Seventh Son of a Seventh Son Review

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Seventh Son of a Seventh Son ReviewSeventh Son Of A Seventh Son (1988). Iron Maiden's seventh studio album.
From their debut all the way up to Powerslave(1984), Iron Maiden successfully showcased that they were on top of the NWOBHM scene, rocking hard and riding free, with few bands able to rival them. Come 1986, Maiden decided to experiment with guitar synthesizers and bass synths and managed to create the moody masterpiece progressive album, Somewhere In Time (IMHO, one of my two favorite Maiden albums). Now we arrive in 1988 when Maiden decided to take the progressiveness even further to an epic level. Seventh Son Of A Seventh Son takes its style from Hemispheres and AFTTK era Rush (back in 77-78) and fuses it with Iron Maiden's early sound creating a masterful concept album. It follows the story of a cursed child who is born with special powers and it tempted by the side of both good and evil. Whether you understand the concept story or not, all fans must agree that SSOASS has excellent musicianship by the band, and the chemistry of the "perfect 5" Maiden lineup is completely intact. Unfortunately, this is the last time that they play this well for a good twelve years, as the classic lineup is shattered. But for the rest of the 80s, Iron Maiden managed to stay on top of the game and gave the fans an album to remember them by. Let's take a look at this album:
1) Moonchild- Starts off with an accoustic passage giving this album's theme and then it builds into a fast rocker. Great usage of keyboards in the background. Bruce's vocals are very aggressive here. 10/10
2) Infinite Dreams- This one may take time for fans to get used to as it alternates between a softer and harder section. Great song though. 9/10
3) Can I Play With Madness- A short commercial rocker similar to the previous album's Wasted Years. I understand that this track was played to death back in the day (though I'm much more inclined to believe that # Of The Beast and 2 Minutes To Midnight got overplayed if anything), but it's still an excellent song nonetheless. I like it. 9/10
4) The Evil That Men Do- Another phenomenal rocker. I didn't like it at first because the chorus got rather tedious to listen to, but it does grow on you. A noteworthy gem. 10/10
5) Seventh Son Of A Seventh Son- IRON MAIDEN TACKLES THE 10-MINUTE PROGRESSIVE EPIC CHALLENGE, and succeeds! They've done it before with Rhime Of The Ancient Mariner and Alexander The Great, but this is the first time in which they create the story themselves. Wonderful musicianship throughout. 10/10
6) The Prophecy- Some say that this track is the worst on the album, but I have to disagree. While it's certainly not one of the best Maiden songs, it does stand out quite a bit, as the band has never done anything that sounds quite like it up to this album, and for that the song deserves credit. Bruce's vocal ability shines here. 8/10
7) The Clairvoyant- A MASTERPIECE! Of the more commercial progressive styled rockers on the album, this track shines far above the rest. My favorite track on here. 10/10
8) Only The Good Die Young- This song would tie with The Prophecy as far as good songs on the album go, but unfortunately unlike The Prophecy, this one fails to really stand out at all. Still decent though. It ends with the same accoustic passage as the intro of Moonchild. 7/10
So how will fans judge SSOASS? It really depends on how much you enjoy progressive rock music. If you've got a short attention span and you're a fan who can't sit through any song longer than four minutes, then you may not like SSOASS much. Give it time and it should grow on you. I on the other hand have come to appreciate more complicated works in the past year, and I enjoy hearing the different guitar parts, time-change signatures, and concept story SSOASS has to offer. Therefore I give it five stars. Also, hardcore fans shouldn't be stringent on their usage of keyboards. They are used as a nice background texture, which has very little presence. Cripes people, if you think that the keyboards are dominating here then you need to actually LISTEN to the music. There are certainly no shortages of guitar parts here. Dave and Adrian are playing dual guitar solos as great as ever, but unfortunately Adrian departs after this album, which started a chain of progressively worse Maiden albums until the dawn of the new millenium arrived. Don't hesitate to pick this up if you are already a fan. HIGHLY RECOMMENDED.
The Evil That Men Do lives on and on, and so does Iron Maiden! They still have it in them as proven by their new album, Dance Of Death(2003). For that and their devotion to true heavy metal, I salute them. Keep on rocking forever guys.Seventh Son of a Seventh Son OverviewFull title, 'Seventh Son of a Seventh Son'. Canadiandigitally remastered reissue of 1988 album that'sout-of-print in the US. Pressed onto an enhanced discfeaturing full length videos, exclusive band biographies,photo galleries, internet links & more. PC/MAC compatible.1998.--This text refers to an alternate Audio CD edition.

