Showing posts with label csny. Show all posts
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Zuma Review

Zuma
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Zuma ReviewWithout any possible question, this is one of Neil Young's greatest albums, and given the extraordinary length of his career and the amazing number of albums that he has made, that is saying something. This is also one of his most influential albums, producing a pattern for a host of guitar oriented garage and alternative bands in the 1980s and 1990s. It is impossible to listen to a band like Thin White Rope or Eleventh Dream Day or Nirvana and escape the conclusion that the members of the bands all grew up listening to the cuts on this disc.
Although this is widely known as one of the seminal guitar albums in the history of rock, there are two paradoxes in that claim. First, a couple of the songs are entirely acoustic and feature none of the grungy guitar found throughout the rest of the disc. "Pardon My Heart" is not merely acoustic, but soft and gentle as well. "Through My Sails" is a Crosby, Stills, Nash, and Young song. For me, it is the weakest cut on the album, and a potent reminder to me of why I prefer Neil Young on his own. The second paradox is that in many ways Neil Young really isn't a very good guitarist. Technically, there are probably a host of high school guitarists that surpass him. His solos are some of the most elementary in the history of rock. Nonetheless, Young seems to get more musical mileage out of relatively meager chops of any guitarist in history. He might not be a virtuoso, but in this album he virtually reinvents grunge guitar, and paved the way for a host of imitators.
Guitar aside, what drives this amazing album is the great, great songs that line up one after another. "Don't Cry No Tears" gives way for the even more stunning "Danger Bird." A couple of songs later we get one of my favorite Young songs, "Barstool Blues." "Stupid Girl" is not a work of misogyny like the Stones' "Under My Thumb," but yet another excellent guitar driven song. "Drive Back" is another great song that then gives away to the song that seems to define the entire album, the epic, majestic "Cortez the Killer," in which Neil gets to sing about his recurring subject of the European exploitation of the New World.
Neil Young has other albums nearly as good as this, and possibly a couple of others that are even better, like AFTER THE GOLD RUSH and TONIGHT'S THE NIGHT, but there isn't a single one of his discs that I have listened to as often or with as much pleasure. This truly is a disc that ought to be in the library of every serious rock fan.Zuma OverviewSeven of the nine songs on this album were recorded with a reunited Crazy Horse, and nearly all of them deal with the subject of romantic conflict and lost love: Don't Cry No Tears; Barstool Blues; Pardon My Heart; Lookin' for a Love; Through My Sails ; the seven-and-a-half minute epic Cortez the Killer , and more!

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American Stars N Bars Review

American Stars N Bars
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American Stars N Bars ReviewFor the longest time, I did not add Neil Young's "American Stars 'N Bars" to my CD collection, because I had read and heard so much intense critcism of this album. But, I found a copy at my local 'used CD' store around the corner and decided to take a chance on this so called "oddities" album. Instantly, I fell in love with this crazy-quilt of both acoustic and electric music. I seem to love this CD for the very reasons that others disparage it. Yes, I know it's disparate, hodge-podge of songs. But, it's also raw and alive and seems to have a goofy, not-to-serious charm of it's own. On this album, Neil is no longer in the "middle of the road" ("Harvest"), but he isn't in the now infamously quoted "ditch" either ("Tonight's the Night", "On the Beach"). Young is sort of doing a balancing act in the middle, creating an album thats' sort of a warped, Frankenstein-like version of his classic, "Harvest". But it's a Frankenstein, that can tap it's toes and sort of dance. I love songs like the rustic "The Old Country Waltz" or the pulp Western tale, "Saddle Up the Palimono". I in particular, like the contributions of singers Linda Ronstadt, Emmylou Harris & Nicolette larson. They really work well with Young giving, that perfect '70s era country-rock feeling (especially Harris, who shines on "Star of Bethlehem"). According to one tale I've heard, the ladies thought they were just doing some 'practice, run throughs' of the songs. Much to their chagrin, they later learned that Neil was using these sessions as the final takes, hence the raw feeling of the songs.The electric portions of the CD are wonderful as well. "Like a Hurricane" is of course a classic and Young has played this long & Winding song for many years in his concert repertoire. I love the song's lyrical imagery and to be blunt, the guitar soloing just kicks some rock n' roll (...)! One of my favorites on this CD is the final track, "Homegrown", a funny little ode to small farms or the joys of harvesting 'weed' (you can take your choice). It's a bouncy tune that totally gives me a case of the giggles. No, "American Stars 'N Bars" is never going to be in the cannon of the "Great, Neil Young Albums". All I can say is I don't think it deserves it's bad rep. I liked it and highly recommend it!American Stars N Bars Overview

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Live at Massey Hall (CD/DVD) Review

