Showing posts with label western. Show all posts
Showing posts with label western. Show all posts

The Good, The Bad & The Ugly (Expanded) Review

The Good, The Bad and The Ugly (Expanded)
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The Good, The Bad & The Ugly (Expanded) ReviewTimed with the release of the special edition DVD of "The Good, the Bad and the Ugly," this soundtrack presents an expansion of Ennio Morricone's score with ten previously unavailable tracks and a running time of 55 minutes. The sound has also been excellently remastered, making a huge improvement over the poor quality of the old LP and CD. Any fan of the film or the music of Morricone will want to grab this right away.
A few cautions however: nowhere on the CD packaging or in the enclosed booklet is the listener informed that the new tracks are in MONO, not stereo (stereo masters do not exist for the new tracks). The mono sound quality is clear and well done, but it does clash significantly with the original stereo tracks. I don't think this should prevent anyone from purchasing this CD, but buyers should be aware that the sound varies tremendously between tracks. Also, the enclosed booklet contains no liner notes or information on the music. It does contain three spreads showing close-ups of the eyes of the main characters -- a cool design idea -- but the album producers missed a golden opportunity for presenting background data, restoration notes, and track-by-track commentary. A score of this historical importance certainly deserves this sort of treatment!
With this score, Morricone pushed to its limits his rough, weird style of Western music that he developed in his two previous Westerns for Sergio Leone. The famous "Main Title" sums up Morricone's approach perfectly: bizarre instruments, jagged changes in sound, and a thunderous tempo. This main theme appears throughout the score in many variations, depending on which member of the unholy trinity it is describing. The other tracks found on the old CD outline the other important themes: the slow `war theme' heard in multiple bugle calls in "The Strong"; the ethereal female vocal in "The Carriage of the Sprits"; the sprightly dance tempo of "Marcia," which later becomes a slow, grim lament with a wordless male chorus in "Marcia without Hope"; and the vocal piece "The Story of a Soldier," sung by a chorus of imprisoned confederates, and later made into the most touching piece on the album, "The Death of a Soldier." The score concludes with two incredible musical pieces. "The Ecstasy of Gold" is a swirling, gradually building piece dominated by a soaring female solo voice; it casts an incredible hypnotic spell to match the title -- this is true `ecstasy'. "The Trio" covers the tense showdown, and will make your heart pound out of control as the music crescendos with drums, Spanish trumpet, and guitars hammering away at each other.
Here's what you'll find on the new tracks.
"Sentenza" (the Italian name for the character Angel Eyes, played by Lee Van Cleef), "Fuga a Cavallo" (Escape on Horseback"), and "Inseguimento" ("Pursuit") utilize new different versions of the famous theme. "Sentenza" is eerie and played on electronic guitar and low woodwinds, while the other two versions are action-oriented. "Il Ponte di Corde" ("The Rope Bridge") features some of Morricone's most bizarre and comic orchestration. "La Missione San Antonio" is a rare moment of laid-back beauty in the score, using the theme heard in "The Story of a Soldier" as its base. "Padre Ramirez" is a sad and beautiful Spanish guitar lament, another bit of touching music amidst the musical ferocity (although the main theme explodes at the finale). "Il Treno Militare" ("The Military Train") returns to the "The Story of a Soldier" theme, but played slowly and with a martial drum beat underscoring it.
"Fine di Una Spia" ("End of a Spy") starts with the a soft version of the main theme, then switches over a version of "The Carriage of the Spirits." "Il Bandito Monco" ("The Bandit Monco") and "Due Contro Cinque" ("Two Against Five") are suspense pieces using heavy, punctuated percussion and only hints of any of the film's themes.
I hope that some music label will get around to re-mastering and expanding Morricone's greatest score, "Once Upon a Time in the West," with the same care done here!The Good, The Bad & The Ugly (Expanded) OverviewOne of the all-time great Western scores, restored to its original length-that means an additional 10 tracks! A spaghetti-flavored treat for soundtrack collectors!

