Showing posts with label stephen stills. Show all posts
Showing posts with label stephen stills. Show all posts

Paradise Review

Paradise
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Paradise ReviewA new recording by Judy Collins is always cause for celebration. Her latest "Paradise," consisting of ten selections, is no exception. The title of the CD comes from the last cut "Gauguin" by Jimmy Webb. "I'm going to go down to Paradise." This song is one of my least favorites although it may grow on me when I listen to it more. "Dens of Yarrow" is the kind of song that Judy recorded when she first started singing. What is amazing is that you would swear that she recorded it 50 years ago and not in 2010. On that one she plays the Roland keyboard. A little of that usually goes a long way with me but her accompaniment works here. "Kingdom Come" is the only song that Ms. Collins wrote. It is a tribute to the brave firefighters and others who lost their lives on 9/11. "They will not be forgotten."
"There is nothing wrong with Judy's rendition of the famous "Over the Rainbow" except she is the wrong Judy singing it. That song will always be Ms. Garland's unless you hear the incomparable version by Israel Kamakawiwo'ole which will blow you out of the Pacific Ocean. "Weight of the World" is a fine but terribly sad song about a son and brother-- his sister tells the story-- going off to a war in a desert (It was the first time I saw my father cry.) We know of course that the dad cried on at least one other occasion when the military send her brother home in the dead of winter and the flag on the hometown football field flew at half-mast. (The Dixie Chicks sing a similar song "Travelin" Soldier" on their "Home" CD.)
My three favorite selections on the CD are "Ghost Riders in the Sky," "Last Thing on My Mind," and "Diamonds and Rust." Ms. Collins in "Ghost Riders" has a great backup chorus consisting of Denver Collins, Joe Hurley, Bob Neuwirth, Tom Paxton, Paul Rolnick and Jimmy Webb. She recorded Tom Paxton's "The Last Thing on My Mind" years ago and re-records it here with an old boy friend Stephen Stills of Crosby, Stills and Nash and sometimes Young who almost as many years ago wrote "Suite Judy Blue Eyes" in praise of Ms. Collins. It is great to hear their gentle harmonies on this one of my favorite songs--"Didn't mean to be unkind/you know that was the last thing on my mind." Stills plays 12-string guitar; Judy is on guitar on this arrangement. But the grand prize goes to "Diamonds and Rust," the song Joan Baez wrote and recorded for Bob Dylan. Here we have two of the great women's voices of the folk era-- if not the two best-- singing in what appears to be close harmony in a delicate and haunting arrangement of this beautiful song. They are accompanied by Russell Walden on piano and the Nashville Rhythm Section that provide perfect accompaniment for this perfect duet. The enduring appeal of "Diamonds and Rust" has to be its universality: the remembrance of a love so long ago, a love in which you gave more than you received and you still have feelings for the person you loved.
I wish we had been given the lyrics to the songs and that Ms. Collins had used another photograph for this CD even though she is still very beautiful and Annie Leibovitz, who according to the notes took the picture, is of course considered by some critics to be the best celebrity photographer alive. Russell Walden plays piano on many of the cuts and Larry Campbell picks the 12-string guitar on really fine instrumentals. Judy's silvery voice of course still captivates, still moves the listener, still shines just as it has throughout her long glorious career.Paradise Overview

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Stephen Stills Review

Stephen Stills
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Stephen Stills ReviewI'm astonished by the comments of the amazon.com reviewer. Stills is the most accomplished musician in CSNY: He played every instrument except the drums on the debut record and almost all on Deja Vu. While all the guys in CSNY have their strengths, Stills is the one with cache with serious players. Incidentally, it's Stills, not Clapton playing the solo in the middle of "Go Back Home." (Clapton plays the coda). Listen to Stills handle the Hammond B-3 on the jam with Hendrix. It's a shame this guy never lived up to his talent, but when this album was released he was at the top of his game.Stephen Stills OverviewHis first (1970) solo record, with Crosby, Nash, Clapton and Hendrix on board! Includes Love the One You're With; Sit Yourself Down , and more.

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Stills Alone Review

Stills Alone
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Stills Alone ReviewThis is a frustrating CD. I've owned it for the better part of a decade and I like it. But it actually doesn't wind up in my CD player all that often.
Why? Because it _should_ have been the album that fans of Stephen Stills's acoustic music had been waiting for. And it isn't.
It falls flat -- not because Stills himself does anything less than a terrific job, but because somebody got the bright idea of recording him on an 'electrified' acoustic guitar (using what sounds like a low-end piezoelectric pickup). In short, the production here is terrible.
The result is a twangy, clickety-clacky guitar sound that doesn't even remotely resemble the angry growl Stills used to coax out of his Martin dreadnoughts on the best of his old acoustic tunes. 'Treetop Flyer' is one of the coolest songs Stills has ever written. But the guitar part, instead of revisiting the territory of 'Black Queen', sounds like something recorded in some teenager's garage.
Ah, well. Most of the music is good. Stills covers 'Everybody's Talkin'' (by his old pal Fred Neil), the Beatles' 'In My Life', and Dylan's 'Ballad of Hollis Brown', and revisits a handful of tunes from his first two solo albums. There are some new (as of 1991, that is) tunes, including the aforementioned 'Treetop Flyer' and 'Isn't It So' (which wound up as the theme song for the short-lived television series _Second Noah_). All of it works pretty well. (The exception is 'Amazonia', which tacks a mediocre lyric over the chord progression from Stills's 'Fair Game' and some sort of electronic percussion track.)
But you have to be able to stand the sound. I think Stills is a decent guitar player and I like to listen to him when he cuts loose. But I sure do wish somebody had done a better job recording him here. This could have been a great album, and instead it's only pretty good.
This CD isn't _just_ for Stills fans, but if you haven't heard Stills's solo work before, don't start here.Stills Alone Overview

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Super Session Review

Super Session
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Super Session ReviewThis CD shows two things, one the brilliance of Bloomfield's playing and two, just how far he had fallen as a result of his Heroin addiction. After nine hours of recording, Bloomfield and Kooper completed Bloomfield's "Albert's Shuffle", "His Holy Modal Majesty" and "Really", Howard Tate's "Stop", and Curtis Mayfield's "Man's Temptation". At the completion of these first five tunes, Bloomfield packed up his things and abruptly left the studio. Kooper wanted to complete the recording so he picked up the phone and called Stephen Stills. Still's agreed to finish the sessions. As such you get two very different sounding recordings here. The first half--Kooper and Bloomfield which contains some very nice blues and classic Bloomfield guitar. The last half features Kooper and Stills complete with jangly guitar and Buffalo Springfield like vocals. The disc is rounded out with some added bonus material featuring remix versions of "Albert's Shuffle" and "Season of the Witch" without the horns and two others. An added bonus is "Fat Grey Clound" which is a masterpiece in itself. On the other hand, while this disc has some good tunes on it the addition of Stills and absence of Bloomfield leaves the recording with a hodgepodge quality. As an alternative or in addition to this disc, check out the "Lost Concert Tapes".Super Session Overview

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