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Somewhere in Time Review

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Somewhere in Time ReviewIron Maiden's golden age started with "Killers" and pretty much ended with "Somewhere in Time". All of the songs on "Somewhere" are ambitious, adding new elements to Maiden's sound. The guitar synth's found on "Somewhere" are present, but not as overpowering as on the follow-up cd "Seventh Son". Everything Maiden fans enjoy about the band are present on "Somewhere". Steve Harris' bass lines crackle, and Dickinson's urgent vocals really carry the album along. The guitar riffs are catchy, and hook you right away. The thing that always impressed me with Iron Maiden, was that, during the 80's most metal bands like Ratt, Posion, Motley Crue etc, were busy playing and singing about rock n' roll, girls and partying. Maiden often based their music on literature; "Murders in the Rue Morgue", poetry: "Rime of the Ancient Mariner", history; "Aces High", "The Trooper" and "Run to the Hills"; religion; "Heaven Can Wait", "Number of the Beast" and mythology "Icarus" and "Poweslave". The great epic metal tunes on Iron Maiden disks defied the conventions of the time, where most bands stuck to radio-friendly, 5 minutes or less rock anthems. Iron Maiden was, and is more than just a standard metal band, and if you are a music fan, you are doing yourself a great dis-service if you don't pick up the disks from the heyday. "Somewhere in Time" features 8 great track, each better than the one before it. Listen to "Alexander the Great" and ask yourself if any other band at the height of their popularity would have been able to put that song on a cd. The guitar riff on "Wasted Years" will be running through your head all day, and you will be humming the chorus of "Heaven Can Wait" for a long time. This is a great album, from a band that always brought a little more to the table than just catchy rock anthems.Somewhere in Time Overview

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Number of the Beast Review

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Number of the Beast ReviewI love this album so much. This to me is a true five star album. This is the album that drew me into heavy metal music and made me a life long Iron Maiden fan.
"Run to the Hills" is what initially drew me in. I hadn't heard anything else by the band, but this was 1982, and radio was still in top 40 mode. But I knew I loved "Run to the Hills," so I thought I'd buy a whole album rather than just the single. And am I glad I did. I remember putting the lp on the turntable and being spellbound for the better part of an hour while I played the album twice, back to back. To my twelve year old ears, this was heaven.
After a thorough listen, I found most of the songs to be even better than "Run to the Hills" -- especially side two's "Number of the Beast." That song to me was pure high octane power, the perfect combination of bass, guitar, drums, and vocals. And the album closed perfectly with "Hallowed Be Thy Name."
After this, I became a true Iron Maiden maniac. I knew that "Up the Irons" meant, I knew all about "Eddie," I learned this was Bruce Dickinson's first album... stuff that wouldn't help me academically, but essential in heavy metal discussion during class time.
While my mom wasn't initially pleased with the album art (I explained it was all a dream sequence), she was pleased I was increasing my workload around the house in order to buy the band's other albums -- "Iron Maiden," "Killers," and "Maiden Japan." And with each album, I fell deeper under the band's spell. I've picked up every album since then. Some great, some not so great, but you take the good with the bad.
Are you convinced that music is dull, drap, unappealing, and commercial? Never heard this album? Now's your chance to listen to one of the cornerstone bands of the 80's and 90's. Creativity, personality, and originality all describe this great band -- a band still on the road touring and making albums. And as for this album, it sounds as good today as it did over twenty years ago.Number of the Beast OverviewEnhanced CD-Rom version of the original. Includes full-length videos, band biographies, photo galleries, and internet links, all encased in a slip-sleeve. -1998

