Showing posts with label elton john. Show all posts
Showing posts with label elton john. Show all posts

Captain Fantastic and the Brown Dirt Cowboy Review

Captain Fantastic and the Brown Dirt Cowboy
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Captain Fantastic and the Brown Dirt Cowboy ReviewI could hardly wait in 1975 to acquire Elton's new album, one of the hundreds of thousands of people who bought the album as soon as it was available in record stores. I placed the record on the player, sure that I was going to hear another "Yellow Brick Road." Then I was puzzled. What kind of music was this? It was not simple pop with catchy tunes. It was, well, complicated, and sophisticated. It was also Elton's first concept album, and it took me a while to realize that this album was the story of Elton and Bernie's rise to fame, in what appeared to be a relatively short period of time, but which actually took from 1966 to occur.

As I said, this music is very complicated, sophisticated, and beautiful. There are some faster songs, but some of Elton's most carefully crafted music is here as well. The album begins with the title tune, a rock song with a bit of country flavor that represents the flamboyant heart of Elton, and the quieter, western-loving style of Bernie Taupin. The song alternates between a style reminiscent of "Madman Across the Water" to a style that was more fully realized in "Rock of the Westies."

In "The Tower of Babel" and "Bitter Fingers" the dynamic duo lament the difficulties of getting into the entertainment industry. The first song is about the difficulty of entry, the second is about being a stable hack for a record company, churning out songs by the basketful to make ends meet, never seeming to work fast enough or to earn enough. "Bitter Fingers" has a beautiful piano entry, which extends into the song. Elton at his performing best.

"Tell Me When the Whistle Blows" can play on several levels, depending on which part of the song. The style of the song is quite similar to songs such as "Danny Bailey" or "I've Seen That Movie Too" from "Yellow Brick Road." There is a fast rock beat, but the violins give a rich, lush feel. Part of the song longs for being home, and part of the song wonders whether the maturing individual in the song still has the talent and enthusiasm he had when he was a wild kid.

Then comes "Someone Saved My Life Tonight," one of the most phenomenal songs that Bernie and Elton have ever written. This song is about a time when Elton was nearly ready to get married. He made a weak attempt to kill himself, which Bernie and Long John Baldry stopped, and then Baldry talked him out of it. The complexity of this music is symphonic. The piano chords and the harmonies are full and show Elton John having fully mastered the art of creating music.

The next two songs, "Gotta Get a Meal Ticket" and "Better off Dead," are faster, and are about aspects of being starving artists. Both are decent songs, but they are preludes to the last three songs of the original album.

"Writing" is a song about success. Once we are successful, how long can we sustain that success? Also, what will people in the future think about what we did. Will it have meaning for them, and will they think it is good? Bernie's lyrics tell a story, and Elton does an outstanding job complementing the lyrics.

The last two songs remain among my all-time favorite Elton John songs. "We All Fall in Love Sometimes" and "Curtains" transition from one to the next. Though the topics are different, the tenor and beauty of the music is common. When Elton allows his piano to come to the forefront of his music the result is nearly always wondrous. "We All Fall" also has one of the best bridges ever performed in an Elton John song. Elton also plays a harpsichord and a mellotron, used so effectively by the Moody Blues in the previous decade. The results can only be appreciated by listening.

"Curtains" begins so beautifully that when I am mellow it brings tears to my eyes. The lyrics are brought to life by Elton's vocal and musical interpretation, striking into your heart and soul. Only the emotionless could fail to appreciate this fragile, emotional music.

This album was the culmination of years of effort. The music is mature and well-crafted. Beautiful seems a paltry word to describe much of it. The production was the best ever of any Elton John album to date. The skill of the art was theirs, and they capitalized on it to create one of the best rock albums of all time.

Included on this remaster are three bonus songs. "Lucy in the Sky with Diamonds" was a big hit in 1975 for Elton John, and featured the talents of Elton's friend John Lennon. "Philadelphia Freedom" was another big Elton John hit, and was written as a tribute. "One Day at a Time" is another quite good song that helps fill out the potential time of a CD.