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Deadwood: Music From HBO Original Series Review

Deadwood: Music From HBO Original Series
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Deadwood: Music From HBO Original Series ReviewAs a fan of the series Deadwood, I found this soundtrack CD to be both satisfying on its own merits and a successful evocation of the spirit of the series. It contains a lot of authentic American music that has the traditional feeling appropriate to the Old West setting of the show. There's gospel, folk, country, blues, and many pieces of miscellaneous instrumental music. It's telling that when the music producers wanted a true-sounding version of "Will The Circle Be Unbroken," they went to the source, June Carter Cash. I also like the fact that they filled their show and this disc with many excellent songs by relatively unknown artists like Mark Lee Scott and Michael Sheehy. However, I think my very favorite music from the CD are some of the instrumentals, especially the themes by Gustavo Santaolallo and the great Michael Brook. In between the music, there's also a great deal of dialogue samples from the show -- and that's what gives the CD its parental advisory label. (The presence of strong language in those dialogue samples will be no surprise to anyone who has seen Deadwood!)Deadwood: Music From HBO Original Series OverviewLost Highway releases the Deadwood Soundtrack, compiling songs appearing at the close of each episode. The soundtrack features an eclectic mix of artist ranging from Sonny Terry and Brownie McGhee to Lyle Lovett to June Carter Cash.

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Cool Water Review

Cool Water
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Cool Water ReviewThe Living Stereo Collection was a series of finely crafted LPs from the late fifties and early sixties that took popular songs of that era and added slick orchestral accompaniments for some truly remarkable finished products. This album is no exception.
Cool Water reprises many of the Sons of the Pioneers best loved tunes, including Wagon Wheels, Tumbling Tumbleweeds, the title cut and a dynamic interpretation of Ghost Riders in the Sky. The arrangements add the beauty of stirring strings, subdued brass and haunting woodwinds to the traditional western instruments; guitar, accordian and harmonica. The result is a wonderful musical combination that supports and enhances the incomparable harmonies of the singers.
As with many top groups, the lesser known songs are often like discovering buried treasure. For those not well acquainted with the Sons of the Pioneers, take the time to listen carefully to the almost classical harmonies of Wind, Blue Prairie, Blue Shadows on the Trail and Twilight on the Trail. There are also jauntily upbeat offerings like Way Out There and Ridin' Down the Canyon.
This album is a dreamlike journey down memory lane, to a time when music was simpler and more heartfelt, and we all felt comfortable singing along with our favorite melodies. Put Cool Water on the stereo and, before you know it, you'll find yourself joining in on these wonderful songs.Cool Water Overview

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The Wild West: The Essential Western Film Music Collection Review

The Wild West: The Essential Western Film Music Collection
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The Wild West: The Essential Western Film Music Collection ReviewAll the music on this CD is performed by the Prague Philharmonic Orchestra. They do a good job overall although some cuts lack the syncopated verve and bounce of the originals. But, hey . . . that's SOP for anthologies. Their version of Silverado is great. So is The Cowboys. Their rendition of The Alamo is lackluster, even if technically well played. The Searchers has all the Civil War tunes from the film interwoven into it, as it's supposed to. Glory woefully misses the Harlem Boy's Choir--a chorus of adult Czechs are just no substitute--and they don't even play the film's main theme, so skip that one. How the West Was Won is too controlled. The theme from Gettysburg is marred by a lead trumpet that is too loud--bad mixing job, guys. They do Clint Eastwood's Unforgiven theme well. WARNING: these CDs are painted to look like marshal stars, and they wouldn't play on my car's CD player. They would play on my computer, however. I had to re-record them onto blanks to listen in my car.The Wild West: The Essential Western Film Music Collection Overview38 classic Western film themes on 2 specially priced CDs! Includes Once upon a Time in the West; How the West Was Won; The Magnificent Seven; The Alamo; The Searchers; The Wild Bunch; Unforgiven; Dances with Wolves; True Grit; High Plains Drifter; A Fistful of Dollars; Stagecoach; The Outlaw Josey Wales; Heaven's Gate; The Wild Wild West (TV); Silverado; The Cowboys; Glory , and more.

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Greatest Cowboy Songs Ever Review

Greatest Cowboy Songs Ever
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Greatest Cowboy Songs Ever Reviewi really like the CD. it has nice instrumentals of many classic cowboy songs. the quality is very good too. the only downfall is that the CD is only about 30 minutes long so it is quite short. but other than that, i recommend it for anyone wanting to hear these nice classic songs.Greatest Cowboy Songs Ever Overview

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