Showing posts with label 1970s men. Show all posts
Showing posts with label 1970s men. Show all posts

Very Best of Review

Very Best of
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Very Best of ReviewThis straight reissue of the 1982 collection has no surprise choices in its linep. All ten tracks were top 10 R & B hits. Be it the oh-so funky "Tell Me Something Good" and "You Got The Love" or dance floor fillers like "At Midnight (My Love Will Lift You Up)" and "Once You Get Started," touching tales such as "Hollywood" and "Please Pardon Me" or the steamy ballads "Stay" and "Sweet Thing," all of the enclosed tracks are great.
My only complaint is that this collection did not offer more tracks when it was reissued on CD - in particular the lush "Sharing The Love" (their only other top ten hit). With first rate musicianship and a stellar lead vocalist in Chaka Khan, this set is long enough however to show why Rufus was one of the top bands of the '70s. Also, that they were far more than just Khan's launching pad.Very Best of Overview

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Captain Fantastic and the Brown Dirt Cowboy Review

Captain Fantastic and the Brown Dirt Cowboy
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Captain Fantastic and the Brown Dirt Cowboy ReviewI could hardly wait in 1975 to acquire Elton's new album, one of the hundreds of thousands of people who bought the album as soon as it was available in record stores. I placed the record on the player, sure that I was going to hear another "Yellow Brick Road." Then I was puzzled. What kind of music was this? It was not simple pop with catchy tunes. It was, well, complicated, and sophisticated. It was also Elton's first concept album, and it took me a while to realize that this album was the story of Elton and Bernie's rise to fame, in what appeared to be a relatively short period of time, but which actually took from 1966 to occur.

As I said, this music is very complicated, sophisticated, and beautiful. There are some faster songs, but some of Elton's most carefully crafted music is here as well. The album begins with the title tune, a rock song with a bit of country flavor that represents the flamboyant heart of Elton, and the quieter, western-loving style of Bernie Taupin. The song alternates between a style reminiscent of "Madman Across the Water" to a style that was more fully realized in "Rock of the Westies."

In "The Tower of Babel" and "Bitter Fingers" the dynamic duo lament the difficulties of getting into the entertainment industry. The first song is about the difficulty of entry, the second is about being a stable hack for a record company, churning out songs by the basketful to make ends meet, never seeming to work fast enough or to earn enough. "Bitter Fingers" has a beautiful piano entry, which extends into the song. Elton at his performing best.

"Tell Me When the Whistle Blows" can play on several levels, depending on which part of the song. The style of the song is quite similar to songs such as "Danny Bailey" or "I've Seen That Movie Too" from "Yellow Brick Road." There is a fast rock beat, but the violins give a rich, lush feel. Part of the song longs for being home, and part of the song wonders whether the maturing individual in the song still has the talent and enthusiasm he had when he was a wild kid.

Then comes "Someone Saved My Life Tonight," one of the most phenomenal songs that Bernie and Elton have ever written. This song is about a time when Elton was nearly ready to get married. He made a weak attempt to kill himself, which Bernie and Long John Baldry stopped, and then Baldry talked him out of it. The complexity of this music is symphonic. The piano chords and the harmonies are full and show Elton John having fully mastered the art of creating music.

The next two songs, "Gotta Get a Meal Ticket" and "Better off Dead," are faster, and are about aspects of being starving artists. Both are decent songs, but they are preludes to the last three songs of the original album.

"Writing" is a song about success. Once we are successful, how long can we sustain that success? Also, what will people in the future think about what we did. Will it have meaning for them, and will they think it is good? Bernie's lyrics tell a story, and Elton does an outstanding job complementing the lyrics.

The last two songs remain among my all-time favorite Elton John songs. "We All Fall in Love Sometimes" and "Curtains" transition from one to the next. Though the topics are different, the tenor and beauty of the music is common. When Elton allows his piano to come to the forefront of his music the result is nearly always wondrous. "We All Fall" also has one of the best bridges ever performed in an Elton John song. Elton also plays a harpsichord and a mellotron, used so effectively by the Moody Blues in the previous decade. The results can only be appreciated by listening.

