, like "T-Bone Shuffle", "They Call It Stormy Monday", and "Mean Old World", and while any self-respecting blues collection should include Walker's original Capitol and Black & White singles (Rhino's "Blues Masters - The Very Best Of T-Bone Walker" is a great collection of those early sides), "T-Bone Blues" is perhaps the most satisfying album Walker ever made.
The sound is simply magnificent for mid-50s waxings, wonderfully clear and crisp and realistic, and T-Bone Walker is backed by men like Junior Wells, Jimmy Rogers, Ransom Knowling, legendary arranger/pianist Lloyd Glenn, and saxists John "Plas" Johnson, Jr., Edward Chamblee, Mack Easton, and Earl Hines-cohort Andrew "Goon" Gardner.
And T-Bone's own playing and singing is superb. Just listen to his inspired soloing on "Blues For Marili", "Mean Old World", the classic "T-Bone Blues", and this the definitive rendition of "Papa Ain't Salty". It's a delight to hear him playing with Little Walter Jacobs on the 1955 recordings, which include a swinging "Play On, Little Girl" and the fine bonus cut "T-Bone Blues Special", and Walker's re-recording of "They Call It Stormy Monday" captures the essence of the magnificent original version from 1947, this time with stellar fidelity.
There are a number of amazing instrumentals here, too...T-Bone Walker duels with his nephew R.S. Rankin and highly esteemed jazz guitarist Barney Kessel on the up-tempo scorcher "Two Bones And A Pick", and comes off victorious. He may have been best known for his slow, after-hours blues laments, but T-Bone could cut it with the best of them no matter if the tempo was set at 40 or 140.
The highlights on this disc are too many to mention...among the best of the lesser-known songs are the up-tempo "You Don't Know What You're Doing", sung by Rankin, and the jouyous instrumental "Shufflin' The Blues", but literally everything is worth a listen.
An essential addition to any semi-serious collection of electric blues.T-Bone Blues Overview

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Sufferin Mind Review

Sufferin Mind
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Sufferin Mind ReviewEddie "Guitar Slim" Jones is probably the most influential New Orleans blues artists ever. This generous anthology collects 26 tracks from his 1953-56 tenure at Specialty (before leaving for Atco). The album kicks off with his 1953 No. 1 "The Things I Used To Do" and hits all the highlights from the period, including "Story of My Life," "Sufferin' Mind" and "Something To Remember You By." [Note: The 1953 recordings (tracks 1-4) include Ray Charles as pianist and arranger.] If you're going to own only one Guitar Slim album, this is the one to get. VERY HIGHLY RECOMMENDEDSufferin Mind OverviewEddie "Guitar Slim" Jones was a brilliant New Orleans singer and guitarist whose vocal and guitar styles were a big influence on other blues performers. This 26-track collection features his best recordings made for Specialty in 1954 and 1955, including his masterpiece The Things I Used to Do . With colorful liner notes by Jerry Wexler.

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