Unfortunately I am inadequate for the task of adequately reviewing this CD. While Elton had many creative moments and beautiful songs prior to this album, and had many other excellent compositions, for one magical album the music, the lyrics, and the production all came together to create an album for all times and all ages. While I generally feel that people are silly for saying they want to give a CD dozens of stars, this album would rate more than five stars if I could give them.Captain Fantastic and the Brown Dirt Cowboy OverviewAnother ambitious concept LP, another John/Taupin masterpiece, another #1. Along with the smash Someone Saved My Life Tonight and the rest of the 1975 LP, this CD adds three bonus cuts including the #1s Philadelphia Freedom and Lucy in the Sky with Diamonds !

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Tumbleweed Connection Review

Tumbleweed Connection
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Tumbleweed Connection ReviewAs time has gone by, the music audience's awareness of Elton John's "classic" period has boiled down to his hit singles (a disproportionate number of them novelty songs or nostalgia exercises) and his most outlandish costumes. Although in recent years, he has clearly tried to put the emphasis back on his music, the image of Sir Elton John paying court to Princess Diana, wearing peacock feathers and giant clown glasses while collecting royalties on 70s nostagiac fluff like "Crocodile Rock" seemed to eliminate him from serious consideration. He was good for fun memories and a few million for good causes, but not someone whose music should be considered alongside the Stones, Springsteen, Aretha Franklin or The Band.
But at the same time as his hit singles were topping the charts, Elton John put out four or five of the best "rock" albums of rock's classic era. "Tumbleweed Connection" is the finest of them all, but it is the most neglected because nary a song off it shows up on a Greatest Hits package. Not because the album "failed" to produce a single, but because there is not one song on it that sounds like an artistic compromise, or playing for the galleries. While not exactly a "concept album," it is clearly meant to be played all at once. It sustains a mood, and is adroitly balanced between some pretty hard rockers, some gorgeous love balladry, and a couple of songs that perfectly reflect the questing, questioning qualities of rock at its most meaningful--"My Father's Gun" and especially "Where To Now, St. Peter?"
Like so many albums of the early 1970s, "Tumbleweed Connection" was heavily influenced by The Band. The lyrics also borrow heavily from the Bob Dylan of "John Wesley Harding," and the words Robert Hunter contributed to the Grateful Dead for "American Beauty" and "Workingman's Dead." The old-west/Civil War atmosphere is so thick, it is reflected in the sepia-toned packaging. The packaging also gives prominence to Taupin, underscoring that this album is a collaboration.
But it wouldn't be a great album without the artistry that Elton John brought to it as a songwriter, singer and pianist. The piano-playing is especially strong on this disk, and his singing is powerful, emotional, real; none of the archness or forced irony that started to infect his work a few years later. The piano is mixed right up front on most tracks, and is stunningly great. The guitar is rock's signature instrument, but the piano has a long tradition too, from Fats Domino and Little Richard, to brilliant sidemen like Roy Bittan and Nicky Hopkins. On this album, Elton tops them all. This record is to rock piano what "Electric Ladyland" is to the guitar.
Tumbleweed Connection OverviewElton's soulful mix of country, blues and rock and killer tunes like Country Comfort; Son of Your Father , and Ballad of a Well-Known Gun made this concept LP a #5 hit in '71 (bonuses: Into the Old Man's Shoes and the original version of Madman Across the Water )!

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Give Up the Ghost Review

Give Up the Ghost
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Give Up the Ghost ReviewI've had the vinyl release for several days now and am quite pleased while looking forward to acquiring the CD for my car. I've been listening to Brandi Carlile and the Hanseroth brothers since I received a 'song-of-the-day' iTunes card from Starbucks in October of '07 highlighting the song 'Turpentine'. A few of these songs written by Brandi alone are so heartfelt, it truly feels as though she's desperately reaching out to disconnected people in her past.
The subtle use of instrumentation and orchestration in this third release is beautifully produced and does not in any way obscure from Brandi's unparalleled voice. She could sing (or yodel) her weekly grocery list, and I would drop what I'm doing to listen... anytime.
My current favorite tracks are 'Looking Out' (w/Amy Ray), 'Dying Day', 'Pride And Joy', 'Before It Breaks', and 'Touching the Ground'. Basically the entire album will grow on you. The upbeat song 'Caroline' is a wonderful treat with Elton John playing the piano the way ONLY Elton John can. Highly recommended!Give Up the Ghost Overview

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