"Curtains" begins so beautifully that when I am mellow it brings tears to my eyes. The lyrics are brought to life by Elton's vocal and musical interpretation, striking into your heart and soul. Only the emotionless could fail to appreciate this fragile, emotional music.

This album was the culmination of years of effort. The music is mature and well-crafted. Beautiful seems a paltry word to describe much of it. The production was the best ever of any Elton John album to date. The skill of the art was theirs, and they capitalized on it to create one of the best rock albums of all time.

Included on this remaster are three bonus songs. "Lucy in the Sky with Diamonds" was a big hit in 1975 for Elton John, and featured the talents of Elton's friend John Lennon. "Philadelphia Freedom" was another big Elton John hit, and was written as a tribute. "One Day at a Time" is another quite good song that helps fill out the potential time of a CD.

Unfortunately I am inadequate for the task of adequately reviewing this CD. While Elton had many creative moments and beautiful songs prior to this album, and had many other excellent compositions, for one magical album the music, the lyrics, and the production all came together to create an album for all times and all ages. While I generally feel that people are silly for saying they want to give a CD dozens of stars, this album would rate more than five stars if I could give them.Captain Fantastic and the Brown Dirt Cowboy OverviewAnother ambitious concept LP, another John/Taupin masterpiece, another #1. Along with the smash Someone Saved My Life Tonight and the rest of the 1975 LP, this CD adds three bonus cuts including the #1s Philadelphia Freedom and Lucy in the Sky with Diamonds !

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Wingspan (Hits & History) Review

Wingspan (Hits and History)
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Wingspan (Hits & History) ReviewI was a Paul Fan back in the day. Thought I would marry him one day. Hey hey hey!
Stop that madness. Paul married well the second time. I'm so glad. Not only does he pay tribute to the late Linda McCartney in the second song ("The Lovely Linda") on the second CD, but he provides happiness to his fans both old and new in this Wings compilation. Seven years after its release, it is just now playing in my car. Actually, I intended to purchase Venus and Mars, one of my all-time favorite albums (which vinyl version I have not replaced). Because the music store did not have it, I bought "Wingspan" instead.
The two CDs in the set are so different. The first CD is a selection of some of Wings greatest hits, while the second is surprises (for me). This disc is more ballads and love songs and blues with a couple of hits mixed in.
The liner notes tell us that Paul struggled to find his niche after the Beatles breakup, both alone and in a group. During that time I remember the negative reaction to Linda's inclusion in the band (I was one of the voices). Her addition seemed out of kilter for a master singer and songwriter. But as I have been listening recently, I hear Linda with "fresh" ears--as a retrospective. Whatever her contribution, Paul apparently wanted her there. That's a real tribute to a marriage in a fishbowl.
There is absolutely no reason to list any songs. A Paul fan knows them. Maybe a Paul-fan-in-the-making might like a rehash, but there are better reviews for that. However, THE song that jumps out at me is "Mull of Kintrye." I didn't even know what he was saying until I read it, then got out a map and discovered it is in Ireland. The other song I will mention is "Live and Let Die," my favorite James Bond theme song. The discordance fits perfectly with the evil always present in a Bond story. "Band on the Run" and "Jet" are two other excellent Wings songs.
On the second CD the two that stand out are "Venus and Mars/Rockshow" and "Maybe I'm Amazed."
Overall, it was truly interesting to hear the songs that Paul calls "some of our best work."Wingspan (Hits & History) OverviewCD's have a total of 40 songs.Manufactured by Capitol Records.

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The Very Best of Badfinger Review