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Painkiller Review

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Painkiller ReviewFollowing the poor record sales of 1988's attempted but largely unsuccessful comeback, "Ram It Down," Judas Priest tried to win their fans back with their twelfth studio effort, 1990's "Painkiller." Frontman Rob Halford, axemen K.K. Downing and Glenn Tipton, bassist Ian Hill, and drummer Scott Travis went about this task by returning to their classic, 1970's style of metal while simultaneously intermixing some techniques from modern, contemporary speed metal bands. The result was a masterful new disc, the heaviest and most musically complex of Judas Priest's career, which successfully won all of the band's fans back, and even gained them many new fans. "Painkiller" is not only the definition of a Nineties' classic; it's a truly wonderful comeback, and easily the best release of Priest's long and storied career. Plus--since it's saturated with fast riffs, scorching leads, extended, technical solos, quick drumming, and Rob's shrieking vocals--many music fans think (justifably so) that "Painkiller" is the epitome of speed metal. It's also one of the most famous and important albums on heavy metal's timeline. Motorhead may have given birth to speed metal, but "Painkiller" has spawned a generation of imitators, so it's equally as influential as anything by, well, any other band. The opening title track sets the mood well for the rest of the songs. It has a fast drum beat and fast churning riffs, as well as Rob's standard, very high pitched vocals, and two sweet guitar solos (the first of which is well over a minute long!) The appropriately titled "All Guns Blazing," has a spectacular, wailing solo which has several different parts to it. The next song, "Leather Rebel," is a very speedy track with an almost buzzsaw rhythm, and track five ("Metal Meltdown") features three back-to-back guitar solos. Other highlights include the memorable chug and churn guitars and thumping drums of "Night Crawler," "Between The Hammer & The Anvil," which is highlighted by yet another lengthy, winding, mazey, three part solo, and, the catchy, mid-paced, stop-start rhythm behind "A Touch Of Evil." Finally, if you buy the remastered version of this album, you get two bonus tracks--"Living Bad Dreams," and a rare, live version of "Leather Rebel"--which are both excellent inclusions in your collection. "Painkiller" is, from front to back, an eargasm. If you're a speed/thrash/classical metal fan, there's almost no record you need more than this one, and if you weren't a Judas Priest fan before, you'll definitely be one now! This has got to be one of the finest metal albums ever recorded, and it is nothing short of being a flawless, genre defining, standard bearing classic.Painkiller Overview

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Defenders of the Faith (Exp) Review

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Defenders of the Faith (Exp) ReviewNot wanting to give up on their new-found momentum after the superb, fast and hard-hitting SCREAMING FOR VENGEANCE, Judas Priest released DEFENDERS OF THE FAITH in March of 1984. Sporting a darker, more violent side than SCREAMING, it nevertheless continued the same tradition of fast, rat-a-tat-tat drumming from Dave Holland, K.K. Downing/Glenn Tipton twin-Stratocaster guitar solos that intertwined with each other at blistering speeds, and high-pitched screeching courtesy of Rob Halford, the greatest heavy metal singer alive both then and now. I became a die-hard fan when I first saw their video for the speed-metal opener "Freewheel Burning". The song is fast, furious, yet still very melodic. It's also my favorite on this CD. Even at their fastest, Priest always retained their melodic sensibilites; they were never just noise. "Jawbreaker" continues this dark speed-metal sound nicely; although not great like "Freewheel Burning", it keeps the momentum going. "Rock Hard, Ride Free" is a great racing-as-metaphor-for-life song like "Heading Out To The Highway" and "Freewheel Burning", but is mid-tempo in rhythm with a high-pitched tandem guitar tune that sounds like the perfect theme of a teenage life-story. "The Sentinel" burns up the air; it's a fast, burning, and violent song which could have been made into a movie. It's about a supernatural (and apparently immortal) sentinel who takes out an entire army with his scabbard of 200 daggers, which "fly out like bullets, upon their deadly course." Quite gory, but nonetheless an excellent Priest song with a memorable bridge.
The second half of DEFENDERS also rocks, although not quite as hard. "Love Bites" is Priest's metallic take on vampirism; it begins memorably with some slow, forboding bass guitar chords from Ian Hill before kicking in with Halford growling "When you feel safe/When you feel warm/That's when I rise/That's when I crawl". It was the perfect song to open all of Priest's live shows on the "Defenders" tour--I know, I saw them twice on that tour--although it's not quite as great of a song to hear whilst lounging in the comfort of your living room. "Eat Me Alive" is pretty self-explanatory ; its true meaning not fully revealed until Rob courageously came out of the closet in 1998. It's an okay speed-metal track, a bit too repetitious; it's probably the weakest song on the CD. But then we get to my second-favorite track on here, "Some Heads Are Gonna Roll", which became widely played on FM hard-rock stations. It's about "the power-mad freaks who are ruling the earth" and gives us a great lead guitar solo trade-off between Glenn & K.K. The next track is a haunting power-ballad called "Night Comes Down". It's dark, emotional, and fits the mood of this CD perfectly. Closing out the original DEFENDERS set is "Heavy Duty/Defenders Of The Faith", a slow-paced but pounding two-part heavy metal anthem that serves as a tribute to the legions of Priest fans everywhere, and for all those who want to be rocked till their "Metal Hunger's fed". That's a fake audience cheering on this studio version, but it reminds me of when I saw them do it live, and I was part of a REAL screaming crowd!
But wait; there's more! With this Remastered version, we now get a studio bonus track called "Turn On Your Light". It was written "during the early years of our career". Like most of the bonus tracks on Priest's Remastered CDs, it was recorded in 1985 during the sessions for TURBO. It's an unusually slow song, with both acoustic guitar and keyboards (very unusual for a Priest song), although it does contain a fuzzy lead guitar solo and does get pretty heavy towards the end. It's not a great, standout track such as "Prisoner Of Your Eyes" (from the Remastered SCREAMING FOR VENGEANCE), but it's not bad either, and it is good to *occasionally* hear Rob Halford sing without screaming. Finally, the CD closes with an appropriately live version of "Heavy Duty/Defenders Of The Faith." It's rendered faithfully, and extended to five-and-a-half minutes with Rob leading the real screaming crowd on a minute-long "We are Defenders of the Faith" chant.
DEFENDERS OF THE FAITH still remains one of Judas Priest's strongest albums ever. It's earned a special place in my heart, and it still rocks me till my Metal Hunger's fed! HIGHLY RECOMMENDEDDefenders of the Faith (Exp) Overview