Live at Massey Hall (CD/DVD)
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Live at Massey Hall (CD/DVD) ReviewThis is a tremendous CD which I whole-heartedly recommend. Neil Young announces before the fourth song that he will be playing "mostly new songs tonight." Five of the new songs would appear on the following year's "Harvest" album, which for my money, is Neil Young's finest. Did the audience realize just how extraordinary was this batch of new songs? Did Neil himself have any inkling of the phenomenal acclaim and acceptance "Harvest" would receive?
The songs are all performed solo by Neil, twelve on guitar, six (counting track 7 as two) on piano. (Unplugged, if you will, decades before that term was coined and turned into a marketing tool.)
One of the most interesting piano tracks is "A Man Needs a Maid/Heart of Gold." Neil introduces the song by saying "some people look at their life and say, well, my life is like a movie," then jokes that "this is like a showtune from my movie," perhaps foreshadowing the heavy production "A Man Needs a Maid" would receive on the studio album. However, the spare rendering here is superior, in my opinion. Then midway through the track, Neil segues into a stark version of "Heart of Gold," previewing what can arguably be called his definitive song.
Standout tracks with acoustic guitar include "Old Man," "Needle and the Damage Done," "Cowgirl In The Sand," and "Ohio." But one could as easily point out highlights by repeating the entire track list. Guitarists especially will appreciate how the songs are played in this solo acoustic format. The sound quality of the recording is superb.
There are several new (at the time) songs that didn't wind up on Harvest or any other album. Of particular note is "Dance, Dance, Dance." In the verse you will recognize the seeds of a later more well-known song.
That Neil has remained relevant all these years -- from CSN&Y to Harvest to Rust Never Sleeps to the Pearl Jam collaborations to last year's "Living With War" -- makes this CD much more than a nostalgic look at the past. I highly recommend it.
Live at Massey Hall (CD/DVD) OverviewFrom the Neil Young performance series archives Available for the first time The acclaimed 1971 solo acoustic Massey Hall performance Featuring 17 tracks-over one hour of music Special edition CD + DVD combo-pak DVD includes 17 live songs from the Massey Hall concert; hi-res stereo audio BECAUSE SOUND MATTERS 'This is the album that should have come out between After the Gold Rush and Harvest'. David Briggs, my producer, was adamant that this should be the record, but I was very excited about the takes we got on Harvest and wanted Harvest out. David disagreed. As I listen to this today, I can see why. Love you, David.' - Neil Young

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Deja Vu Review

Deja Vu
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Deja Vu Review"Deja Vu" is a timeless masterpiece of classic rock! It's the crowning achievement of Crosby, Stills, Nash and Young (CSN&Y), arguably one of the greatest rock bands of all time. Much of their fame and durability over the past 30 years can be traced to this album, which was originally released on vinyl in 1970. It contains some of their most outstanding and famous songs, including the rock anthems "Carry On" and "Woodstock," David Crosby's tongue-in-cheek "Almost Cut My Hair," Stephen Stills' forlorn ballad "4 + 20," and the personal favorite of both my wife and me: "Our House." Every song shows CSN&Y's tremendous dynamism, versatility and musical maturity. Superbly intelligent lyrics, great guitar riffs (especially Greg Reeves' bass riff in the song "Deja Vu"), beautifully crafted harmonies, and Dallas Taylor's sizzling percussion all converge to make every song on this digitally remastered CD a rock masterpiece.
"Deja Vu" is one of the landmark albums of all time. It's also one of my personal favorites, and an essential CD, not only for fans of CSN&Y, but for all fans of rock and roll music.Deja Vu OverviewOne of rock's all-time classics! The hits Teach Your Children; Our House; Woodstock join Almost Cut My Hair; Helpless; Country Girl; 4+20 , and more.

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Stills Alone Review

Stills Alone
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Stills Alone ReviewThis is a frustrating CD. I've owned it for the better part of a decade and I like it. But it actually doesn't wind up in my CD player all that often.
Why? Because it _should_ have been the album that fans of Stephen Stills's acoustic music had been waiting for. And it isn't.
It falls flat -- not because Stills himself does anything less than a terrific job, but because somebody got the bright idea of recording him on an 'electrified' acoustic guitar (using what sounds like a low-end piezoelectric pickup). In short, the production here is terrible.
The result is a twangy, clickety-clacky guitar sound that doesn't even remotely resemble the angry growl Stills used to coax out of his Martin dreadnoughts on the best of his old acoustic tunes. 'Treetop Flyer' is one of the coolest songs Stills has ever written. But the guitar part, instead of revisiting the territory of 'Black Queen', sounds like something recorded in some teenager's garage.
Ah, well. Most of the music is good. Stills covers 'Everybody's Talkin'' (by his old pal Fred Neil), the Beatles' 'In My Life', and Dylan's 'Ballad of Hollis Brown', and revisits a handful of tunes from his first two solo albums. There are some new (as of 1991, that is) tunes, including the aforementioned 'Treetop Flyer' and 'Isn't It So' (which wound up as the theme song for the short-lived television series _Second Noah_). All of it works pretty well. (The exception is 'Amazonia', which tacks a mediocre lyric over the chord progression from Stills's 'Fair Game' and some sort of electronic percussion track.)
But you have to be able to stand the sound. I think Stills is a decent guitar player and I like to listen to him when he cuts loose. But I sure do wish somebody had done a better job recording him here. This could have been a great album, and instead it's only pretty good.
This CD isn't _just_ for Stills fans, but if you haven't heard Stills's solo work before, don't start here.Stills Alone Overview

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Songs for Beginners Review

Songs for Beginners
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Songs for Beginners ReviewI bought this LP at the same time I bought Wild tales in 1973. It had been out for a couple of years. My girlfriend told me it was great. My 23-year old brother had died in a car accident 6 months earlier so I was "all tore up". This album and Songs for Beginners soothed my aching soul for many years. I don't know how these songs stand up in the historical perspective of CSN. Some of the songs do sound a little dated now. I know every song on these two albums by heart because I sang and played along for years and lived them. Friends were going to prison for 20 years for a joint in Texas and Graham was just singing and writing about what was going on around us. What a back up band he had back then. David Lindley was superb. I liked Graham so much I named my white German shepherd,"Nash" after him. He was my best friend for ten years. We named the cat, "Crosby". I never missed these guys in concert with and without Stills and Young. Wild Tales is a little more up-tempo than "Songs for Beginners." It's all a matter of taste. If you like CSN then you'll like these first two solo projects by Nash.Songs for Beginners Overview

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