The Very Best of Badfinger
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The Very Best of Badfinger ReviewI'll begin by saying that I have very mixed feelings about this collection. As a single-disc compilation, it is obviously not as comprehensive as the two previous volume of "The Best of Badfinger". On the other hand, it does condense their Apple and Warner Brother years onto one tidy disc for the first time ever. For anybody who's never really experienced Badfinger, this collection is probably a good place to start. Yes, many people have heard several of the hits before, but they don't know who sang them. Play this at any gathering and I guarantee that everybody will know at least two or three of these songs (you may even create some new Badfinger fans).
Now for the critique...
The compilers pretty much culled all of the essential tracks from their album as the Iveys and from their first album as Badfinger (except for maybe "Crimson Ship" from _Magic Christian Music_) The same goes for the tracks from their second album, _No Dice_. One can never tire of the likes of "No Matter What" or "We're for the Dark". The inclusion of the "rare" "I'll Be the One" is a nice surprise.
The selections from _Straight Up_ and _Ass_ are, however, highly suspect. Yes, we have "Day After Day", "Baby Blue" (simply the best power-pop song ever recorded by anyone), and "When I Say". But what possessed the producers to replace the majestic piano-driven _Straight Up_ take of "Name of the Game" with a highly inferior guitar-based recording from the same sessions? This is NOT the way for the casual listener to be introduced to such a great song!
As for _Ass_, why does Capitol insist on mistreating this highly underrated album so much?! First, they choose not to reissue it in the U.S., then they practically ignore it on this collection. "When I Say" is a great song, but what about "Apple of My Eye", "I Can Love You", or "Timeless"?
The big news here, of course, is the inclusion of several WB tracks, all of which are worth the price of admission, especially "Love Time" and the stunning medley "Meanwhile at the Ranch/Should I Smoke".
I recommend this collection to anyone who's never really heard Badfinger aside from there few hits. From here, though, the listener is advised to check out their individual albums, especially _Straight Up_, _Ass_ (good luck!), and _Wish You Were Here_.The Very Best of Badfinger Overview

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Very Best Of The Moody Blues Review

Very Best Of The Moody Blues
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Very Best Of The Moody Blues ReviewFor those who are not familiar with the Moody Blues and are unsure where to start collecting their individual CDs, get this CD. While not all of their charting singles are here (it omits "Sitting At The Wheel") it does gives you a nice introduction to the Moody Blues, including the Denny Laine/Clint Warwick period where "Go Now" stems from.
While I totally appreciate all the reviews here, there are some inaccuracies I have to correct. First of all this collection came out five years ago, not more than ten years ago as another reviewer states (he's refering to the 1989 release "Greatest Hits/Legend Of A Band", which doesn't include "Go Now"). Secondly, "Nights In White Satin" is neither the "Days Of Future Past" version nor the single version. Rather, it's the complete recording WITHOUT the orchestral overdubs (the Moody Blues don't play on the introduction, nor do they play on "Late Lament", Mike Pinder's reading of Graeme Edge's poem, which was a seperate recording). Thirdly, they don't play on the orchestral ending/interlude of "Tuesday Afternoon"; this is where the single version faded anyway.
That said, it's still a fine representation of the Moody Blues (eons ahead of the Millenium Collection). However, if you don't mind spending the extra dough, get "Anthology" which is an even better collection (as a number of other reviewers allude to).
Peace.Very Best Of The Moody Blues Overview17 hits from all phases of their career, including-for the first time on any Moody Blues compilation- Go Now ! Other tracks- Tuesday Afternoon; Knights in White Satin; Ride My See-Saw; Question; Forever Autumn (from Jeff Wayne's "War of the Worlds"); Your Wildest Dreams; I Know You're Out There Somewhere , and more. Notes, pix even an interview with Justin Hayward!