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Powerslave Review

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Powerslave ReviewIron Maiden's "Powerslave" was to metal what Michael Jackson's "Thriller" was to pop. If you were a fan of heavy metal in the 80's then this album was the soundtrack to your Saturday night out with the guys. There is just so much on this album to rave about, be it the killer chorus of "2 Minutes to Midnight", the great guitar track of "Flash of the Blade, the cool "Egyptian" sound to the title cut, of the epic "Rime of the Ancient Mariner". There was something here for every metal fan. Iron Maiden has made a career out of defying the norm, and in a time when most bands were riding the metal-pop wave, writing songs about Girls..Girls..Girls, or Talking Dirty to Me, Maiden's subject matter was the RAF during WWII and the Blitz with "Aces High". "Powerslave" is about Egyptian mythology, and the album also features a song about fencing "Flash of the Blade". Not your typical song matter for an 80's metal band. But the highlight of the album for me is "Rime of the Ancient Mariner", based on an 18th Century poem, this 12 minute epic tells the tale of a doomed captain and his ship, and is musically one of the most impressive songs in Maiden's catalog. If you haven't heard this song, then buy this album immediately! It's worth the price of the cd alone. It doesn't matter if you think "Powerslave" is Maiden's best album, or if you like "Beast" or "Piece of Mind" or any one of their other albums better, you have to respect Iron Maiden for what they accomplished with "Powerslave".Powerslave Overview

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Kill Em All Review

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Kill Em All ReviewWell, here it is, kiddies: Metallica's skull-crushing, bone-breaking, faster-than-the-speed-of-freakin'-light thrash metal debut. This is the one your mother warned you about. This album may cause uncontrollable fits of energy, headbanging, and moshing. Keep out of reach of children. (Give them St. Anguish instead... on second thought, never mind. No one should have to suffer through that...)
What makes this album such a metal classic? The pounding drums and rythyms? The violent cover? The shredding solos and riffs? A 20-year-old James Hetfield's harsh, unpretty vocals? The controversial cover? Well, yes, of course, but one thing makes it even better (although Master Of Puppets remains my favorite): back when they recorded this album, Metallica were no one. They weren't the (now self-parodic) juggernaut they would eventually become. They were four lucky fans who got together, played their hearts out, and had the time of their lives doing it. (Check out James Hetfield's picture on the insert - he has acne!) You can really feel the energy coming from this record.
So, yeah, anyway, if you don't have this one already, see to it that you obtain it (along with Ride The Lightning and Master Of Puppets, and, if you like, the black album and ...And Justice For All). There are really no standout tracks because they ALL rock. If you can think of a better album to slap My Chemical Romance in the face with, I'd sure like to hear it.
Yeah, it wasn't all that long ago that they were a little thrash band from the Bay Area...Kill Em All OverviewJapanese only SHM pressing. The SHM-CD [Super High Material CD] format features enhanced audio quality through the use of a special polycarbonate plastic. Using a process developed by JVC and Universal Music Japan discovered through the joint companies' research into LCD display manufacturing SHM-CDs feature improved transparency on the data side of the disc allowing for more accurate reading of CD data by the CD player laser head. SHM-CD format CDs are fully compatible with standard CD players. Universal. 2009.--This text refers to an out of print or unavailable edition of this title.

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