Showing posts with label box set. Show all posts
Showing posts with label box set. Show all posts

Unearthed Review

Unearthed
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Unearthed ReviewI cannot give enough praise to the performances on this collection of (mostly) unreleased material. Cash is astounding. I found many of these songs to be more diverse and impressive than much of what was found on the last two American Recordings releases. I can think of no more fitting farewell from (and for) the Man In Black than this. How much of it didn't end up on an album is beyond my comprehension.
The Re-Recordings:
There are quite a few legendary Cash gems given new life and intensity in this set. Among them is the classic mourner "Long Black Veil," the endearing "Flesh And Blood," and twin mining/coal town songs of "Dark As Dungeon" and "The L&N Don't Stop Here Anymore." There are others and, honestly, each one is as good (if not more straight-forward and hard-hitting) as the originals.
The Covers:
While I felt that American Recordings IV: When The Man Comes Around contained too many covers of uber-popular songs ("In My Life," "Desperado," etc.), here we find a few numbers from songwriters like Kris Kristofferson ("Just The Other Side Of Nowhere" and "Casey's Last Ride"), Neil Young ("Pocahontas" and "Heart of Gold"), Jimmie Rodgers ("'T' For Texas" and "Waiting For a Train")...and the list goes on and on. Again, I'm left wondering why hadn't some of these made the cut before?
The Duets:
Why "I'm So Lonesome I Could Cry" was chosen over the charming "Cindy" (both with gloom-crooner Nick Cave) for American IV I'll never know. While I love Hank Williams, Sr. this traditional track is simply perfect. The same for the Fiona Apple duet of Cat Steven's "Father And Son." A vast improvement over "Bridge Over Troubled Waters" where Miss Apple's voice seems to interfere more than harmonize. But hands down the best duets are with veteran rockabilly king, Carl Perkins ("Brown-Eyed Handsome Man"), and the late Joe Strummer of The Clash ("Redemption Song").
The Hymns:
While I love many of Cash's own Christian inspired songs I found that many of the traditional hymns lacked, pardon the expression, spirit. They were faithful renderings, but seemed to lack the interpretation that Cash usually lends to any song. Or perhaps it was just my impression. Regardless, I won't say that these songs aren't good...they certainly are...they just don't all quite match the glory of the rest of the set.
The Best of the Rest:
I still cannot grasp any reason why Unearthed included a "Best of..." disc, except for the sole purpose of upping the price of this boxed set. I would have to guess that most of the folks willing to shell out $65.00 for a Cash boxed set are probably going to have most, if not all, of the American Recordings albums previously released. But this doesn't bother me so much in the long run. They could have charged the same price for four discs if they'd wanted...I'd still have took the bait.
Packaging:
I've heard many folks bemoan the agreeably fragile packaging. I've seen folks complain oblivious to the fact that the upside down flag is the long-standing emblem of American Records and can be found on all the albums on their label. I can only offer one suggestion to those who worry about the cardboard sheaths damaging the cds. If you have a CD recorder...make copies. Use those copies and leave the packaging on a shelf somewhere as something to take down and thumb through from time to time. It's supposedly a Limited Edition...treat it like one and it'll last.
Liner Notes:
Last but not least we have the personal reflections of Cash, producer Rick Rubin, and various other friends, family members, and bandmates that contributed to the creation of this collection. I found myself wishing that we had such intimate accounts of all the songs on the original American Recordings...and thankful that we could be given such insight into such a fruitful and inspiring time in Johnny Cash's career. For those who hadn't gotten a sense of the man from his music...they certainly couldn't miss what a genuine, thoughtful, intriguing, and inspirational individual Cash was...and always will be. Thanks to American Recordings and Rick Rubin for allowing a legend to make a magnificent final stand.
The Final Tally:
Music: *****
Packaging: ****
Liner Notes: *****
PS: The live, orchestral version of Leonard Cohen's "Bird On A Wire" is simply one of the finest pieces of music I've ever heard. If there were more songs from this live performance I'd certainly be willing to pay to hear it. It's glorious. Enjoy.Unearthed OverviewNot just your average box set of re-packaged music,'Unearthed' is a 5 CD box containing 79 tracks from theAmerican Recordings era. 'Unearthed' contains 4 entirediscs of never-before-heard recordings. 'Unearthed' alsocontains 'My Mothers Hymn Book' a complete never releasedsolo acoustic spiritual album. Deluxe packaging includes104 page hard cover book, never before seen photo's andJohnny's personal comments, thoughts and memories aboutevery song on the box. Lost Highway. 2003.