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50 Golden Greats Review

50 Golden Greats
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50 Golden Greats ReviewIn the early sixties, instrumental hits were a regular feature of the pop charts in Britain and America. There were several great instrumental artists around. America had Duane Eddy, Floyd Cramer, B Bumble and the Stingers and the Ventures, to name a few. Britain had the Shadows and the Tornados. While the Tornados were very successful at the time, most notably with Telstar, the Shadows remained successful for the rest of the century.
The Shadows were also Cliff Richard's backing band and played on most of his hits in the fifties and sixties. Like Cliff, they made little impact in America but any Americans who enjoy the Ventures and Duane Eddy ought to give the Shadows a listen.
This compilation has all their big UK instrumental hits of the sixties and seventies including Apache, Man of mystery, FBI, Wonderful land, Dance on, Foot tapper and Don't cry for me Argentina. They also experimenting by doing a few vocal tracks and some of those are included here, among them being Mary Anne (a UK top ten hit), Don't make my blue, I met a girl, Dreams I dream and Let me be the one (their 1975 Eurovision song - like so many other Brits, they came second). The vocal tracks are good but it is their instrumental skills on which their reputation is built.
Most of their big hits came early in their career. In the eighties and nineties, they gave up worrying about hits and contented themselves with making albums of cover versions. A few covers selected from these albums round off this excellent collection. Among them is Albatross, an early Fleetwood Mac tune that always sounded very like a Shadows track, so it was an obvious tune for them to cover.
The Shadows, like most pop groups, has had its share of line-up changes. Hank Marvin and Bruce Welch , two of the original members, remained with the group throughout. The other two original members, Jet Harris and Tony Meehan, left early on, They teamed up as a duo and had some UK hits of their own including Diamonds. Of the other members that came and went, John Farrar is perhaps the most famous. He joined in 1970 but eventually had to leave because of other commitments - he became producer and songwriter for Olivia Newton John.
If you enjoy guitar instrumental music of the sixties, you'll love the Shadows. This compilation contains all the essentials, though a lot of Shadows music is available on CD for those who wish to explore further.50 Golden Greats Overview

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Essential Willie Nelson Review

Essential Willie Nelson
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Essential Willie Nelson Reviewthis is the one to have. Let's face it, all compilations have their weaknesses, but the 2 disc "The Essential Willie Nelson" (2003) is the first to cover all the labels Willie has recorded for and all the big hits in one set! Disc one kicks off with 7 early 60s recordings including "Night life", "Hello Walls", and "Crazy" (which Willie wrote & Patsy Cline made famous). Track 8, "Me and Paul" starts Willie's 70s recordings including "Blue eyes crying in the rain" and of course his classic duets with Waylon: "Good Hearted Woman" & "Mama's don't let your babies...". 3 songs are included from the 1978 album "Stardust": "Blue Skies", "Georgia on my mind", & "All of Me" and disc one closes with two live tracks: "Whiskey River" & "Stay a little longer" both from the '78 album "Willie & Family Live".
Disc 2 continues with late 70s and early 80s hits like "My Heroes have always been Cowboys", "Always on my mind", and of course "On the road again". More classic duets follow with "Pancho & Lefty" (a personal favorite) with Merle Haggard, "To all the girls..." with Julio Iglesias, and "Seven Spanish Angels" with Ray Charles. The 1984 gem "Highwayman" featuring Kristofferson, Waylon, and Cash is also here. The second disc is wrapped up with more duets: "Slow Dancing" with U2 (which surprisingly works because Bono is either MIA or extremely toned down), "Mendocino County Line" with Lee Ann Womack, and "One Time too Many" with Aerosmith. One review stated that these last three songs left a "sour taste" considering that they are part of an "essential" collection. I have to agree, but only greatly in terms of the Aerosmith song. It starts off well enough with acoustic guitar and Willie and Steven Tyler trading verses, but when the rest of Aerosmith kicks in and Tyler does his thing, Willie is drowned out and that's not cool on a Willie Nelson compilation. If one wants to hear Aerosmith, there are many ways to do so. So with the minor exception of the final track of the set, this compilation is indispensable. A great way to get Willie's biggest hits on one reasonably priced set!
*It should be noted that 14 of the 20 tracks from the 1981 compilation "Greatest Hits & some that will be" are included here not to mention 22 of the 30 tracks on 1999's "The Very Best of Willie" as well. So if you have either of these, 2003's "Essential" may not be essential. However, if you don't have any Willie compilations yet, this is the one to go with.
Also recommended:
RCA Legends: Waylon Jennings (2 disc, 40 track excellent compilation)Essential Willie Nelson OverviewThis double-disc set is cross-licensed to include key tracks from 40 years of recording! Includes Night Life; Hello Walls; Me and Paul; Bloody Mary Morning; Funny How Time Slips Away; Blue Eyes Crying in the Rain; On the Road Again; If You've Got the Money I've Got the Time; Georgia on My Mind; My Heroes Have Always Been Cowboys; Always on My Mind; Pancho and Lefty; Highwayman , and more. 41 tracks!

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