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Stevie Ray Vaughan and Double Trouble Review

Stevie Ray Vaughan and Double Trouble
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Stevie Ray Vaughan and Double Trouble ReviewWell it is finally here. The much anticipated Stevie Ray Vaughan box set. For most SRV fans, this will be a satisfying set. Of course some of us would like to have seen much more unreleased material included and less of the album version stuff. But we all know the powers that be had to appeal not just to us SRV freaks but to the casual listener as well. No problem. I think this box set offers a nice balance for all. Tracks run in chronological order beginning in 1977 with only one cut from the Cobras days (I wish there were more) and ends on disc three with a few tunes from the second to last show in Alpine Valley.
More than half of the material is officially previously unreleased and is high quality live and outtake material. Many of the great live tracks like the Timothy White show version of "Dirty Pool" and the MTV tracks are here too. These will be a great surprise for those that haven't heard them before. The live cuts are from some of the best shows like Montreux (even a little of the booing after Texas Flood is there), Houston, Austin, Philadelphia, New Mexico, Alpine Valley, etc.; though I am surprised none of the excellent Tokyo, Japan 1985 show is included. In addition, there are a few cuts of other artists on whose albums Stevie Ray appeared.
For the hard-core collector you probably already have almost everything. However, the good news is that the quality on these discs blows away anything you most likely have on a boot. The fourth disc is a thirty or so minute DVD with five never-aired and never-issued performances from the television program Austin City Limits, recorded on October 10, 1989. I am not sure why these five tunes were cut from the commercial DVD release but I guess it might be because he broke a string on a tune or two during the performance. Who knows they are good regardless. Also included is a 72-page booklet of pictures, session details, essays, discography, and quotes from other musicians and friends. My favorite quote is on the last page, "The world misses his music, but I miss my brother." -Jimmie Vaughan.Stevie Ray Vaughan and Double Trouble OverviewStevie's monster chops, huge sound and deep soul won adoration from rock fans and blues stars around the world, all of whom will want to pick up this long-awaited boxed set: 18 live and studio tracks plus 36 unissued recordings (VERY early stuff plus live versions of Cold Shot; Lovestruck Baby; Crossfire; The Sky Is Crying; Tightrope , and more) including a whole DVD of never-aired Austin City Limits performances! Over four hours of the late, great SRV on 3 CDs plus a 72-page book.

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Can't Quit the Blues (W/Dvd) Review

Can't Quit the Blues (W/Dvd)
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Can't Quit the Blues (W/Dvd) ReviewThis package is advertised as a Boxed Set that includes a bonus DVD. For casual Buddy fans this may ring true, but for die hard Buddy fans it's all about the DVD. The documentary is the best ever about Buddy and His life. With extensive live footage throughout, you will sit in a state of awe as the "BEST GUITARIST" ever, frantically expels doses of raw emotion both vocally and with his guitar. The collection of songs on the CD's are great,but the price of the box set would be worth it, even if only the DVD was included. He's that moving "LIVE".Can't Quit the Blues (W/Dvd) OverviewRobert Cray says that Buddy Guy's guitar solos sound like laughter from space, but they can also peal like the cries of lost souls attempting to cross the River Styx. If these 47 songs on three CDs plus a DVD boasting a new 75-minute documentary and six performances from the Montreux Jazz Festival prove anything, it's that Guy is one of the most dynamic, diverse, expressionistic, and emotional guitarists--in any genre. The set neatly examines the 70-year-old Chicago blues legend's half-century career, starting with a ragged but soulful "The Way You Been Treating Me" cut in 1957 at a radio station in Guy's native Louisiana that finds him developing his searing, exploratory style. A year later, he's in Chicago working with tunesmith Willie Dixon, and the rest is history (chronicled in Anthony DeCurtis's excellent lines notes) that leads from the glory days of Chess Records to Guy's early breakout recordings for Vanguard to his modern-day mastery. The most recent recordings often find him working with acolytes: Eric Clapton, Jeff Beck, Keb' Mo', Jonny Lang, Bonnie Raitt, Keith Richards, and John Mayer (who duets with Guy on the unreleased "I'd Rather Be Blind, Crippled & Crazy"). B.B. King, who along with Guitar Slim was Guy's most important early influence, also joins Clapton and Guy on a stirring acoustic version of John Lee Hooker's "Crawlin' Kingsnake."

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The Berlioz Experience: Symphonic, Choral, Vocal Works Review

The Berlioz Experience: Symphonic, Choral, Vocal Works
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The Berlioz Experience: Symphonic, Choral, Vocal Works ReviewThis box makes a nice alternative to the Philips boxes under Colin Davis. Not to take anything away from Davis. His Berlioz cycle certainly ranks up there with the elite for recording achievements. But many will not want to invest in all 3 boxes, so Universal has brought us a great compilation of some of Berlioz' best works from a variety of performers with different styles.
The jewel has to be Ozawa's unsurpassed Romeo and Juliet. This 1976 studio recording had its birth at the Tanglewood Festival and features excellent soloists (Julia Hamari, Jose Van Dam, and Jean Dupouy), a very competent choir, and of course the reliable Boston SO. The recording is of outstanding quality. It seems cleaned up a little from what I remember of the CDs from the mid 80s; much more spacious, less muddy sounding. I especially like the chorus in the hushed night scene.
Barenboim's Damnaton is perdictably Furtwangler-like in tempo, and again features top notch singers in Fischer Dieskau, Jules Bastin, & Placido Domingo; Yvonne Minto is probably not in the same class with the others, but she's more than acceptable.
Levine directs a well recorded and balanced classical-sounding Requiem, and Abbado is more than competent in the Te Deum.
Chung's Fantastique is fun and enjoyable, if not first-class.
The rest of the works are very commendable, if not top-of-the-class.
In short, you can't go wrong for the price, and if you love Berlioz' Romeo, you've got to get this box just for the Ozawa gem.The Berlioz Experience: Symphonic, Choral, Vocal Works Overview

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Conway Twitty Collection Review

Conway Twitty Collection
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Conway Twitty Collection ReviewI love this box-set. The booklet that accompanies it is full of pictures and information highlighting the career(s) of Conway from 1957 through 1993. We have all the Top-40 pop hits plus several that charted in the Hot 100 but peaked below #40. We have almost every Top-10/#1 hit he had as a country artist.
The only bad thing is that the box set is by MCA and therefore only the MCA hits get much of the fan-fare. His Warner Brothers era, 1982-1986, is represented by just a couple of songs from 1982 and 1984. His 50th #1 hit from 1985, "Don't Call Him a Cowboy", isn't included neither is his 1986 #1 hits "Desperado Love" and "Fallin' For You For Years".
A fellow reviewer lamented that "Lost in the Feeling" from 1983 was also left off. Well, the Warner Brothers material always gets passed over. Customers should buy this box-set and seek out the 1988 collection "#1's: The Warner Brothers Years" if anyone wants to hear Conway at the peak of his #1 popularity.
One of the things that might make you scratch your head is the 1975 Russian version of "Hello Darlin" that Conway recorded for a space mission. It's a unique recording to say the least! Along the way you'll hear unreleased songs like "I Just Had You On My Mind", "Sweet, Sweet Spirit", "I'll Always Find My Way To You", and a live version of "Why Me, Lord?". One of my favorites on here is "Clinging To a Saving Hand".
One of the reviewers said that this box-set contained all 55 of Conway's #1 hits. That's just a slight error, though. The #1 hits that they left out are: "We Really Did But Now You Don't" (1982); "Lost in the Feeling" (1983); "Ain't She Somethin' Else?" (1985); "Don't Call Him a Cowboy" (1985); "Desperado Love" (1986); and "Fallin' For You For Years" (1987). So, technically we have 49 of his 55 #1 hits in addition to all his Top-10 pop and country singles that didn't quite make #1. Conway placed a total of 96 singles onto the Top-40 portion of the charts during a time-span that lasted from 1958 through mid 1991. Conway had the bulk of his major hit singles on the Decca, later MCA, label and given that this Box Set was issued by MCA it makes sense why the recordings he did for them would take more precedence over the singles he did for Warner Brothers.Conway Twitty Collection Overview

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Original Guitar Hero Review

Original Guitar Hero
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Original Guitar Hero ReviewWhen I listen to this CD, I can't decide if I'm listening with a Jazz musician's ear or if I'm listening for simple sheer enjoyment of the tunes. The tunes as well as the solos are blistering yet catchy. A showcase for virtuosos who don't forget they're creating music with other people. It's wonderful.
Unfortunately, the CD is VERY short. And like ALL of Christian's recordings, even though I love the entire Benny Goodman band, I never feel like there's enough Charlie Christian.
The sound recording is as good as you'll get for the 40's. It doesn't get better than this. You'll be amazed at how good the quality is.
This CD is definitely worthy of a space in your collection.Original Guitar Hero Overview

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